Jade Emperor then followed the advice of Thai Bach Kim Tinh, sent a holy order, conferred Ton Ngo Khong the title of “Bot Ma On”, invited the King to come to Thien Cung, hoping to use this to bind the US. Monkey King. In the ancient Chinese fairy genealogy, including the officials of the gods, there are many things that are made up of imagination – the world does not have this official. Although Journey to the west is a mythological novel, the duties of the official are thus fictitious, there are many positions borrowed using the mandarin of the Ming Dynasty. “Turn Ma On” is not without reason, so in history there is an official “Boat Ma On” or not? During the Ming Dynasty, there was the position of Ngu Ma Giam, starting from the year of Hong Vo – Thai To Chu Nguyen Chuong, the deacons were all in charge of the eunuchs. The eunuchs as Ngu Ma Giam, the official must be the fourth grade, those who belong to the fourth or fifth grade are not selected. But if they don’t take good care of the horse, let the horse die, they will be punished very severely. Just like in Journey to the west In heaven, the eunuchs Ngu Ma Giam used to say: “If a horse is weak and weak, it will be punished. If the horse is injured, it will be compensated and questioned.” There was an official Ngu Ma of the Ming dynasty called Thai tu tu, starting in March 1371, the fourth year of Hong Vo, the main position was called Thai bo tu khanh, the secondary position was called Thieu khanh. The Marquis at that time was called “Ton Thai Tu Tu”. Why is it called “Turn on Code On”? Don’t say it’s the Ming Dynasty, all the mandarins of other dynasties don’t have a position called “Bot Ma On”. According to a record of ancient monsters, during the time of Tong Jin, the horse of the Trieu country suddenly fell dead, someone used an animal similar to a monkey (ape) to save them. Therefore, later people often locked a monkey in a stable and thought that by doing so, the horse would not be infected with plague. Traditional Chinese medicine also has a similar view of this. For example, books Sacrifice Essential Art by Jia Tu Hiep, who lived in Northern Wei, wrote: “Usually forcing the maid to go to the stables, it can prevent the horse from panicking, and also ward off evil, and cure all diseases.” In the Ming Dynasty, Ly Thoi Tran, in the draft outline, it was also mentioned that “The female monkey kept in the stable can help the horse avoid plague”. “Turn Ma On” (transliteration: Bi Ma Wen = Turn on code on) and “Tí Ma On” (transliterated: Bi Ma Wen = Ti Ma On) are homonyms with different meanings. So in Journey to the west Emperor Ngoc of Thien Cung chose a relatively beautiful official named “Bot Ma On” to let Ton Hau Vuong take over. Obviously, “Boat Ma On” is just another homonym with the same meaning as Ti Ma On. In the work Journey to the west By author Ngo Thua An, he gave the male breed Ton Hou a very strange nickname, which is certainly a very humorous description. Under his pen, “Bot Ma On” was directed by Emperor Jade Emperor himself. This is a poignant satire of the emperor in heaven and the emperor on earth. Their way of domination, if not concealment, is deceit. The Jade Emperor let the Hou King act as “Boat Ma Wen”, just one of the many examples of deception and hiding. Later, Sun Wukong learned the truth from someone else’s mouth. Bu Ma Wen is not only the smallest official but also “unofficial” among the officials. Therefore, Sun Wukong suddenly became angry, gritted his teeth and rolled his eyes, saying: “Dare to despise old Ton, old Ton I live in Hoa Qua Son, claiming to be King and claiming to be Patriarch, but dare to trick me into going to heaven to raise horses? Horse-keepers are just juniors, low-class people, why should it be my turn? He did not do! He didn’t do it!”. So, Ton Ngo Khong shouted, broke the koan, beat the Heaven Gate, and returned to Hoa Qua Son. The monkeys came to meet the Hou, and they were also angry and said, “The king is the king in this heavenly paradise, so respected and happy, why do you want to be a groom for people?” If you discuss with Sun Wukong’s bravery, you can’t be as majestic as the position of Marshal Thien Bong of Tru Bat Gioi, and you can’t call it Sa Tang’s official Quan Liem General, no wonder the Marquis is angry. . Moreover, in this story, Ton Ngo Khong shows a very strong self-esteem. When we went to get the scriptures, we still hated that other people called us “Boat Ma On”. If there is any goblin who does not know or deliberately rubs salt into the old wound, it will certainly be avenged by the monkey twice by destroying the entire lair. Work Journey to the west showed a very clear social meaning. Ngo Thua An was the one who understood it best and used this story to satirize the contemporary ruling class that did not know how to use people. Ngo Thua An was once a “famous” writer, but it was not until he was over 40 years old that he got the title of Tue Cong born, more than 60 years old, he was allowed to do Truong Hung district. Ngo Thua An borrowed the story of Ton Ngo Khong treason with the implication for his thoughts, and also wanted to regain some justice for all the amateurs in the world who had no time to study but did not meet the time.

From 1954-1975, Saigon, under the management of the national government at the time, with the social situation had a temporary period of peace, the economy was developed, the urban attraction increased, leading to the urbanization rate. rapidly developing. Since the 1960s, the economy has depended on massive aid from allied capitalist countries, especially the United States. Saigon urban area has the opportunity to develop further. The networks of roads and main roads were expanded and newly built. The population of Saigon at that time was more than three million people and had become a huge metropolis, a population center, a center of employment and a refugee camp. The Library of General Science, designed by architect Nguyen Huu Thien and architect Bui Quang Hanh, completed in 1972, is highly appreciated for its architectural solutions to adapt to hot, humid tropical climates and heavy rains. In the early 1970s, due to the economic investment policy to attract foreign capital, the city’s industry developed strongly, and a series of large-scale enterprises appeared. In parallel with the development of technical infrastructure, traffic, electricity, water; social infrastructure, public works, commerce, services, large residences, buildings, hospitals, universities are invested and developed with higher quality than before. In addition, a large number of highly qualified and numerous scientific and technical workers, technical workers and craftsmen were born. In which, a team of Vietnamese architects trained from many domestic and foreign sources such as France and the US have met the design and construction needs of Saigon. Based on the contemporary socio-economic foundation, construction activities developed together with close exchanges with Western capitalist countries have created conditions for art movements in the world to be imported into Vietnam. freely. In which, the popular international modern architectural style has contributed to changing the appearance of Saigon architecture. This architectural style has begun to gradually replace the cumbersome and restrictive Western classical and neoclassical architectural forms before, making Saigon architecture bring many elements of a modern urban architecture. compared to other countries in Asia at this time. Notably, most of these architectural works are designed and constructed by a team of Vietnamese architects who meet international modern standards. The stylized stilt house standing on the lake and the flower wall on the reading room façade is a reasonable solution. Columns, beams, cantilevered roofs, roofs reaching out from the walls are familiar traditional images . The trend of modern architecture when entering our country has been applied by the architects to suit the local climatic conditions and has formed the style of “tropical modern architecture”. In fact, this style appears almost widely in countries with tropical climates such as Brazil of South America, some South African countries, South Asian countries such as India, Sri Lanka or from Southeast Asian countries. They have the common characteristics of simple shapes, high-rise buildings, reinforced concrete construction materials, aluminum and glass, high functional value, use of detailed structure of couches, sunshades and corridors in accordance with the requirements of the project. humid tropical climate. However, a special feature is that “tropical modern architecture” in Saigon has been skillfully combined by Vietnamese architects between Western modern technical elements and Eastern culture, exploiting the traditional architectural features in the building. The harmony between architecture, people and nature has made these buildings truly worthy contemporary works to be treasured. Tropical features and Saigon nuances Referring to the typical architectural works of this period, it is impossible not to mention the Independence Palace by the architect. Ngo Viet Thu and his associates designed. My colleagues also have an analysis of this work in the same issue, however, I still want to emphasize, this is a work that shows a harmonious combination of Western and Eastern cultural elements. , creating a project with a “tropical modern” style as a monumental highlight at the end of Le Duan street. Independence Palace seen from above. Photo: Zing The facade architecture of the building is divided into three solid – hollow – and solid pieces, which partly repeats the layout of the previous Norodom Palace, however, can also recall the silhouette of the traditional three-room, two-gable house, similar correspond to the functional areas inside. The ground floor is designed with large glass doors to bring trees and water surface into the building as much as possible. The prominent image on the façade is the unique “stone flower curtain”, the author’s name for his work. Because the facade of the building faces East – North, in order to have a lot of natural light and still limit solar radiation, the author has cleverly combined Western technical materials with traditional aesthetic concepts. The tradition creates the image of the curtain, making people think of the images of the shuttle or the bamboo structures, which are symbols of the gentleman in the concept of the Eastern people. They bring a very familiar feeling to Vietnamese people. Inside the flower curtain is a wide and long porch filled with light, reminiscent of a porch in folk architecture. The indoor spaces are created by the author according to the principle of natural ventilation and open space to exploit the surrounding landscape and also to suit the climate here. Even the roof insulation solution is taken care of. The roof has a two-layer floor structure, the bottom is a bearing concrete layer, the top is a heat-resistant knitting sheet placed on a brick pillow 40cm from the floor, it is thanks to the convection air cushion in the middle that should keep the indoor temperature at all times. cool either. At the same time, in the work, some specific materials are used such as washing stone, grinding stone to paint the walls, but there are people who put the Independence Palace in the category of “tropical architecture that creates Saigon’s nuances in the overall design of the city.” Vietnamese contemporary architecture”. In 1972, the construction of the General Science Library designed by architects Nguyen Huu Thien and Bui Quang Hanh was completed. The work is located in a quite favorable position in the city center, opposite the old Gia Long Palace – now the City Revolution Museum – at the corner of Nam Ky Khoi Nghia and Ly Tu Trong streets today. The authors have combined the building block in functionalism by creating two blocks with a clear geometric shape but cleverly arranging them to contrast each other. The horizontal block is the reading room and the vertical block is the bookstore, along with the solid and hollow façade solution to bring unexpected and impressive visual effects. Although this is a tactic that we often encounter in some modern Western works, here the authors have shown the consistency from content to form an architectural solution adapted to the situation. The climate is tropical with lots of sunshine and lots of rain. At the same time, the authors also know how to skillfully combine Western aesthetic elements and traditional Vietnamese elements to create a work with unique nuances. General Science Library Architecture. Photo: Flickr That is the architectural treatment of the facade of the bookstore with solid walls running in the horizontal direction, symbolizing books stacked on top of each other and leaving only small window slots just enough to get light, to Avoid direct sunlight to yellow the documents inside. Or like the image of a stylized stilt house standing on a lake in a cubic layout of the building’s facade, the ground floor floor is raised from the ground to bring a sense of closeness and enjoyment but without losing the grandeur of House. Because the work is facing northwest – southeast, the use of a flower wall on the facade of the reading room block is quite reasonable, both against solar radiation and creating ventilation for the corridors and rooms inside. . Especially here the authors have modernized traditional architectural elements to create decorative motifs that are extremely expressive, bringing great success. The work that makes a strong and unforgettable impression is thanks to this flower wall. The building is no longer a homogeneous box-shaped block, but has used many elements of traditional wooden architecture such as columns, beams, cantilever, roof raced out from the wall, even the familiar bare surfaces of the building. The large wall panels in modern architectural style are also treated with stone materials and decorated with dragon and phoenix reliefs. The shapes and details show that the Vietnameseization as well as the tropicalization of modern architecture at the Library of General Science has reached its peak. University of Medicine and Pharmacy project. Photo: MINH@K It is possible to point out another project, which is the University of Medicine and Pharmacy. Located in a large campus, with a distributed layout but the blocks are linked together by rows of covered corridors on all three floors, so the circulation between functional blocks is quite convenient. It is also thanks to this layout that the building organically connects with the gardens, trees, water surface, weaving in the campus to create a fresh atmosphere, softening the harsh sun of the climate. It also demonstrates the application of the principles of the school of organic architecture that such masters as Frank Lloyd Wright, Alvar Aalto, Richards Neutra have proposed. Although there is a limitation of square shapes, but due to the way of creating a liberal floor plan, due to the flexible solution of space, it has been quite closely combined between the indoor and outdoor spaces. between architectural works and nature in a harmonious and lively manner. The project of the University of Medicine and Pharmacy is a very successful example of a solution against solar radiation. For the east and west facing facades, a vertical and thick slat system combined with the corridor was used. As for the south and north facing sides, the corridor solution is combined with the mixed roof system. The blocks are linked together thanks to the corridors covered with all three floors, so the circulation between the functional blocks is quite convenient and organically connected with the gardens, trees, and the sun. country. This is also a successful work on solutions against solar radiation. For the facades facing east and west, a thick and vertical slat system in combination with the corridor was used. As for the south and north facing sides, the corridor solution is combined with the mixed roof system. Photo: MINH@K In general, the architecture of the University of Medicine and Pharmacy has a high consistency thanks to the use of a wide corridor system solution combined with blue forms, herringbone stairs, whitewashed stone walls that stand out on the green background of trees. All of them create a very typical style of “Saigon tropical architecture”. Although there are only a few typical examples in the overall picture of Saigon urban architecture in the period 1954-1975, it also gives us an idea that Saigon architecture in this period has taken a step forward. outstanding, both adapting to the tropical climate and meeting the needs of the new urban lifestyle of the people here. Whenever mentioning this period, everyone is proud of an architecture with the common name “tropical modernization”, a title favored by many international researchers. With a fairly smooth combination between modernity and ethnicity in architecture, between architectural, climatic and human factors, the works in this period really laid a solid foundation for the the next step of contemporary Vietnamese architecture. Posts: Assoc. Nguyen Khoi

Hoi An Oi Villa is a tourist villa with 7 different bedrooms: 4 double rooms, 1 family room, 1 room with two single beds, 1 dorm room with four beds. The building has living room space, dining room, kitchen and swimming pool. All rooms and common living space fully exploit river view and wind. Design requirement is that the villa must have the atmosphere and spirit of the space of Hoi An but still modern, contemporary … Hoi An Oi Villa is developed from the structure of the tube house of Hoi An ancient town: the front house, the toilet and the back house. The villa is composed of 3 main blocks combined with auxiliary blocks. The main block corresponds to the sleeping space, the sub-block corresponds to the toilet and the common area; creating rhythmic street facade and harmony with the whole landscape. Right from the entrance, Hoi An Oi Villa exudes the spirit of ancient house architecture. The ground floor of the villa is arranged into two areas: public space and residential space, which are connected by the auxiliary hall space and the staircase. In the public space, the living room, the dining room and the kitchen are connected and directly connected to the swimming pool arranged along the house. The living space is the family room arranged at the end of the land, separate from the public area, at the same time being extended to the back of the large porch. On the 1st and 2nd floors, each floor has 3 rooms, the rooms are separated by a toilet area and a common living space to increase privacy, especially in terms of sound. The eaves used in the balconies of Hoi An Oi create a familiar image in traditional Vietnamese houses, while minimizing the sun and rain falling on the balcony. The downstream door system is applied from traditional Hoi An housing architecture. The image of a familiar little gate often seen in Hoi An is used in the project, creating a familiar and close approach. The door system “Upper but low to low” – a feature of the traditional architecture of Hoi An was designed. The bars can be fully closed, adjusting ventilation and privacy for the building. The biggest advantage in Hoi An Oi Villa is that all rooms are exploited overlooking the romantic Hoai River. The rooms are designed with lots of windows and large sliding door systems, making the space always bright and extremely comfortable. The unique and colorful frescoes make the lobby space glow. Curved arches in the interior space developed from the curves of the lanterns create a harmonious and impressive look. The house’s tactics are contrast but still harmonious. It is the contrast between the white – black colors of the space and the interior, between the modern and traditional look of the line and architectural space. The golden light of Hoi An lanterns makes the space cozy and prominent, reminiscent of the full moon nights of the old town. When the old town lights up, the space inside Hoi An Oi Villa is even more cozy and sparkling. Hoi An Oi Villa is really a place to experience and enjoy, or in the words of the group of architects, Hoi An Oi Villa is the appreciation of traditional values ​​while still blowing a new breeze in accordance with contemporary architecture. Project name: Hoi An Oi Villa Location: 280 Nguyen Tri Phuong, Cam Nam Ward, Hoi An City, Quang Nam Province. Land area: 280m2 Construction area: 140m2 Design: 2018 Construction: 2020 Design unit: 6717 studios Principal architect: Architect. Le Viet Hoi Associates: Nguyen Van Quy, Nguyen Duy An, Dang Thanh Bao, Do Van Tien. Structure: Nguyen Ngoc Thien Photo: Hiroyuki Oki

The main crux of the hair loss problem is healthy scalp. The sub-healthy state of the scalp such as itching, greasy, tightness, and sensitivity also seems to be a direct reflection of people’s sub-healthy state of life. Facing the growing population of hair loss, CBN The Commercial Data Center recently released the “2021 National Scalp Care Consumption White Paper”, an in-depth interpretation of the “first-class” events that plague contemporary people.

Scalp problems caused by irregular work and rest are the most common cause of hair loss after 95

Regarding the causes of hair loss, more people attribute the troubles of hair loss to lifestyle. In fact, staying up late and having an irregular schedule are the triggers for scalp problems and hair loss. As they grow older and deepen their cognition, they have begun to realize that unhealthy scalp and hair follicles are the root causes of hair loss.

Greasy and hair volume related problems are the most common scalp and hair problems among netizens. In addition, scalp instability, such as itching, dryness, tightness, and sensitivity, has also become the main hair problem for people to pay attention to head health.

Nearly 90% of netizens are concerned about scalp problems and 40% of netizens do regular care

Statistics show that contemporary citizens have begun to focus on deep-seated scalp problems, and nearly 90% of consumers have scalp and hair related problems at the same time. In order to have a high-value appearance, nearly 80% of consumers pay more attention to the health of their hair. Over 30% of consumers have developed the habit of constantly paying attention to changes in scalp and hair quality, and 40% of consumers will take regular care of their shows. hair.

Head care still stays at “clean”, shampoo consumption accounted for the highest proportion

Most consumers, their awareness of scalp “care” is still at the first step of cleansing, and they are not particularly aware that the scalp skin needs to be cared for as carefully as facial skin. The pioneers of scalp care mostly come from women and consumers in first- and second-tier cities By.

Among online scalp health care products, shampoo accounts for the highest consumption, followed by essence nutrient solutions. The top 3 head care products with the fastest year-on-year growth rate are scalp pre-wash, essential oils and ampoules.

Post-95s prefer niche care needs such as anti-off and anti-oxidation more than anti-dandruff and oil control

Compared with older people with concentrated functional needs, the younger generations born in the 90s and 95s have more diversified functional needs for scalp products. They not only use their own consumption actions to show their anxiety about hair loss. Compared with functional products such as oil control, anti-dandruff, etc., post-80s and post-80s, post-90s and post-95s pay more attention to novel head care concepts such as anti-oxidation, anti-aging, and scalp cleansing.

Post-95’s choice of products is more “rational”, the most attention is paid to efficacy and ingredient formula

When buying head care products, in addition to exploring product efficacy and reputation, product efficacy, formula, and ingredients have become the focus of attention of post-95s. They are particularly “rational” when choosing products, and they will choose the best ingredients scientifically and rationally, and use various methods. Choose the best promotional discount after comparing prices.

The pre-80s crowd has given up the struggle with low hair volume. The post-95s generation pays more attention to creating fluffy and thick hair.

According to survey data, the pre-80s people seem to have gradually given up the struggle for low hair volume, while the post-95s demand for thick hair volume is even stronger, especially for full hair volume, and more anxious about low hair volume and hair loss. Compared with people born before and after 1980, post-95 hair loss is not very serious. For them, what they care about most is the lack of hair volume, not enough to modify the face shape, as well as the obvious hairline and the backlash of the hairline.

When the post-95s choose anti-dropping, hair-restoring, and hair-fixing products, they will choose hair-growing products to increase hair volume. At the same time, they are more inclined to use fluffy and plump products to create visually thicker and fuller hair.

Scalp nutrient solution will become the first stop of scalp care products. More high-end and upgraded ampoules have also been rising in popularity in recent years. They are not only favored by post-95s, but also popular among advanced people born after 85s and 90s. .

The work was built in Thai Nguyen province by the architects of AD + studio. The concrete frame system of the two main building blocks is retained, reinforced by trusses because the roof structure steel truss is inspired by the surrounding context, creating a space that exceeds the span. This solution both frees the view of the area below to the garden, while increasing the used area above, and at the same time creating a harmonious “stack of roof” building in the whole. Standing in front of the house, through the glass brick wall between the green pavement and the front garden, the inner and outer division seems to be only approximate. The old building blocks a portion of the area for the garden and vegetation as adding a buffer between the bustling highway outside and the quiet living space inside. Narrow corridors connect the common space in front and the private space of the homeowner in the back. From each point in the house, you can see many different spaces. The living space and the green trees of the garden blend together, creating an airy atmosphere. In the house, the group of architects opens up a sky well to catch the light. Besides ventilation, the house is also full of comfort and modernity in daily life. The spiral staircase and the large spaces create a strong visual impression in the house. The materials and design styles are a bit nostalgic but still ensure high applicability. Works as a background of harmony between context, nature and people. The shield roof is made up of two layers of colored tole placed on the glass ceiling, creating an air convection zone, limiting the heat to the functional areas while retaining the feel of the structure.

On April 11, some media reported that Guo Xudong, the former “first sister of the China Securities Regulatory Commission”, had officially joined Wuhan Modern Technology Industry Group Co., Ltd. (hereinafter referred to as Modern Group), one of the largest private enterprises in Hubei, and served as the vice chairman of the board. .

Prior to this, Guo Xudong served in the China Securities Regulatory Commission for 21 years, and was in charge of the IPO issuance review work in the Issuance Department for many years, and served as a five-term issuance review committee. In August 2019, Guo Xudong was revealed to have submitted his resignation to the Securities Regulatory Commission. Since the identity of the supervisory cadre is more sensitive, Guo Xudong’s whereabouts have been confusing. However, in September last year, a report on the official website of Contemporary Group Sun Company accidentally revealed Guo Xudong’s next stop.

The joining of Guo Xudong also makes Contemporary Group and founder Ai Luming become the focus of market attention. Accompanied by arduous entrepreneurship and dazzling capital operations, Dangdai Group started from a small research institute established in 1988 with a start-up capital of 2,000 yuan, and finally grew into one of the largest private enterprises in Hubei with multiple listed companies and 100 billion assets. One. However, cross-industry operations and a large number of mergers and acquisitions activities have also made Modern Group’s goodwill and debt high, and internal troubles are deeply hidden. Now that Guo Xudong’s arrival can help Contemporary Group to eliminate financial “hidden worries”, perhaps it is particularly worthy of attention.

In the past, the “first sister of the trial” joined the contemporary group

Guo Xudong is no stranger to many listed companies. According to public information, Guo Xudong served as a member of the 9th, 10th, 11th, 17th, and 18th issuance review committees, and he can be described as a “five dynasty veteran.”

In 2007, Guo Xudong’s name appeared for the first time on the list of the Issuance Examination Committee of the China Securities Regulatory Commission as a part-time member, and was re-elected as a part-time member of the Issuance Examination Committee in 2008 and 2009. In 2010, Guo Xudong temporarily left the front line of IPO review, and has since served as Deputy Inspector and Deputy Director of the Non-listed Public Companies Department of the China Securities Regulatory Commission and Deputy Director of the Public Companies Department of the China Securities Regulatory Commission. After seven years away from the front-line issuance review work, Guo Xudong returned to the issuance review committee again in September 2017. At this time, her position was the deputy director of the issuance supervision department of the China Securities Regulatory Commission and ranked first on the list of the issuance review committee. Because of its professional skills and strict requirements on investment banking business, it is known by the market as the “iron-clad issuance review committee” and the “IPO gatekeeper”.

However, in early August 2019, it was reported that Guo Xudong had formally submitted his resignation to the Securities Regulatory Commission and was approved in September of the same year. However, it was not until July 2020 that the China Securities Regulatory Commission officially released an announcement to remove Guo Xudong as a member of the 18th Issuance Examination Committee.

Due to the sensitive identity of the supervisory cadres, Guo Xudong’s whereabouts after leaving his post has attracted much attention from the market, but it has always been an unsolved mystery. During this period, there were many rumors that it would accept the invitation of the brokerage company to “go into the sea”, but to no avail. It was not until September last year that Guo Xudong’s next stop was revealed in a news report by a Sun company under the Modern Group.

On September 11, 2020, the official website of Yichang Sanxia Pharmaceutical Co., Ltd. published a report titled “Leaders of Contemporary Group and Renfu Pharmaceutical Group Investigating Neomycin Sulfate Industrial Base”, which mentioned On August 18, Guo Xudong, Vice Chairman of Contemporary Group, and other senior executives went to the company’s factory for investigation. It is reported that Sanxia Pharmaceutical is a wholly-owned subsidiary of Renfu Pharmaceutical, a subsidiary of Modern Group. According to recent media verification, Guo Xudong in the news report is the former “first sister of the Issuing Examination Committee” Guo Xudong. However, the above report has been taken down by it.

What’s interesting is that, unlike the previous regulatory officials who usually went to the sea to devote themselves to financial institutions such as securities firms and funds, Guo Xudong’s choice seemed a bit “alternative.” Some analysts said that this may be due to its three-year “circumvention period” transitional arrangement, and other arrangements may be made once the “circumvention period” has passed.

“Buy Out” Wuhan Contemporary Department

Regardless of whether Guo Xudong’s joining is a temporary act or a long-term act, this has undoubtedly made Contemporary Group the focus of market attention.

As one of the largest private enterprises in Hubei, Contemporary Group is strong. According to the 2020 Hubei Top 100 Private Enterprises List released by the Hubei Federation of Industry and Commerce in October last year, according to the 2019 revenue ranking, Contemporary Group ranked ninth in Hubei Province. According to the official website of Modern Group, as of September 30, 2020, the total assets of the group have exceeded 100 billion yuan.

Behind the hundreds of billions of assets is the dazzling capital operation of Contemporary Group. To a certain extent, the development of Contemporary Group can be said to be a history of mergers and acquisitions.

In 1988, the founder Ai Luming and six Wuhan University alumni registered and established the Institute of Contemporary Biochemical Technology in Hongshan District, Wuhan with 2,000 yuan. The main business is to extract urokinase from urine and export it to Japan. This is also regarded as Ai Luming and his The starting point for the fortune of Wuhan Modern Group.

In 1993, Ai Luming and others established Wuhan Contemporary Technology High-tech Industry Co., Ltd. (hereinafter referred to as “Contemporary Technology”). Four years later, Modern Technology successfully landed on the capital market. This is today’s “Human Welfare Medicine”, and it is also the first listed company under the Modern Group.

After accumulating a certain amount of capital in the medical field, the contemporary group began to expand its territory through various capital operations, and gradually accelerated its deployment in the textile, real estate, tourism, cultural and sports, financial and other fields, and a huge “contemporary” empire in Wuhan is about to emerge.

In 2010, Modern Group spent 900 million yuan to bid for a 36.77% stake in Anhui Huamao Group, and indirectly held shares in its listed company Huamao, and entered the textile industry.

In the same year, Dangdai Group held 5.818 million shares of Sante Ropeway through the transfer of Wuhan Optics Valley Ventures, becoming the third largest shareholder of Sante Ropeway and stepping into the tourism industry. In 2013, Dangdai Group increased its shareholding ratio from 4.85% to 10.5% through participation in Sante Ropeway, second only to 11.71% of the largest shareholder, and only one step away from holding Sante Ropeway. Unexpectedly, a “Cheng Yaojin” came out halfway, and then the three special ropeway was raised by Meng Kai, the actual controller of the situation in Hunan and Hubei. After fierce competition, contemporary technology finally won. At the end of 2013, Modern Technology increased its shareholding by subsequent increase, and its total shareholding ratio with those acting in concert rose to 14.82%, becoming the largest shareholder, and finally taking the controlling stake in Sante Ropeway.

In May 2015, Dangdai Group signed a capital increase agreement with Xinxing Hanyi, the largest shareholder of Daobo Co., Ltd. (renamed Dangdai Mingcheng in May of the following year, now Dangdai Style), and Dangdai Group invested 300 million yuan to subscribe for the new registration of Xinxing Hanyi Capital. After the capital increase is completed, Dangdai Group becomes the controlling shareholder of Daobo Co., Ltd. to deploy the cultural and sports industry. In addition, Modern Group also indirectly holds shares of Tianfeng Securities through Renfu Medicine, and it is involved in the financial industry.

In fact, the above is just the tip of the iceberg of contemporary group investment and merger cases. According to the company’s data, the number of companies directly controlled by Contemporary Group is as many as 609, and the number of companies indirectly holding shares is as high as 1,000.

Under hidden worries, refinancing frantically “tonic blood”

Modern Group, which operates and manages many subsidiaries across industries, also has internal worries. The impairment of goodwill caused by a large number of mergers and acquisitions in the past few years has been the first to bear the brunt.

Take Renfu Medicine, the core asset of Contemporary Group, as an example. In 2018, the company had a net loss of 386 million yuan due to a provision of 3.561 billion yuan in asset impairment losses. As of the end of the third quarter of 2020, Renfu Pharmaceutical still has 3.408 billion yuan in goodwill, which is more than three times the net profit of 1.044 billion yuan in the first three quarters of last year.

At the group level, as of the end of the third quarter of 2020, The scale of Goodwill of Modern Group dropped by nearly half compared with the same period of the previous year, but still 4.171 billion yuan, accounting for 8.95% of non-current assets, more than three times the net profit of 1.213 billion yuan in the first three quarters of last year, facing a larger business Reputation impairment risk.

In addition to the high reputation of goodwill, the debt problem of the contemporary group has also been criticized. As of the end of the third quarter of 2020, Modern Group’s total assets were 100.329 billion yuan, total liabilities were 68.186 billion yuan, and the asset-liability ratio was 67.96%, an increase of 2.21 percentage points from the same period last year. The core asset Renfu Medicine also has a heavy debt burden, and the debt-to-asset ratio continues to rise. As of the end of the third quarter of last year, Renfu Pharmaceutical’s total liabilities reached 24.95 billion yuan, exceeding the annual figures for 2018 and 2019, and the debt-to-asset ratio further rose to 71.4%.

At the same time, the poor performance has cast a shadow over Renfu Pharmaceutical’s reduction of its asset-liability ratio. In the first three quarters of 2020, the company achieved operating income of 14.8 billion yuan, a year-on-year decrease of 7.81%; net profits attributable to shareholders of listed companies were 613 million yuan, a year-on-year decrease of 17.83%.

It is worth noting that as of March 10 this year, Renfu Pharmaceutical’s controlling shareholder, Modern Group pledged approximately 388 million shares, accounting for 79.93% of the total number of shares in the company. Nearly 80% of the holdings of the controlling shareholder have been pledged, which shows that the company’s use of funds is relatively tight.

In addition, the performance of several other listed companies under the contemporary group is also lackluster. In 2020, the revenue of Sante Ropeway plummeted by more than 40% year-on-year. Due to the transfer of the equity of 5 participating and holding companies during the reporting period, the company’s net profit surged 150% last year, but after deducting non-recurring gains and losses, it was at a loss, with a net loss of 160 million yuan. Another listed company, Contemporary Style and Sports, turned profits into losses last year, with an estimated net loss of 1.55 billion to 1.95 billion yuan.

In this context, in recent years, Human Welfare and Pharmaceuticals has continuously stripped off non-core assets, accelerated the withdrawal of funds, and optimized the asset structure. The contemporary department’s demand for “blood supplementation” through refinancing activities has become more urgent. Therefore, for the refinancing and other capital operations of contemporary listed companies, the joining of Guo Xudong, who has rich contacts and professional experience, appears to be “just in time” and has a different meaning.

According to incomplete statistics, in the past year or so, before and after Guo Xudong joined the Modern Group, Modern Group and its listed companies have conducted at least four refinancing activities, raising a total of more than 2.5 billion yuan.

The opening ceremony of the 2018 Hunan (Nanshan) June Sixth Folk Song Festival theatrical performance scene.

China’s outstanding contemporary festival trophy.

Red net time April 15 news(Correspondent Yang Wangchun, Dai Jingle, Lei Chenggui) On April 15, it was learned from the Propaganda Department of Chengbu Miao Autonomous County Committee that at the 2021 China Festival and Tourism Conference held recently, Hunan (Nanshan) June Sixth Folk Song Festival won Commented on the honorary title of “China’s Outstanding Contemporary Festival” and became one of the most representative festivals in the country.

In recent years, Chengbu has seized the opportunity to build Hunan Nanshan National Park and an important tourist destination in the country, insisted on building bridges, cultural venues, and economic performances, and focused on promoting the integration and development of ethnic culture and ecological tourism. It has now held 23 consecutive June sessions. The Six Folk Songs Festival has greatly enhanced Chengbu’s popularity and reputation. Hunan (Nanshan) June Sixth Folk Song Festival became one of the four major folk festival brands in the province. It was awarded the “Annual Tourism Event” and “Commemorating the 40th Anniversary of Reform and Opening Up” in the Hunan Tourism General List. By approving demonstration projects of the national public cultural service system, Chengbu has been ranked among the “Top 100 Most Influential Cultural Tourism Counties in China”, “China’s Regional Leisure Tourism Destination Cities”, “Chinese Folk Song Township”, “China’s Most Beautiful Counties List”, and “China’s Most Beautiful” Top 100 rural counties and cities”. In 2020, Chengbu will receive more than 3 million tourists, and its comprehensive tourism income will exceed 2 billion yuan.

Hunan (Nanshan) June Sixth Folk Song Festival Award Certificate.

Hunan (Nanshan) June Sixth Folk Song Festival promotes online and offline interaction through events such as the “National Folk Song Network Competition” and “National Ethnic Folk Song Invitational Tournament”. It once appeared on the list of new media topics such as WeChat, Weibo, and mobile clients. At the top of the list, the number of hits exceeded 500 million. In 2017, Hunan (Nanshan) June Sixth Folk Song Festival promotional video appeared on the LED screen in Times Square, New York. Guided by the National Ethnic Affairs Commission, the Taiwan Affairs Office of the State Council, and the People’s Government of Hunan Province, the “Chinese Family Pro-Flying City Walk June 6th” 2019 Hunan (Nanshan) June 6th Folk Song Festival has attracted more than 120 ethnic minority autonomous counties across the country. Famous folk song fans participated in the competition, and more than 200 Taiwan compatriots were invited to participate, which effectively promoted cultural exchanges between the two sides of the Taiwan Strait.

The Ho Chi Minh City Post Office, also known as the Central Post Office, is an ancient architectural work built by the French in 1886-1891, located at the Paris Commune Commune Square, District 1, Ho Chi Minh City. Minh. During more than a century of existence and through many regimes, the work still retains its function as a post office. Located next to Notre Dame Cathedral, the Post Office is a beautiful architecture, in harmony with the urban landscape and an attractive tourist destination for tourists coming to Ho Chi Minh City.

Ho Chi Minh City Post Office has contemporary Western Beaux Arts architectural style combined with oriental decorations, designed by architect Villedieu and his assistant Foulhoux. The building has a sophisticatedly decorated facade with delicate details. Above the main gate facing the square, there is a round clock and records the year of construction: 1886-1891.

Outside, the front of the building is decorated in rectangular boxes, on which the inventors of the telegraph and electricity industries are registered. Above and below the registration box is covered with delicate flower and leaf relief.

The main hall interior space of the building is impressive with rolling arches and roof light windows. This is the place where customers deal with postal service counters; Currently, this is also a place to sell souvenirs for tourism.

In the middle of this space, there are rows of tables for people to sit and write letters.

The architectural features inside the building are extremely delicate with rolled arches and steel columns.

The main entrance to the lobby and the foyer system are made of iron with sophisticated floral decorations.

Even the roof drainage pipes are also sculpted aesthetically.

The two sides of the wall in the hall have two antique maps. The first plate is titled: Saigon et ses environs, 1892 (Saigon and surrounding areas, 1892).

The second plate is titled: Lignes télégraphiques du Sud Vietnam et du Cambodge, 1936 (Vietnam and Cambodia telegraph line, 1936).

The floor is tiled with cement tiles with many rich motifs.

The post office still maintains public telephone cabins – a hallmark of a time. Currently, a number of cabins are converted into rooms for ATMs.

Now few people come to post offices to send mail and mobile phones are dominant, but the Ho Chi Minh City Post Office is always crowded with tourists to visit and buy souvenirs.

The souvenir counter is located in the front hallway. This place is very crowded, especially foreign visitors.

They are very interested in souvenirs bearing Vietnamese cultural identity.

With beautiful space and architecture, the City Post Office is an attractive wedding photography spot for many couples.

Visitors here cannot forget to take souvenir photos in front of this wonderful architecture.

In the inspiration of the new season’s motifs, designer Hoa Nguyen wishes to bring a breakthrough and at the same time, satisfy the inspiration inspired by her muses – the customers of the designer Hoa Nguyen in the paintings. original colors, metaphorical motifs of circulation and change.

Like a butterfly, the world changes and we transform as we begin a new journey, in a positive mood, becoming the perfect form. Finally, a positive mindset, an optimistic mind will change everything with true love.

This is the time when we sit down and talk about the story of color, original nature extracted color, bold and abstract, the message conveyed in Butterfly Effect is as strong and special as the charisma itself. that the ladies of SHE BY HOANGUYEN own.

In such a historic time for the world, Butterfly Effect appeared, inspiring a positive spirit and full of vitality, the statement that this collection brings is very clear: “I wanted to do something breaking and breaking the rules because I think, what worked a few months ago, doesn’t make any sense today.“.

Designer Hoa Nguyen’s muse in this collection is Miss Tieu Vy – Miss Vietnam 2018, after two years of incumbent appearance in a completely different form, at the time of wearing the Butterfly Effect design, created an image. symbolic.

Having spent two years cherishing a collection of great changes, Butterfly Effect was born with colorful history and fairytale, containing fresh colors and vignettes in each design for instant conquering the ladies of SHE BY HOANGUYEN.

And then we see a beautiful, beautiful Tieu Vy in designs filled with colors of luxurious tweed material or striking vignette dresses that still have a sense of classic, style of the old times.

Designer Hoa Nguyen has found his ideal metaphor for a new world with diverse wonders, bringing them to life with a powerful butterfly image that fosters a constant message of positive, new Strange and brimming with aura of life.