Director films for streaming service Spielberg signs with Netflix

Status: 06/22/2021 4:00 a.m.

Just a few years ago, Oscar winner Spielberg couldn’t gain much from streaming services. But now the director is surprising with an exclusive deal: Spielberg will be shooting for Netflix in the coming years.

From Marcus Schuler, ARD studio Los Angeles

The collaboration between Steven Spielberg and Netflix is ​​also a symbolic step. One of Hollywood’s great directors basically changes sides – from the cinema screen to the television. Until recently, the 74-year-old director was still considered a proven opponent of streaming services. In an interview with the British TV broadcaster ITV he justified it three years ago: “If you get involved in the TV format, you are a TV film. If the material is good, it has earned an Emmy TV award but no Oscar. I think it is wrong that films that only show a week in theaters are allowed for the Oscars. ”

This rumor also persisted: Spielberg is said to have used his influence as a member of the Oscar Academy and chairman of the directing department to exclude Netflix films from participating in the Oscar. The immediate environment of Spielberg has always denied that. Spielberg himself also made it clear to the “New York Times” two years ago that he was interested in a good story, regardless of the medium in which it took place.

One of the most influential directors in Hollywood

With Spielberg, Netflix has now hired one of the most important and influential directors and producers in Hollywood. His name is linked to box office hits like ET, Jaws, Saving Private Ryan and Schindler’s List. The collaboration between Spielberg and its production company Amblin Partners with Netflix is ​​planned for several years. During this time, a number of feature films for the streaming platform from Silicon Valley are to be made. There is talk of at least two productions per year. Both sides are silent about the financial scope of the deal.

Fiercely competitive streaming market

Film expert Julia Boorstin from business broadcaster CNBC says Netflix wants to attract new subscribers with the director’s glamorous name. That could be a big win for Netflix, even if it is not clear what the financial scope of the partnership is.

The streaming platform is best known for reacting particularly early to the market. And the competition is getting harder and harder: Disney Plus, HBO Max and Amazon are all billionaire companies that attack the market leader Netflix not only in the domestic US market, but also internationally. Netflix produced 60 major feature films this year alone. With Spielberg, there is less mass, but class. His commitment also shows that times have definitely changed in Hollywood

Edit | Li Shuiqing Wisdom News reported on June 21 that the GTIC 2021 Embedded AI Innovation Summit recently concluded successfully in Beijing! At this high-profile AI industry summit with a full audience and more than 1.5 million live viewers on the entire network, 16 bigwigs from the upstream and downstream of the industry chain gathered together to focus on the software and hardware ecological innovation of embedded AI, home AIoT, Mobile robots and industrial manufacturing industry 4 major sections of the map, bringing in-depth and simple to share. At the meeting, Chen Chao, the R&D director of Jizhijia, gave a speech titled “Challenges and Innovations in the Visual Perception Technology of Logistics Robots”. The speech mainly consists of three parts: logistics and logistics robots, and the challenges and solutions faced by logistics robots in vision in two different scenarios: warehousing and industry. The logistics industry is a huge market, but the industry has long faced pain points such as difficult employment and rapid changes in market demand. Logistics robots came into being under such a background. At present, they have evolved into multi-scenario product forms such as smart sorting, smart handling, smart forklifts, smart warehousing, and so on, and have landed in many practical scenarios. Chen Chao recalled that, in the process of launching the logistics robot of Jizhijia, many challenges have been overcome in terms of visual perception technology. In the field of warehousing AMR mobile robots, the scenarios are relatively simple, mainly including picking from shelf to person and picking from box to person. For the ground two-dimensional code used for navigation, the team encountered problems such as defacement/reflection, motion blur, and demands for cost reduction. To this end, Gzhijia introduced V1.5 based on the fusion of ground patterns on the latest robots to make up for the problem of easy fouling of the QR code; further, Gzhijia’s V2.0 solution based on Marker-Net reduces the failure rate Reduce by two orders of magnitude. In the field of industrial AMR mobile robots, the scenarios and challenges are more complex and diverse. For example, in response to the problem of fewer samples in the industry, Gigabyte adopts a learning simulation program to quickly expand the sample; for the problem of unknown target detection, Gzhijia introduces a depth camera, which allows the deep learning model to organically combine deep data to improve target detection performance. For the problem with high robustness requirements, Gigabyte adopts a composite model method; for positioning problems in high dynamic scenarios, map update and semantic maps are used to ensure long-term stable operation of the robot; for end-side equipment with low computing power The problem is that Gigabyte uses algorithm optimization and acceleration engine to break through the limit of computing power. It can be seen that, as a logistics robot head company established in 2015, Jizhijia has overcome the hills of embedded AI development for specific application scenarios in warehousing and industry. We organize the record of Chen Chao’s speech into the following three parts: 1. The logistics industry accounts for over 10% of GDP, and logistics robots came into being Regarding logistics, in addition to express logistics that ordinary consumers often come into contact with, it also includes subdivided logistics scenarios such as warehousing logistics and factory logistics. Logistics is a very complex and complex industry, accounting for more than 10% of GDP. It can be said that logistics provides a guarantee for the supply of production and living materials for the entire society. In recent years, the logistics industry has faced challenges: the first is the difficulty of employing people. In fact, everyone around them can clearly feel the trend of aging and declining birthrate of the entire society over the years. The working-age population is gradually decreasing. At the same time, young people nowadays are more inclined to go to big cities to engage in service-oriented jobs. They are unwilling to go to factories and warehouses to do some low-level boring logistics jobs for logistics-related companies. Recruitment caused certain difficulties. On the other hand, the logistics industry is changing rapidly. With the development of the entire economy, residents’ consumption upgrades. At present, there are fewer and fewer large-scale standard industrialized products, and more are highly customized and personalized small-batch production. Now the product iteration speed is faster and the upgrades are more frequent. , To present new challenges to the supply chain. Logistics robots came into being in this context. Since logistics involves a wide range of areas, there will be different robots and solutions in different links and aspects. (Logistics robots) are mainly used in smart sorting in some express delivery fields, smart picking in e-commerce warehouses, as well as smart handling robots, smart forklifts on manufacturing production lines, smart warehouses and smart factories for integrated solutions… below, Let’s find out through specific robots. Jizhijia’s family portraits cover most of the categories of logistics robots. Including the low and latent picking robots and handling robots in the front row, as well as the sorting robots and bin picking robots in the middle, as well as the tall unmanned forklifts, man-machine collaborative robots, and composite robots with robotic arms in the back row. Behind the busy robots is a cloud-based system architecture. First of all, on the bottom side is the body of the robot, which contains software algorithms such as visual perception, positioning, and PNC; on the edge server side in the middle, running RMS is responsible for robot task scheduling and path planning; the top cloud deployment WMS, ERP The system is connected with the customer’s business. It is based on such a cloud side-end architecture that (we) guarantees the stable and efficient operation of logistics robots. 2. Warehousing scene: The accuracy of visual recognition needs to be improved, and there is a big demand for cost reduction After having a preliminary understanding of the logistics robot system, take a look at the challenges and responses of visual perception. First of all, in the warehousing scene, the current applications are: 1. Picking from shelf to person; 2. Picking from box to person. “Goods-to-person picking mode” has changed the traditional way of picking and choosing people to find goods-the RMS issues instructions, the robot runs to a specific location, and the corresponding shelf or specific bin is transported to the picking station. Picking is done manually. In this link, operators no longer need to shuttle shelves to find goods. The new picking mode greatly reduces the labor intensity of pickers, and at the same time significantly reduces the error rate of picking, so that the overall efficiency is improved by 2 to 3 times. How is the picking robot positioned? Careful friends have already seen that in the video, some QR codes are densely gridded on the ground. A camera is installed at the bottom of the robot. The camera uses the camera to capture the QR code for positioning. This is similar to the principle of scanning codes on mobile phones. Since the QR code is deployed on the ground, there are some special features that are easy to be defaced. In the warehouse scene, there are often some trailer trucks in operation. The warehouse is regularly cleaned and maintained. Using a very powerful washing machine will cause damage to the QR code on the ground. On the other hand, the robot runs at a speed of more than 2 to 3 meters per second, the lens is very close to the ground, and the number of pixels that the object slides in a unit time is relatively large, and the image blur is more serious. In addition, low cost is also subject to fierce competition in the front-end market. The (market) puts forward a demand for cost reduction for picking robot sensors and computing chips. In response to the previous problems, we have made some iterations of technology and products. In the earlier version, a very low-cost heterogeneous SoC (System-on-Chip) was selected, and our traditional geometric feature-based algorithms were optimized and accelerated by FPGA, and finally achieved a relatively excellent performance-to-price ratio and performance-to-power ratio. Aiming at the problem of the contamination of the QR code, and also in order to reduce the deployment of the QR code in the scene, (we) introduced the ground pattern. If you look closely, you will find that the ground actually has very small textures, which are unique IDs, which can be used for positioning, which is similar to the code value on the QR code. Due to the particularity of the land pattern, (we) adopted a series of transformations to extract the global feature of the land pattern and establish a map location. Of course, the ground pattern has certain limitations, and it cannot be used for the epoxy floor of the factory and some high-gloss tile floors. (We) deploy a head-up camera on the front end of the robot, and use a neural network method Markernet on the back end to greatly expand the two-dimensional code detection capability on the latest robot. Previously, our camera was shooting downwards, and the field of view was very small. If the robot deviated a little, the positioning would be lost in a few centimeters or ten centimeters. Now relying on the front-view camera can detect the QR code in a larger range and perform relocation, which reduces the failure rate by two orders of magnitude. Many friends will ask, why use the network method for objects with obvious geometric features or artificially designed QR codes? Compared with the traditional mobile phone scanning code or the previous robot looking down the QR code detection method, now the QR code needs to be detected in a larger range and smaller angle to detect the fuzzy and contaminated QR code, based on the data-driven model method Exceeds the traditional method of artificially designing features. With the help of flexible camera deployment and back-end intelligent algorithms, the use of QR codes in the scene is greatly expanded, and it can be extended to side shelves or ceilings or almost anywhere in the scene. This is a test done in a logistics port container, which can detect and recognize the QR code in a very dark environment. 3. Industrial scenes: to deal with more complex scenes and establish simulation schemes In the industrial scenario, the challenges and responses faced by the visual perception of logistics robots, compared with the previously mentioned warehousing environment, involve more operations and a wider range. In the industrial scene, there are different types of robots in different scenes, including the roller handling robot on the left, lifting and handling, as well as robotic arm load robots and smart forklifts. In the industrial scenario, the requirements are diverse and the scenarios are complex, and different robots face different challenges when dealing with different tasks. Let’s take a look at it in detail. First, there are few samples. Take compound robots as an example. In the end-grabbing process, they are faced with the detection and recognition of more than 100,000 commodities. Unlike applications such as unmanned vehicles, few in the industrial field can find corresponding ones on public data sets. Samples for our training. At the same time, industrial customers have certain requirements for data privacy, which also restricts the collection of some samples. We adopt a simulation + learning program. Take pallets as an example. Pallets are vehicles that are widely used in the entire logistics scene. There are many types of pallets, including European standard, national standard and non-standard. There are various colors, shapes, sizes, materials, and even some customers. Take local materials and temporarily assemble them into pallet-like items with raw materials. Use the simulation engine to quickly build a single-target rendering, which can be rendered with different lighting, colors, and positions, and quickly expand our samples. For some applications, we can do full-scene simulation. Few Shots learning and Transfer Learning are used to quickly develop and adapt some new applications for some of the data that has been accumulated before in the industrial scene and the models that have been trained. Unknown target detection, there are many types of targets, some anomaly detection or obstacle detection can not exhaust the tested targets, we don’t know that the wrench or a part on the production line is dropped in front, or it may be a mouse or battery, based on the traditional The depth model method relies too much on the previous samples, and when faced with the detection of items that have never been seen before, the performance has a relatively large drop. We introduce deep learning methods to organically combine depth data and RGB data for detection. There are many types of depth cameras, including Stereo camera, TOF camera, Structure Light camera, etc. Choose the corresponding sensor according to different detection distance and accuracy requirements. We use Stereo camera for obstacle detection. The output depth map and grayscale map are naturally aligned on the pixel level, which is very good for the further information fusion in the future. The depth-based detection method does not rely on the previously established model, and has a better detection effect for unseen targets. Our robot uses a very cheap depth sensor, which is not as high as a lidar. Accuracy. For low and small objects, the availability of depth data is greatly reduced. For very distant objects, the depth map degenerates into a 2D map in principle, which needs to be combined with RGB data for detection. In the industrial scenario, due to the requirements for safety and efficiency, the robustness of related equipment is very high. Take forklifts as an example. The load capacity of forklifts is very strong and the destructiveness is very large. Error detection will affect items and personnel. Caused very big damage, we adopt the method of compound model, combine deep learning method with domain knowledge through compound model. On the one hand, we quickly output the potential detection objects of the object. On the other hand, for pallet detection or certain bin detection, we know what the detection target is, we can use the prior model to perform a network verification to obtain robustness Higher accuracy and higher results. Positioning in high-dynamic scenarios is different from warehouse robots based on two-dimensional codes on the ground. SLAM robots are used more in the industry. SLAM is a technology that uses sensors to observe the environment to establish a map and then locate it. This is very similar to the principle of human eyes observing the entire scene and positioning based on these visual landmarks. SLAM-based positioning has some advantages. There is no need to modify the scene, and there is no need to lay so many two-dimensional codes. It is more convenient to implement. The walking route is not gridded, but an arbitrary trajectory. Due to its flexibility, SLAM robots are more in line with the needs of customers in the flexible manufacturing industry and have been widely used in the manufacturing industry. A very big challenge based on SLAM positioning is the problem of positioning loss in a high dynamic environment. For example, the bins on the production line will change with the change of work time. When the robot picks up the bins, there are still 10 bins. When it is put back, only 2 bins remain, and the scene changes If the robot fails to locate, it is equivalent to holding the old map to look at the way and find the way, and it will probably fail. We adopt a map update and semantic map solution. Based on the cloud-side end architecture just mentioned, each end-side robot is given the ability to detect changes. When it finds that the map does not match well, it uploads the data to the edge server. The edge end can integrate the data collected by multiple robots, judge based on the previous static reference map, perform map fusion update, and send the fused map to each robot, so that the robot can use the latest map for positioning. Semantic map detects some objects in the network and recognizes dynamic and static characteristics. For example, people and material trucks are movable and cannot be removed from the map as landmarks. For some heavy equipment, they are movable and the movement frequency is very low. Decrease its confidence in the map. The markings on the ground, walls, pillars, etc. are highly static objects, increase its confidence in the map. Compared with traditional feature point-based positioning, the accuracy of semantic target-based positioning may be slightly lower, but the robustness is very high. It can even partially or fully constrain the position of the entire robot based on one object in the entire scene. , So as to ensure the smooth operation of the robot. The challenge of low computing power is limited by a series of factors such as price, size, and power consumption. It is impossible for us to use high-performance computing chips on end-side devices. What we do is to optimize at the algorithm and software level. For the network model, optimization is performed on the numerical calculation level, the structure of the network itself, and the entire detection process. On the other hand, we use the supporting optimization and reasoning engines provided by major hardware manufacturers to optimize the deployment of our algorithms. Taking OpenVINO as an example, quantitative tuning and pruning are performed on the server side, and the optimized model is deployed on a low-computing computing platform through the IE engine. Intel’s OpenVINO can fully tap the entire processor, not only the CPU, but also other computing units, especially the computing power of the integrated graphics card, making full use of on-chip resources. Let’s talk about it today. We look forward to working with colleagues and partners to discuss the application of visual AI technology in the logistics industry, and to build intelligent robots to make logistics easier. thank you all! The above is a complete compilation of Chen Chao’s speech.

Doorway Design of British Library

Traveling around the world, if circumstances permit, my favorite places to go are university campuses and libraries. The common feature of these two places is that they are open to the public and are “undefended.” Of course, Chinese university campuses are an exception. The former is to feel its youthful and free culture atmosphere, the latter is to appreciate the civilization of a city and respect and worship knowledge.

British Museum Book Reading Room

The years before retirement were spent in the UK. The British Library in London, Birmingham City Library and Liverpool Central Library have all left a deep and beautiful impression on me.

The British Library

The British Library at 96 Euston Road, London, also known as the National Library of England, was developed from the British Museum Library that was first established in 1753. In July 1973, the National Central Library, the National Science and Invention Reference Library, the National Science and Technology Loan Library and the British National Bibliography Company merged to form the British Library today.

British Library open doors

The new ochre-red British Library building on Euston Road was completed in 1996. On the right side is the famous St. Pancras Hotel and St. Pancras Railway Station, which is the departure station of the “Eurostar” train to the European continent; and from St. Pancras, go forward It is Euston Railway Station, the departure station for England to go north to Scotland and Northern Ireland. The overall appearance of the new building of the British Library matches the colors of the neighboring St. Pancras, and the styles complement each other. One is classic Victorian style, the other is modern minimalist style.

Victorian St. Pancras

Main entrance of the British Library

The British Library has 150 million collections. Collected every book, every newspaper, periodical and other publications published in the UK. Even music scores, etc. must have copies. There are both traditional paper publications and the most modern electronic publications. There are both the latest published and manuscript ancient books from two thousand years ago.

Panoramic photo of the British Library

Although the history of the British Library is only more than two hundred years, its collection can be traced back more than 3,000 years ago. The brown glass tower in the lobby of the new building was donated by King George IV of his father George III to the British Library in 1823. The glass tower is six stories high, and all the book ridges are facing outwards for viewing. If necessary, staff can access it for readers through internal passages or movable bookshelves.

From where I live, it takes about forty minutes to walk to the British Library. Try to apply for its library card online, it needs to fill in too much personal information, give up. But this does not prevent me from entering the library without a certificate. One of the reasons I like patronizing this library is that it often holds exhibitions of various collections in the lobby or side compartment on the first floor. The few exhibitions that impressed me were the “Quran Rare Book Exhibition”, the “Georgian Age Architecture Exhibition”, “The Conquest of the Arctic Photo Exhibition” and so on. These exhibitions with different themes give the public a glimpse of these unparalleled authentic works and treasures, which are really rare.

The spiral staircase in the lobby of the Liverpool Central Library

Going to Liverpool to play, originally went to worship the “Beatles” band. But the Liverpool Central Library in the city centre has become the biggest gain besides the Beatles. It was founded in 1860 and is the largest of the 22 public libraries in Liverpool. Its appearance is as old and mottled as the appearance of the British Museum, with a heavy sense of history. But when I entered the door, I couldn’t help taking a deep breath, deeply impressed by its modernity and artistic sense. The spiral staircase decorated with stained glass is magnificent no matter from which angle it is viewed.

Shakespeare Paper Sculpture in Liverpool Library Hall

Shakespeare in Liverpool Central Library

Classic and frugal side entrance of Liverpool Central Library

Part of the outer wall of the Birmingham Library

The Birmingham Library fully embodies the characteristics of Birmingham, which was once an important town of the British Industrial Revolution

On two business trips to Birmingham, I couldn’t help but want to go to the Birmingham Library. This new library built in 1974 on the site of the original Birmingham Central Library has been the largest municipal public library in the UK and even in Europe from the date of its completion until 2013.

Birmingham Library Hall

The Birmingham Library is the masterpiece of the famous “Russian” architect John Madin. Although the cost of materials had to be reduced due to tight funding at the time, its majestic arched reading room, desolate concrete exterior wall and distinct geometric design have become a representative work of British architectural brutalism and are highly favored by the architectural circles. This architectural style is also regarded as a symbol of social progress. The number of visitors from 2011 to 2012 was close to 1.2 million, making it the second most visited library in the UK and the pride of Birmingham.

There is an escalator in the atrium of the Birmingham Library Hall, which is a bit like an escalator in a big shopping mall, which is convenient but does not feel like visiting a market. Standing on the escalator slowly rising, what rises in your heart is the worship of knowledge and civilization and nothing else.

Overlooking downtown Birmingham from the rooftop garden of the Birmingham Library

During the years of working and living in the UK, although I like to visit large and beautiful libraries, in my daily life, the Marylebone Community Library near my home is the only one I must visit every week, which is simple and convenient like my own living room or study room. I wonder if you feel the same as me?

Birmingham Library Corridor

Note: Most of the pictures in this article were taken on my mobile phone during my stay in the UK, and a few were taken from the Internet.

Produced | Sohu Finance

Author | Gu Zitong

On the evening of June 14, Xiabuxiabu issued an announcement stating that its board of directors had held an extraordinary general meeting to remove Zhao Yi as an executive director.

In terms of the reasons for the recall, the Xiabuxiabu Board of Directors believes that Zhao Yi’s management methods and concepts are significantly different from those of other members of the board of directors, and that allowing Zhao Yi to continue to participate in the management of the company will not be in the overall best interests of the company and its shareholders. The board of directors believes that if the recall takes effect, it will not have a material adverse effect on the group’s operations.

It is worth mentioning that on May 20 this year, Zhao Yigang was dismissed from the post of chief executive officer of Xiabuxiabu.

Within two months, there have been three personnel changes in the senior management of Xiabuxiabu.

In terms of stock price, as of the close of trading on June 15, Xiabuxiabu’s share price has fallen 68.5% from the high in February this year to 8.5 Hong Kong dollars per share. The market value has evaporated by more than 20 billion Hong Kong dollars (about 16.5 billion yuan) in four months.

Three high-level personnel changes during the year, the stock price fell by nearly 70%

On May 20 this year, Xiabuxiabu issued an announcement stating that Zhao Yi was dismissed from the post of Xiabuxiabu’s chief executive officer because the performance of some of the group’s sub-brands failed to meet the expectations of the board of directors.

On May 21, He Guangqi, the founder and chairman of the board of directors of Xiabuxiabu, told the media including Sohu Finance that the appropriate flow of company personnel is a good thing for the group, because Xiabuxiabu’s previous performance in East China and South China was not good. It’s too ideal, so I consider taking over the surgeon’s adjustment and promotion personally.

According to Wind data, Zhao Yi joined Xiabuxiabu on November 12, 2012, and is mainly responsible for group auditing, accounting, financial management and IT-related affairs. From November 2012 to August 2019, Zhao Yi was the chief financial officer of Xiabuxiabu; from August 2019 to May 2021, Zhao Yi was the executive director and chief executive officer of Xiabuxiabu.

Before joining Xiabuxiabu, Zhao Yi served as the Commercial Manager of Unilever Services Co., Ltd., the Director of Retail Operations of Sony Ericsson, and the Chief Financial Officer of McDonald’s North.

As early as October 2019, Xiabuxiabu launched a young sub-brand “in xiabuxiabu”. Zhao Yi once publicly stated that the brand was launched by him personally, optimistic about the high-end development of small hot pot, and hoped to make the “one person, one pot” small hot pot to the extreme.

It is reported that the unit price of “in xiabuxiabu” is around 110 yuan, which is between Xiabuxiabu and Coucuo. So far, the brand has only opened two stores in Shanghai and Beijing.

As of last night’s announcement, Zhao Yi has been removed from the position of executive director of Xiabuxiabu, and currently has no current position in Xiabuxiabu.

It is worth noting that this is also the third change in Xiabuxiabu’s senior personnel in the past two months.

In April of this year, Zhang Zhenwei, the COO of the Coucou brand under Xiabuxiabu, confirmed to Sohu Finance that he would no longer serve as the COO of Coucou Catering from April 15th, and at the same time step down from all other positions related to Xiabu Xiabu Group and Coucou Catering.

Zhang Zhenwei revealed that he left Coucou for his current new catering business project.

Goldman Sachs previously issued a report stating that Zhang Zhenwei, CEO of Coucou, under Xiabuxiabu, has strong execution and investors need to pay attention to the risks associated with the departure of Coucou’s CEO. On the day Zhang Zhenwei announced his resignation, Xiabuxiabu’s share price fell nearly 15%.

The executives have left their posts successively, and the current major operations of the various brands of Xiabuxiabu are under the unified responsibility of the chairman He Guangqi.

It is reported that He Guangqi is the founder of Xiabuxiabu and serves as the chairman of the board of directors, chief executive officer and executive director of Xiabuxiabu. He is mainly responsible for formulating the group’s overall development strategy and business plan. He has more than 20 years of experience in the catering industry. Up to now, He Guangqi holds 41.46% of the shares of Xiabuxiabu.

One-fifth of the goal of opening stores in 2021 will be completed in half a year, and the number of new stores will be lowered

As of the close on June 15, the share price of Xiabuxiabu was reported at 8.5 Hong Kong dollars per share, a drop of nearly 70% from the February high. The market value had evaporated by more than 20 billion Hong Kong dollars (about 16.5 billion yuan) in four months.

Except for frequent high-level turmoil, Xiabuxiabu’s financial data has been bleak in recent years, and there has been no significant improvement in the later stages of the epidemic.

The financial report shows that Xiabuxiabu will achieve revenue of 5.455 billion yuan in 2020, a year-on-year decrease of 9.5%; net profit attributable to shareholders is 1.837 million yuan, a year-on-year decrease of 99.4%; net loss after non-deduction is 180 million yuan, a year-on-year decrease of 176.36%.

Sohu Finance found that Xiabuxiabu’s net profit growth rate has shown a downward trend for five consecutive years. From 2016 to 2020, Xiabuxiabu’s net profit growth rate was 39.74%, 14.17%, 10.07%, -37.71% and -99.36%, respectively.

In addition, the Taiwan turnover rate of Xiabuxiabu has also been declining year by year. From 2017 to 2020, the Taiwan turnover rate was 3.3, 2.8, 2.6 and 2.3 respectively.

As the main growth engine of Xiabuxiabu in recent years, Cocoa Hotpot will contribute 31% of total revenue in 2020. However, the turnover rate in 2020 will also drop from 2.9 in 2019 to 2.5.

In 2020, Xiabuxiabu will add 77 stores, including 39 Xiabuxiabu restaurants and 38 Coucuo restaurants, bringing the total number of restaurants to 1,201.

Previously, Xiabuxiabu had expected to open 100 new stores in 2021, but as of May 21 this year, it only opened 20 new stores, which is far below the target.

Xiabuxiabu Group CFO Yu Xiaofang previously stated that in order to solve the current development bottleneck, the group has made a series of adjustments. Previously, the vice president of development in charge of Cou Cou has also been transferred to the group level while managing Cou Cou and Xiabuxia. Bu, the speed of opening stores will also accelerate in the future.

He Guangqi told Sohu Finance that he would lower the target number of stores this year.

“Coucuo’s business will continue to focus on opening stores and the continued growth of the old store business in the short term. Before this, the tea and beverages part has declined, mainly due to the unavailability of imported raw materials due to the epidemic.” He Guangqi said.

Screenwriter Dinh Thien Phuc. Revenue does not equate to artistic quality As the scriptwriter for “Thau Nine in Siam” – the film received many film awards – including the best screenplay award, can you say something about the process of making this film? Uncle Ho’s period of more than 30 years of working abroad, when he was active in France, Russia, China… is mentioned a lot through documentaries, especially documentaries and feature films. But the time Uncle Uncle worked in Thailand (then called Siam) is rarely mentioned. When I researched, I found this period to be extremely important. The overseas Vietnamese force in Siam is very large and is the core of the revolutionary seeds. For example, in Tam Tam commune, the first 7 people came from Siam, and it was also from this force that Uncle founded the Vietnam Revolutionary Youth Association. When Uncle Ho reported to the Comintern to get back to work, they wanted Uncle to go back to China. However, Uncle still expressed his desire to return to Siam to develop a second base (the first base at that time was in Guangzhou). In less than 2 years, Uncle Ho’s operational efficiency was great. It was in Siam that was the starting point for Uncle Ho to go to Hong Kong to unite the three revolutionary forces, towards the establishment of the Communist Party of Vietnam. The film Do not burn based on the main material is the diary of martyr Dang Thuy Tram. Photo: KT “Rice tender in Siam” is quite attractive in terms of script. From the script to the film, is there anything that makes you unsatisfied? A few months ago, I went from Hanoi to Nha Trang, on a Vietnam Airlines flight, there was a screening of the movie “Tender nine in Siam”. Sitting next to some young people, I “show off” a bit, introducing myself as the script writer. They shook my hand and thanked me, expressing a pity that good films like this were not shown widely. When watching the movie, I am also very satisfied with the sound, music, and shooting setting. The film crew made the scene quite realistic, although many scenes were shot in Nghe An, not in Thailand. However, it is a little regretful that the actor who plays the role of Tieu Chin (the alias of Uncle Ho’s activities in Thailand) in appearance has not yet exuded Uncle’s sage and wit. The acting of the main character is a bit gentle, the appearance is also a bit fat. “Thau Chin in Siam” is one of the few feature films about the revolutionary war that has been produced in the past 10 years. If you put this film in theaters, do you think it will be a commercial success? From the perspective of film as a film industry product, it needs revenue. But revenue is not the same as artistic quality, much less evaluates the longevity of the film. With revolutionary war-themed films belonging to the state-ordered film series, the State has to some extent envisioned the difficulty of revenue. This difficulty is not only in our country, but also in the world. China, America, Korea… when they make historical war movies, there are movies that do very well, but there are also films that are difficult to see, even though the film can win all awards. Even now that we bring back the Cannes and Oscar-winning films, many movies are still empty. So the criteria for taking revenue to evaluate a good or bad movie or something depends on the concept of each person, depending on the concept of each audience class. The problem lies in the way of exploitation However, there are still films that achieve both criteria: art and revenue? Films that achieve both of those criteria are admirable. And movies like that already exist. For example, the movie “Great Sea War” of Korea, or the movie “Rescuing Private Ryan” of the US, achieved huge sales. War appears extremely fierce with messages imbued with humanity. During the renovation period, we had the movie “Girl on the River” directed by People’s Artist Dang Nhat Minh. It’s a movie that creates social and box office effects very well. If I remember correctly, at the 8th Vietnam Film Festival taking place in Da Nang city, the film’s revenue was enough to cover the entire film festival. That’s it. The topic has no errors. The problem lies in how it is exploited. It is necessary to exploit how to pull all classes of audiences to the theater. This is really a challenge for our country’s cinema today. “The Returner” is a movie about the revolutionary war that is highly appreciated by the audience. Photo: KT One of the reasons why our revolutionary war-themed feature films lack appeal is the lack of big scenes and the lack of money to make special effects. Not to mention other limitations that are repetitive: Choosing the wrong actor, acting has not arrived, costume errors, makeup mistakes, monotonous background … Lack of money is one thing. But to stage grand and effective grand scenes requires the filmmaker to have talent and to some extent have a natural gift. He can make great psychological films, but if he does the battlefield bomb scene, he is not sure he can do it. That is, we not only lack money but also lack of experience and talent. In the time of the market economy, actors run continuously, now they are in movies, tomorrow they are in TV series. To transform into the character, first need the commitment of the actor. Then there are factors such as whether the actor is competent enough, interested enough, passionate enough or not. Now there is a scenario about Nguyen Trai, for example. Actor playing Nguyen Trai must understand the stature, talent, charisma of Nguyen Trai, must study the scriptures, study history, learn to walk, talk. Only in this way can the character’s charisma emerge. Next are other auxiliary elements to shape the character such as how to dress, how to dress up. The makeup and costumes of Vietnamese cinema are also a weakness. And all those weaknesses add up, in the end the character doesn’t make a character. So of course that movie wasn’t attractive enough. Perhaps the biggest error still lies in the script. We lack good scripts, lack of new perspectives? In the past, movies about the revolutionary war had to go through many levels of approval. The first is the script. To be on the safe side, screenwriters often follow the formula that we win and lose, we are very good and the enemy is very bad. That motif repeated, becoming an invisible barrier. Before those barriers, if the artist with their living capital, talent, and enthusiasm, they will create their own path and they will succeed. For example, with the film “Town within reach” or “Girl on the river” by director of People’s Artist Dang Nhat Minh, it is also a look at war, but poses many painful and haunting problems with messages. never old. So here is the bravery and talent of the creator. If you believe in things that are truth, right, serve beauty, serve the cause of national construction and defense, you must bravely go to the end and bravely defend to the end.

Huawei is an excellent company. The rapid development in recent years has also attracted the jealousy of some countries. These countries are also unscrupulous in order to prevent the development of Huawei. This also shows that Huawei is powerful. Although these methods are infuriating, they also let us know that only by working hard and being self-reliant can we finally get out of this predicament.

As the world’s leading communications company, Huawei was established in 1987. This company has a very wide range of businesses. There are many businesses that we don’t usually have access to. Most of them are familiar with Huawei because of the company’s terminal products, such as Routers and mobile phones, in fact, its main business is still derived from communication technology solutions. In layman’s terms, it is to solve the place with a lot of human traffic and ensure that the network in this area is normal. Its customers are mainly operators such as China Mobile.

A company full of wolfish culture

This company is one of the few unlisted Fortune 500 companies in the world. It used to be a small company that was not well-known. After many hardships, it achieved its current achievements. The leader of this company is also an excellent Ren Zhengfei is also a legendary person like this legendary company. He has seen many worlds. His legendary life begins with the founding of Huawei. It is also after a series of battles. Huawei, a company full of wolfish culture.

And if such a large company wants to do well, it must have some unusual capabilities. Facts have proved that Ren Zhengfei has these abilities, which is why today’s Huawei has grown stronger and stronger. However, an interesting incident happened at Huawei. At that time, Huawei recruited a university student who graduated from Peking University. After many selections, he finally entered the company and became an intern. To a certain extent, this shows that he also has a little ability, and this college student once did a behavior that surprised many people. Two months after he took office, he wrote a letter to Ren Zhengfei.

This letter has tens of thousands of words, and its content is about the shortcomings of the company and some shortcomings in many aspects. And he also put forward his own improvement ideas at the end. He originally intended to be reused by his boss, and then he could go further in the company, but things did not develop in the direction he wanted. When the letter was sent to Ren Zhengfei, Ren Zhengfei did not show any expression at the time. , Just said lightly: “If this person is mentally ill, please send it to the hospital for treatment as soon as possible, if not, please dismiss it as soon as possible. ”

A self-righteous college student

So this Peking University student was dismissed. Naturally, this person was not mentally ill, just because of his arrogance and he paid a price for it. Many people are wondering that this college student has put forward some opinions. Although there is his own little nine in it, it is undeniable that the essence is also for the good of the company, so why was he dismissed? So many netizens at that time did not agree with Ren Zhengfei’s approach. “Han Feizi · The Foreign Reserve Says Upper Left” once said: “The husband’s good medicine suffers from the mouth, but the wise man persuades and drinks it, knowing that it enters but he is sick; the faithful word is blown to the ear, and the master listens to it,” People are uncomfortable, but it does help the company’s development.

But in fact this is not the case. As mentioned above, this Peking University student has only been in Huawei for two months, and his position is still an intern. He thinks that he has understood all the company’s situation and wrote like this. A 4D letter is hoped to attract Ren Zhengfei’s attention and be reused. However, two months was not enough for him to learn about this Fortune 500 company, let alone that he was just an intern at the time.

This company has grown from a small switch company to a large global company. Naturally, there are more or less problems. He thought that what he saw was all of the company, so he wrote a 4D letter to Ren Zhengfei. Perhaps this college student was a positive and capable student when he was in school. Over time, he instinctively developed a sense of superiority over others, and this so-called sense of superiority will be given to him after he enters the society. He brought very big troubles, such as his 4D letter.

There are no outstanding young people, only young people

Maybe he really did it for the good of the company and wanted to prove his own ability. However, after all, it was because of his youth, which resulted in the current result. There are no outstanding young people in this world, there are only young people, as long as they are young people. Make mistakes. Isn’t Ren Zhengfei aware of the problems he described? Does it need to be proposed by a new employee who has just come to the company for less than two months? For some company problems raised by this college student, perhaps some problems really exist, but this kind of problem must have been formed long ago.

How can such a huge company have no problems at all? If these problems are solved, some other problems will inevitably be involved. And this company is like a high-speed train, if only for a few minor problems, But if the teachers are mobilized, the company will definitely stop, and the consequences will be very serious. Therefore, the solution of these problems requires a long process, rather than being solved at once. The college student did not investigate clearly.He didn’t even have a deep understanding. After coming to this company in February, he rashly wrote a letter of ten thousand words and raised questions to the company without embarrassment. In the end, he still paid a huge amount of money.

end

So when we do anything, we should not be arrogant and self-righteous. We have known this truth since ancient times, but there are not many that can really do it. Some people feel a little good about themselves because of their ability. Some people feel superior because of wealth. But this kind of superiority does not always exist by your side. He will make you pay a huge price in a certain period of time. Because of ignorance, this kind of superiority will bring people endless troubles.

references:

“Han Feizi · Foreign Reserve Says Upper Left”

Public opinion is having a lot of opinions about the regulations related to advertising activities in the press mentioned in Decree 38. Illustration .PV: Dear Director, there are many opinions about the regulations related to advertising activities in the press mentioned in Decree 38, which will take effect on June 1. In particular, the main contents of interest are related to advertising activities on electronic newspapers. Could you tell me more specifically about the current regulations on advertising on electronic newspapers that are being applied? – Director of Ninh Thi Thu Huong: According to the Law on Press, e-newspaper is a type of press using writing, images, and sound, which is transmitted on the network environment, including electronic newspapers and electronic magazines (Clause 6, Article 3). . Electronic newspapers and other types of newspapers may publish and broadcast advertisements. However, the posting and broadcasting of advertisements must comply with the provisions of the Press Law and the provisions of the law on advertising (Article 44 of the Press Law). Accordingly, the Law on Advertising has specific and separate regulations for each type of press, suitable to the nature, functions and characteristics of each type, especially regulations on content and area. , duration, ad rate. For example, for printed newspapers, the advertising area must not exceed 15% of the total area of ​​a newspaper publication or 20% of the total area of ​​a magazine publication, except for newspapers and magazines specialized in advertising; and must have signs to distinguish advertising from other contents (Clause 1, Article 22 of the Law on Advertising). For audio and video newspapers, Article 22 of the Law on Advertising stipulates: the advertising duration must not exceed 10% of the total duration of the broadcast program per day, except for the advertising duration on channels and programs specialized in advertising; must have signs to distinguish advertising contents; regulations on programs not to broadcast advertising; regulations on the number of breaks, the time of advertising in feature films, entertainment programs, regulations on the position and area of ​​advertising in the form of running words or a series of moving images close to the bottom of the screen. For electronic newspapers, Clause 1, Article 23 of the Law on Advertising stipulates that advertisements on electronic newspapers must: Do not design, arrange advertising parts mixed with news content; For ads that are not in a fixed area, it must be designed so that readers can actively turn off or open the ad, the maximum waiting time to turn off or open the ad is 1.5 seconds. Thus, according to the above regulations, the e-newspaper is arranged to advertise in a fixed, separate area, not mixed with the news content. For this ad, there is no restriction on the length of the ad nor is it designed so that readers can actively turn on or off the ad. But for ads that are not in a fixed area, it must be designed so that readers can actively turn off or open the ad, the maximum waiting time to turn off or open the ad is 1.5 seconds. .Many opinions believe that the regulation of the on and off time of advertisements not in a fixed area of ​​the electronic newspaper is 1.5 seconds too strict, reducing advertising revenue and affecting the development of the newspaper. electronic? What is your opinion about these comments? – The purpose of this regulation is to protect viewers because the press is an information product about events and issues in social life. Readers when viewing newspapers are always serious in receiving information. Therefore, all types of newspapers have regulations on fixed areas (space, duration) dedicated to advertising, but regulations on advertising that are not in fixed areas will not be available in print or print newspapers. Let’s try to imagine a news program on television or an editorial in a print newspaper with advertising images covering the whole frame, how will viewers react? Director of the Department of Grassroots Culture Ninh Thi Thu Huong Regulations for online newspapers are still allowed to advertise not in fixed areas, but must “Make sure to design so that readers can actively turn on or off ads. The maximum time to turn off or open the ad is 1.5 seconds. Please note here must be very careful from “active”, Because it’s the reader’s right. If they are watching important news, they can immediately turn off the ad so it doesn’t affect them, if they don’t want to turn it off, the ad can continue to play without time control. Therefore, it can be seen that this regulation does not limit advertising activities of electronic newspapers, but only meets two requirements of viewers: one is to have a key to turn off (on); Second, if there is an on or off operation, they must respond immediately within 1.5 seconds, to avoid the case that readers have to watch ads that are forced, inhibiting, and cannot fully and continuously view information. that they want to receive. .Compared between Decree 38 and Decree 158/2013/ND-CP (Decree 158), regulations on violations for advertising not in fixed areas on electronic newspapers, there is no difference. Thus, the regulation on “turning off and on after 1.5 seconds” was not issued until Decree 38? – Right. Clause 3, Article 55 of Decree 158 stipulates: A fine ranging from VND 10,000,000 to VND 15,000,000 shall be imposed for one of the following acts: Failing to design so that readers can actively turn off or open advertisements not in a fixed area; The timeout to turn off or open the ad not in a fixed area exceeds 1.5 seconds. Until Decree 38, Clause 2, Article 38 also stipulates: A fine ranging from VND 10,000,000 to VND 15,000,000 shall be imposed for one of the following acts: Failing to design so that readers can actively turn off or open advertisements not in a fixed area; Waiting time to turn off or open ads not in a fixed area exceeds 1.5 seconds; Design and layout the ad mixed into the news and article content. Thus, the handling of violations against regulations on advertising not in fixed areas has been regulated since 2013 in Decree 158, not until Decree 38 was issued. It can be seen that the handling of the above behavior in the two Decrees is the same, there is no change. Decree 158 and Decree 38 are documents under the Law, on subjects, acts and sanctioning levels are consistent with the provisions of the Law on Advertising and the Law on Handling of Administrative Violations. . So, according to the provisions of Article 23 of the Law on Advertising and Clause 2, Article 38 of Decree 38, specifically, how will the act of advertising on an e-newspaper be sanctioned, ma’am? Director General Ninh Thi Thu Huong: In fact, according to the feedback of readers and the monitoring and inspection process of the management agency, the act of advertising that is not in a fixed area of ​​the electronic newspaper will be sanctioned if it does not meet two requirements: Not necessary. design keys to be able to actively turn off (on) ads; When there is an operation to turn on or off but the off (on) time is not guaranteed to be 1.5 seconds. Of course, in the processing process, it will have to take into account the speed of the transmission, the quality of the data network access to measure the time and consider whether the behavior is intentional or due to the objective factors of the electronic press agency to consider. , handle accordingly. . Along with concerns about advertising revenue of electronic newspapers will be narrower, many other opinions also wonder about social networking platforms such as Youtube, Google … are not regulated by this regulation? Could you please share your views on these concerns? Director General Ninh Thi Thu Huong: We must clearly recognize that the press in general and the electronic press in particular is an essential means of information for social life; is the mouthpiece of the Party, the State, socio-political organizations, socio-political-professional organizations, social organizations, socio-professional organizations; is a forum for the people according to the provisions of the Press Law. With such an important role, it is necessary to have separate regulations on advertising for each type of press, in accordance with the functions, structure, principles and operational purposes of the press agency. Social networking platforms such as Youtube, Google … are currently thriving, occupying a large advertising market share, but these platforms are not press agencies, operating criteria as well as participants. , the interaction is also different. On the other hand, the operation of social networking sites is governed by a system of regulations on management, provision and use of Internet services and information on the network. Therefore, the regulation and application to advertising activities on social networks is not the same as that of the press agency, but it must still aim at ensuring the truthfulness and accuracy of information, protecting the interests of the media. to the recipient, without causing harm to national security, social order and safety in accordance with the Law on Advertising. .Can you tell me that in the near future, the solutions will be strengthened by the Ministry of Culture, Sports and Tourism to further improve the efficiency of state management of advertising activities, especially the efficiency of the enforcement of legal documents. related? – There will be many enhanced solutions, of which the first solution is to continue to propagate and disseminate to relevant organizations in order to agree on awareness to strictly enforce the provisions of the law on advertising. . In 2022, the Ministry of Culture, Sports and Tourism will conduct a review of 10 years of implementation of the Law on Advertising and guiding documents in order to grasp changes in advertising activities, new means and methods of advertising, from which to make recommendations. , propose amendments to the regulations in line with reality. The Ministry of Culture, Sports and Tourism will also strengthen coordination with relevant ministries and branches to amend and complete the legal framework for advertising activities as well as in coordination in inspection, examination and timely handling of illegal acts. violate the law on advertising. At the same time, the Ministry will also conduct training activities to improve professional expertise and state management skills in advertising for cadres and civil servants from central to local levels. . Thank you very much, Chief! “… The current regulation for online newspapers is that advertising is still not allowed in fixed areas, but it must be designed so that readers can actively turn on or off ads. The maximum time to turn off or open the ad is 1.5 seconds. Please note here that the word “active” must be very careful, because that is the right of the reader. If they are watching important news, they can immediately turn off the ad so it won’t affect, if they don’t want to turn it off, the ad can continue to play without time control … “. TOLD HIM (perform)

Laurence des Cars has been appointed director of the Louvre Museum. (Source: culture.gouv.fr) French Government On May 26, she appointed Laurence des Cars as Director of the Louvre Museum. With this decision, Ms Laurence des Cars became female director The first in the more than two-century history of the world’s largest and most visited museum. Coming from a family of writers-journalists, 54-year-old Laurence des Laurence is known for applying art to promote social issues. The female art history expert currently runs the Musee d’Orsay – a famous museum of 19th century art, located in Paris. She was also the first female director of this museum. Laurence des Laurence’s development policies at the Musee d’Orsay have greatly increased the attraction of young visitors to the museum, while also expanding the museum’s size in terms of the number of works on display. and exhibition space. Ms. Des Cars will officially take over as director of the Louvre in September, replacing Jean-Luc Martinez. Before the COVID-19 pandemic broke out in France, Louvre museum attracted a record number of visitors, with more than 10 million people in 2019. This museum was inaugurated in 1793 now owns hundreds of masterpieces of art, of which less than 10% are on permanent display at the Louvre.

Felipe Oliveira Baptista’s departure from Paris-based fashion house (France) takes effect from 30/6, when the labor contract expires. “I am so honored to serve this wonderful home and the legacy of founder Kenzo Takada. I want to thank my teammates for their talent and dedication,” Felipe said in a statement. Felipe Oliveira Baptista resigns as artistic director at Kenzo. Photo: Getty. Sylvie Colin – CEO of Kenzo – expressed gratitude to the designer for his talent, creativity and contribution to the artistic development of the brand. The designer each tweaked the brand’s logo and tiger emblem, and oversaw the sports line-up. For the fans of Felipe Oliveira Baptista, this news was quite unexpected. When he spent most of his time at Kenzo during the Covid-19 season, he had to be creative and set a new path for the brand. In post to share with British Vogue in September 2020, the Portuguese designer lamented the situation. He describes the digital fashion show experience as “poorer” than the actual experience. Felipe Oliveira Baptista tried to bring new sensibility and charm to Kenzo with the aim of creating “authentic, desirable clothes that are lacking in today’s fashion industry”. Instead of focusing on streetwear, he focused on Kenzo Takada’s suggested ability to wear. Felipe finds the digital fashion show experience quite “poor”. Photo: WWD. Before his death, founder Kenzo praised the vision of Felipe Oliveira Baptista. “Felipe has been very successful in bringing her own identity into the brand, helping Kenzo to a new level of creativity,” said the late designer. Felipe Oliveira Baptista was formerly creative director of Lacoste in 2010-2018. He succeeds designers Humberto Leon and Carol Lim, who left Kenzo after eight years to focus on the US-based business. Known for his artistic and experimental creations, the Portuguese designer created his own brand with Séverine Oliveira Baptista in 2003, after a year winning fashion awards at Festival d’Hyères. This company was officially established in 2014. Felipe Oliveira Baptista Photo: Hypebeast. Break the box of Satan shoes for $ 1,018 Lil Nas X’s shoe model was controversial, even sued by Nike, but still attracted customers.

The digitization of land information data will limit land fevers. Illustrative photo: Tuan Nguyen Mr. Mathew Powell, Director of Savills Hanoi, shared that digitizing information will bring benefits in controlling land information, in order to ensure the transparency of information. This is one of the solutions that have been given after land fevers continuously occurred over time, when land prices were pushed up because of lack of accurate information. In addition, according to him, one of the solutions can be mentioned is the establishment of national data on land prices – where all land information is stored on a digital platform. Everything is controlled by the land registry, but the national digitization of land transactions creates a more transparent outlook. “Prices are being pushed up based on misinformation or misunderstandings. This has led to confusion in prices and some people will make wrong investment decisions based on misinformation. Therefore, the emergence of a data source where information is widely and accurately disclosed will allow the real estate market to operate stably and minimize price leaps, “he said. this said. Matthew Powell, for example, in the UK already has a national land information management background. Every piece of land and every transaction that takes place on that land is kept for centuries. Such information is accessed and used by all real estate market operators and the government is also used as an effective legal tool. “It is important to improve the storage and transmission of information, minimizing features that have become obsolete in real estate such as over reliance on papers. As papers are digitized. information is not only transmitted more effectively, but also brings higher confidentiality, “said Savills Hanoi Director. In response to the explosive demand for digital transformation, data centers have been rapidly expanding globally. According to Savills, by 2026, the size of the global data market is expected to reach US $ 251 billion with an average annual growth rate of 4.5 %./.

Digital library Until now, when referring to the library, people often think of the rooms filled with books and paper documents. But the digital transformation trend is gradually changing the way traditional libraries operate, opening a new era in which paper books no longer have a unique position. That method is electronic library, also known as digital library. Digital library is one of the solutions to promote reading culture In the past, documents and paper books in the library often did not have a long lifespan due to complicated preservation process and many difficulties. Each book has been used many times, as well as the negative impacts from the environment such as mold, insects, … On the other hand, some school units still have difficulty, so traditional libraries are only capable There are enough books for a certain number of students. The emergence of the digital library form is gradually solving the problems of traditional libraries. Specifically, the seminar on reading culture in the digital transformation period taking place on April 19 in Ho Chi Minh City mentioned the advantages of e-libraries in stimulating the reading habits of subjects. students and students of all levels. “Thanks to the electronic library, reading can now take place anywhere,” said Mr. Ibadulla Yoldas – vice principal of Horizon International School. It is not necessary to go to school to read books, students can read books at home ”. According to Mr. Yoldas: “Digital library is the solution, an idea for schools to apply in teaching and learning”. Audiobooks The digital transformation process in Vietnam is forming a new habit for modern readers – the habit of “listening to books”. This is said to be the result of real needs of modern young people who do not have much time but still want to cultivate their knowledge. In fact, many hours a day are wasted. It could be traffic jam, waiting for the plane, or even while doing housework … Instead of accepting lost time and feeling bored, many people have used audiobooks as a “countermeasure” solution. dealing with busy life. The seminar “Reading culture in digital transformation” took place at the opening ceremony of Vietnam Book Day 2021 mentioned the trend of “listening to books”. Currently, many Vietnamese audiobooks are constantly improving product quality to bring the best experience to readers. One of them is the application of artificial intelligence to create a reading voice suitable for each type of book. Also during the seminar on Reading Culture, Mr. Le Hoang Thach, Co-Founder of Voiz FM, shared: “In a recent test of the company with 800 customers. Up to 70% of them could not distinguish the artificial voice from books and real human voices ”. According to ICT Vietnam, our country is similar to the international audiobook market in general and the US market in particular in terms of the structure of listeners. Specifically, they are young, employed and educated clients. These subjects tend to spend a large amount of time using the Internet, using mobile devices to receive information. This can be considered as a prerequisite for the application of digital technology, developing audiobooks and forming Vietnamese books’ listening habits. Create reading habits for children With the attraction of programs on Youtube or games on technology applications, children are not currently able to form a habit of reading. This forces families and schools to have strategies for children to adapt to the reading culture. Instead of the time for children to watch entertainment programs, parents should join their children to access online reading applications, read interactive books with their children … At the same time, it is necessary to give children a reading space. New books, stimulate children to find books and help children feel comfortable reading. Online books with interactive programs are a solution to help form reading habits for children Talking about the issue of forming reading habits for children, Mr. Nguyen Nguyen – Director of the Publishing Department emphasized: The habit of reading books for children must originate from families and schools. It is necessary for the children to have space to read books, time to read books, and then form the reading habits so that they love books. And Mr. Nguyen Nguyen also affirmed: “Publishing capacity in Vietnam is not weak, but the reading culture is not high. Digital transformation will help narrow that gap and stimulate reading culture ”./.

Visitors experience the iMuseum VFA application at the Vietnam Fine Arts Museum VietTimes would like to introduce the speech of Mr. Nguyen Anh Minh – Director of Vietnam Fine Arts Museum Ladies and gentlemen, ladies and gentlemen, Dear comrades and colleagues! Digital transformation is an inevitable trend in the 4.0 technology revolution. Implementing the policy of the leaders of the Ministry of Culture, Sports and Tourism in implementing activities under the national digital transformation program to 2025, with a vision to 2030 of the Government, seizing opportunities and benefits. benefits of applying technology to the conservation and promotion of cultural heritages in general and art heritage in particular, Vietnam Fine Arts Museum has actively coordinated with Software Joint Stock Company. Vietnam Mobile Application (VINMAS) according to the socialization method, developing the iMuseum VFA multimedia narrative application. Video of Mr. Nguyen Anh Minh’s speech After 2 years of implementation, by December 2020, iMuseumVFA was put to the test and received positive feedback and suggestions from experts and visitors. The application is integrated on both Android and iOS platforms, using QR code scanning technology and iBeacon locator device. More than a normal automatic voiceover application, the iMuseum VFA also possesses outstanding and useful features. With the support of 8 languages, the iMuseum VFA multimedia narrative application not only helps visitors to the museum directly, but also helps the public anywhere in the world to access and experience. , view and learn information and stories around the works at the Vietnam Fine Arts Museum, contributing to connecting the museum with the public at home and abroad. To get this application product, we would like to thank the attention and support of the leaders of the Ministry of Culture, Sports and Tourism, the Departments and functional departments of the Ministry. Thank you Vietnam Mobile Application Software Joint Stock Company (VINMAS) for working closely with the Vietnam Fine Arts Museum to develop this application. Thank the experts, volunteers, and friends of the museum who have always accompanied us in the past time. At the same time, we would like to thank the Embassies, Embassies of Spain, Embassy of Italy and Goethe Institute in Hanoi for their assistance in translating and recording the presentation. works. In the coming time, the Vietnam Fine Arts Museum will continue to supplement and perfect the iMuseum VFA multimedia narrative application to truly become a “smart assistant” to support visitors to the Museum. Once again, thank you and best wishes to your delegates, comrades and friends! Best regards!

Hello! Pleased to join you to share the story of art. This is the third year you have been with The Fashion Voyage, how is your feeling when looking back on the past? Being with The Fashion Voyage has always brought me a lot of emotions, but the most obvious feeling is happiness and satisfaction. Happy because the art I am pursuing has more opportunities to shine, to promote the mission of honoring human beauty. Satisfied because I was given more opportunities to break through the limits I created earlier. Each season, the founder and his companions always create new concepts, bold but interesting ideas that challenge my creativity. Thanks to that, every trip brings me a new look, a new inspiration in the discovery of the color brush. Creative Director Nam Trung make-up pedagogy for young professionals behind the scenes “Fashion Voyage The Show # 3: Chasing The Sun”. So what is your impression of Fashion Voyage season the most and why? As I shared, each Fashion Voyage season brings me new feelings and challenges. In season 1 – “Walking on the clouds”, I felt like lost in a magical dream among the floating clouds; Season 2 – “Lost in the midst of wonders” is the admiration of majestic and majestic nature; and season 3 – “Rong chasing the sun” is the desire to live in the end of the long day. Corresponding to each season, theme, venue, me and the Menard brand will create different makeup layouts. All layouts perform well the role of honoring true beauty, honoring costumes and receiving positive feedback from the grave. Therefore, it was difficult to choose the trip that I most impressed with. Could it be that the “Fashion Voyage The Show # 3: Chasing The Sun” trip is the closest, so the emotional residue seems to be intact. Layout makeup “Sunset falls on the eyes” Fashion Voyage The Show # 3 just ended and made a big splash in fashion. The makeup layouts created by him and Menard have also become hot topics in newspapers. Can you share your inspiration to help you create these makeup layouts? My inspiration this time is also the program’s concept: Sunshine. With the makeup layout “Sunset falls on the eyes”, I use the Phu Quoc sunset color as the main tone to adorn my eyes. As for the lips, I use a bit of “tricks” to highlight the spirit of each collection as well as the unique color of each Designer (designer). For example, with the collection “11km”, the model’s lips will be emphasized with bold color tones to complete the “look” of designer Vo Cong Khanh; As for the collection of young designers, I balance between bold and pale tones, at first glance, we can feel a freshness but deep inside is a source of burning creative energy, just waiting to be breakthrough. . With the second makeup layout “Bright sunlight”, the sun is no longer visible on the eyes but “let go” on the cheeks. This layout is suitable for performing on the last day of the show, because everything seems to rise up the health and wellness of the human being revealed in the hidden sunlight of the long day. I want to deliver the message: Sunset is the beginning, the spread of aspiration and love for life. Layout makeup “Bright sunlight” It is known that he has accompanied Menard through many Fashion & Art events. In your opinion, what is the connection between you and this high-end beauty brand? To define my relationship with Menard, I would like to use the word “soulmate”. We ran into each other, “touching” each other in many factors, and perhaps, the prerequisite is the philosophy we both pursue on the creative path. We love the flawless beauty created from the very original of a woman, a beauty that does not coincide with anyone in this world. We aspire to explore and become a source of inspiration for them to believe in their own beauty. Creative Director Dinh Nam Trung (right), General Director of Menard Vietnam – Ms. Le Thanh Huong (left) and Founder of The Fashion Voyage – Director Long Kan (middle) poses for a photo at Fashion Voyage The Show # 3. Makeup artists are people who quietly dedicate themselves behind the stage. How do you feel about the career you choose? Silent or not silent, it is all dedication. Each dedication has its own beauty. I don’t care if people remember me or not, I just care that the face I just adorned left a deep impression in the heart or the makeup layout I just created inspired the world. this. Making art, sometimes there are jobs that do not require remembering every moment, just making a lasting mark on the human heart, that is true art. In the arduous process of pursuing art, what kind of luggage have you prepared for yourself? Makeup is a dream I don’t want to wake up. Despite many hardships, I still want to dream forever. But I’m not a dreamer too much, I’m just a perfectionist. I cannot avoid bringing a face that is not satisfactory, I will do it and do it until I like it. For me, doing art, especially chalk art and color brushes, needs to keep the mind and love. I do not force people to “adhere” to the true beauty that I bring, I just hope to inspire people to discover their own beauty, rather than beautify the world. So I am satisfied. Thank you to the Director of Creation Nam Trung for bringing the intimate sharing. Wishing you good health and many successes on the coming journey! Posts : Nice Online

Actor Kien An plays a patriarchal husband and father Xuan Thanh (Nha Uyen) brought her daughter home after her grandfather passed away. The funeral was held as flamboyant as possible. Although facing loss, this funeral is when Xuan Thanh’s brothers and sisters are reunited after a long time. Families of generations gathered to see off his grandfather to his resting place for a night full of lights and music. And then a bunch of people came to collect the debt in amazement of all. Secrets were revealed, tragic husband tragedy, blood dyed red lights in that brilliant night. Actress Nha Uyen works with her husband in the project as a producer and actor The setting of the film is a house in Dong Nai. Everything from props, costumes, lights, and sounds is carefully researched to create the most authentic funeral possible. The first pictures from the trailer are also the first proof that Aaron Toronto sent to the public, the audience: a foreign director can still understand Vietnamese culture as a native. “ When I first came to Vietnam and attended a funeral, I was very surprised. There are many rituals and procedures, as well as a lot of nuances on the faces of the attendees. They held a ceremony to see off the deceased in a solemn but unspoken manner. Pain and loss are still in everyone’s heart, but the way they cherish the last moments of their loved ones with a brilliant funeral really makes me unforgettable. “. First poster of Dazzling dark night! Besides the flashiness and brilliance, Dazzling dark night! There is also a very fierce and cruel side of the family tragedy, social tragedy, and marriage tragedy. Conflict and noise surrounding debt collection stories, wealth division is always a painful problem for wealthy families. Sometimes the loss of a loved one is a joy to someone else. Sometimes funerals are not just the end, but the beginning of the tragedy. 16 years living in Vietnam, Aaron is like an insider but has the eyes of an outsider. His meticulous, subtle, yet calm observation was clear Dazzling dark night! promises to let the audience experience events and spaces that seem familiar to any Vietnamese but also full of surprises, shocks and pain. With Dazzling dark night !, Does Aaron have a proof that he truly understands the local culture when having lived in Vietnam for 16 years? The film has the participation of actors Nha Uyen, Kien An, Phuong Dung, Huynh Dong, Xuan Trang, Diem Phuong, Kim B.

After the valuation of A shares has risen sharply, in 2021, Hong Kong stocks in the moderate valuation area will be favored by funds from the south. It is reported that Dacheng Hong Kong Stock Selected Mixed Fund (QDII) (code: Class A 011583, Class C 011584) under Dacheng Fund has been put on sale on April 15. This fund is personally helmed by Bo Yang, the director of Dacheng International Business Department and the research director of Dacheng Fund’s cross-border team. Bo Yang has lived in Hong Kong for 22 years, managed cross-border assets of more than 10 billion Hong Kong dollars, and has invested in Hong Kong stocks for more than 10 years. He is very close to the Hong Kong stock market and is familiar with global liquidity. Bo Yang had academic experience. After graduating from the Junior Class of the University of Science and Technology of China, he was the youngest assistant professor at the Business School of the University of Hong Kong. Later, he moved to the financial market and became the youngest Asia-Pacific and emerging market strategist at Morgan Stanley. Bo Yang’s investment framework is a combination of top-down and bottom-up. It has a global perspective, is good at asset allocation and selected individual stocks. It has previously won the Overseas Golden Bull Award twice (awarding institution: China Securities Journal; time: 2018 August 3, 2019, December 27).

22 years of residence in Hong Kong in the first round of public offerings

Bo Yang, Director of International Business Department of Dacheng Fund and Research Director of Dacheng Fund’s Cross-border Team. Born in the Junior Class of the University of Science and Technology of China, PhD in Finance from the University of Hong Kong, with more than 10 years of experience in Hong Kong stock investment management, he has won the China Securities Journal’s second and third overseas fund golden bull awards for two consecutive years.

According to the data, Bo Yang joined Dacheng Fund in 2015, and since March 2018, he has served as the investment manager of the first batch of Southbound Stock Connect commissioned portfolios of the National Social Security Fund. Prior to this, he has been in contact with institutional investors that dominate the Hong Kong market for a long time during more than 20 years of cross-industry experience in academia, research, and investment, including large global sovereign funds, large foreign long position funds, hedge funds, and Chinese and domestic investors. He has a strong grasp of his style preference; at the same time, he has a deep understanding of global liquidity and plays an important role in investing in Hong Kong, a capital market where the currency is directly linked to the US dollar.

As Bai Yang said, in the Hong Kong stock market, “the one who does not seek the overall situation is not enough to seek a domain.” Only from the forest of global assets can we see the specific tree of Hong Kong stocks clearly.

At present, Bo Yang manages a number of cross-border special account products, with a total asset scale of more than 10 billion yuan, of which the equity product management scale is about 5 billion yuan, which is mainly invested in Hong Kong stocks.

Deeply research individual stocks and focus on risks

Markets often underreact to the beginning of long-term structural changes and overreact to short-term events. Relying on the long-term market strategy research experience of top investment banks, Bo Yang is good at accurately grasping the direction in the early stage of major macro-trends, and capturing the drift of market winds and the formation of large-scale investment themes. Different from the mainstream of the market, Bo Yang’s stock selection is based on top-down, and the investment style remains open. It does not exclude any asset in growth, value, or cycle, nor is it limited to one or certain industries. The existing management investment targets range from the “old economy” to the “new economy”, from consumption, finance, real estate to health care, and information technology, covering all industries in the entire market.

Bo Yang believes that investment should maintain an open mind, not set limits on oneself, and not antagonize growth and value. For long-term management institutions (including social security funds) special accounts, Bo Yang’s investment style is a bit of an absolute return style, so he attaches great importance to risk control and dislikes large drawdowns, because drawdowns are directly related to the speed of returning to net worth. Bo Yang emphasized: Going air is not a risk, but losing money is!

Bo Yang Investment is mainly held in the medium and long term. Only in a few extreme cases will significant position adjustments and style switching be carried out. Bai Yang believes,

Accurately grasp the market trend, dare to grasp the turning point and concentrate on trading

Bo Yang’s investment framework is a combination of top-down and bottom-up, and tends to be top-down: judge the status quo of macroeconomic and monetary and fiscal policies, and then observe the expectations of the capital market, valuations, and valuations of various sectors , Earnings growth rate, selection of countries, regions and industries with the best price/performance ratio, and finally stock selection based on in-depth bottom-up individual stock research. There are more choices of industries and styles, and fewer choices. There are exceptions only when the market is in extreme valuation and sentiment situations. This is consistent with the results of the academic analysis of fund performance, that is, the vast majority of investment returns come from asset allocation, followed by stock selection, and very few come from timing. The difference between a top-down investment framework and a purely bottom-up framework is that the former can simultaneously obtain the benefits of style selection and sector rotation in asset allocation.

Bai Yang said that if he judges that the market valuation level or style rotation is close to an important turning point, he will do long and concentrated transactions. In addition, his investment is mainly based on steady and slow substitution, and the overall annual turnover rate of the investment portfolio is not high.

He believes that benefiting from the dual changes in the size and structure of Hong Kong stocks and the valuation of Hong Kong stocks dragged down by the global epidemic last year, Hong Kong stocks will most likely outperform A shares in 2021. In terms of volume, Hong Kong stocks have been active in IPOs, and their volume has continued to increase. At present, it is almost half the value of the A stock market, and has ranked among the top three in total global IPO value for two consecutive years. Structurally, due to the differences in the listing rules between Hong Kong and the Mainland, the Hong Kong stock market has gathered a large number of extremely dynamic TMT and biomedical companies. He believes that Hong Kong stocks are very likely to become the Chinese version of Nasdaq in the future. According to the GICS industry classification, the proportion of the “new economy” component of the Hong Kong stock Hang Seng Index in the total market value has increased from 16% five years ago to 39% at present. In addition, Hong Kong stocks have recently benefited from the return of China’s concept stocks, looking high.

In terms of general allocation, he pays attention to “three U assets” (Under-loved, Under-owned and Undervalued), that is, stocks that people don’t like, are seldom held by institutional investors, and are deeply undervalued. He believes that this type of There are good medium and long-term investment opportunities hidden in stocks.

(FengChenWang 2016 Spring/Summer Collection New York Fashion Week)

In her childhood, the memory of holding a bamboo cage and following her grandma to the beach to fish, gave her a fantastic idea of ​​presenting traditional Chinese bamboo weaving techniques on modern fashion.

(FengChenWang 2021 spring and summer series-small bamboo bag)

In the memory, the blue printed cloth suit that grandma wore every day has inspired her to travel all over the country to find craftsmen who are still inheriting this craft, and successfully integrate blue printing elements with high-end fashion.

(FengChenWang 2021 Spring/Summer Blue Print Series)

She is a fashion designer Wang Fengchen. Among the many outstanding young Chinese designers, she is particularly good at extracting inspiration from life experiences and people around her. The stories of her parents, siblings, and hometown are all told in her design language. As a senior student of the Royal College of Arts (RCA) in men’s clothing, her design not only has a high-level modern sense, but also pays attention to the integration of Chinese elements in skills and details, bamboo weaving crafts, blue printed cloth, traditional Chinese medicine plant dyeing and other traditional crafts and cultures. All are interpreted by her in the design.

Unique, the ultimate charm of the designer. Being good at telling stories around them and cleverly integrating into traditional culture-it is these two unique characteristics that make Wang Fengchen and her eponymous brand successfully out of the circle and enjoy international reputation.

The formation of designer style and inspiration library is more or less closely related to childhood experience. Previously, we mainly used media interviews to open up Wang Fengchen’s heart, understand her past experience, and then learn about the reasons for her fantastic ideas.but This time, Wang Fengchen used the “big move”, which coincided with the opportunity of cooperating with the Samsung Galaxy S21 series to shoot a micro film. For the first time, she tried to cross the border from a designer to a director, creating a micro film with a brand new In the form of images, she shares her growth story in the design world.

The name of this micro-film is “The First Meeting”, but it is simple and full of deep meaning-“Chu” has a “clothes” on the left and a “knife” on the right. The “cutting” fits the fashion designer Wang Fengchen. “Feng” is both the “Feng” of “Wang Fengchen” and the “Feng” of “Meeting”. This word also represents the designer’s hope to express through this micro-film that The emotional connotation of “the original heart”.

(Fashion designer Wang Fengchen directed the micro-film “First Meeting”)

At the beginning of the movie, what you see is the most familiar living environment of Chinese people-the patio, and the most familiar traditional fashion item-blue calico, which is like falling from the sky, like the blue sky and white clouds, under the simple and pure blue calico. Wang Fengchen’s ingenious grandmother. The blue calico and grandma constitute the story element and emotional bond throughout the entire micro-film.

The beginning of the story recalled the scene where grandma taught Xiao Fengchen to engrave, dye cloth and cut clothes. It is this kind of precepts and deeds since childhood that planted a seed of design for Wang Fengchen in her childhood, and made her look forward to having the same skills as her grandma when she grows up, and making her imagination into clothes.

The second part of the story recalled Wang Fengchen’s experience of studying abroad when he was admitted to the Royal College of Art in London. If the enlightenment that grandma gave her from a young age gave her the seeds of dreams, this experience of studying abroad taught her how to realize her dreams through professional education and hard study.

The climax of the story appeared after hearing the news of grandma’s death, the sad moment of losing a loved one. The designer suddenly recalled the blue calico that grandma’s favorite was her favorite. She turned out the blue calico that she carried with her when she went abroad and has been cherished. Then extract the aesthetic essence from it, and then add the advanced aesthetics and modern design skills she learned in the world’s top art halls, and finally let grandma’s favorite blue calico exert the most magical aesthetic power.

When these modern haute coutures with blue calico elements appeared on the runway of FengChenWang’s personal eponymous brand FengChenWang London Fashion Week, we saw not only fashion, but also family affection, dreams and inheritance.

(FengChenWang2020 Spring/Summer Collection London Fashion Week)

(FengChenWang2020 Spring/Summer Collection London Fashion Week)

(FengChenWang2020 Spring/Summer Collection London Fashion Week)

The end of the micro-film is fixed on the scene of Xiaofeng Chen and grandma reuniting and embracing. The language of the picture at this moment and the voice-over complement each other-“Even if the times are fast, as long as you don’t forget your original intention, you will always have your own rhythm.”

Speaking of the original intention of this micro-film, Wang Fengchen broke it down like this: What she wants to record is the process of her growth and transformation on the road of design, and the enlightenment, influence and companionship her grandma gave herself along the way. The blue calico that runs through the film is not only a symbol of her identity in her design, but also an emotional bond between her and her grandma. It also represents the designer’s inheritance and development of traditional culture. “It’s this blue calico that made me meet for the first time. The relationship with grandma also meets the original intention of design.”

In addition to the rich stories and sincere feelings that make people move, as an audience, they will also be attracted by the tones of this micro-film. The whole film reveals the most popular retro texture at the moment, allowing people to explore the designer’s growth story. At the same time, I can’t help but recall my childhood, hometown, and relatives and friends who guided me on the path of my dreams.

I believe you will be shocked, such a micro film with excellent sincerity and quality was actually shot with a mobile phone!

The story starts at the beginning of this year, With the launch of the Samsung Galaxy S21 series in China on January 18, Samsung also launched the “21 Vision” micro-film project. This theme is multi-lingual-“21” not only represents this brand new “S21” mobile phone, but also indicates the background of the 21st century; the word “vision” not only highlights the selling point of video shooting, but also means different horizons. And recorded perspective.

After the theme of the “21 Sights” micro-film project was determined, Samsung invited 12 industry leaders in different fields to start creating. Among them, there are pioneer fashion designer Wang Fengchen, actor Zhang Yuqi, musician Zhang Yadong, popular anchor Li Jiaqi, and youth Writer Jiang Fangzhou, etc., each industry leader is a well-known figure in this era. They are incarnations of directors, starting from their own life stories, creating micro-film scripts, and using the Samsung Galaxy S21 series to complete the shooting, and 12 produced The micro-movies record the growth of individuals under the torrent of the times from different perspectives, as well as each individual’s feelings and commemorations of the changes of the times.

In the “First Meeting” micro-film directed by Wang Fengchen, we see the dreams, talents and hard work of the young generation of Chinese designers, as well as their international vision.

From a designer with a paintbrush to a director who shoots stories with a mobile phone, Wang Fengchen also has an in-depth experience and delicate feelings about the powerful functions of the Samsung Galaxy S21 series in the process of completing his directorial debut.

(Sidelight on the creation of “First Meeting”)

“If you want to be good at your work, you must first sharpen your tools.” This time, all the shooting attempts have been completed using only mobile phones. The director Wang Fengchen wants to thank the Samsung Galaxy S21 series for the powerful camera functions. In the entire creative process, she is the most inseparable from the Samsung Galaxy S21 series “ Director’s Perspective “——This feature provides three views: single view, split screen, and picture-in-picture, and three different view frames for telephoto lens, main camera, and ultra-wide-angle lens, allowing creators to easily choose according to their needs.

Friends who have filmed Vlog know that it is often necessary to switch perspectives at any time during the shooting process. After switching, it is necessary to organize and edit a large number of video materials, which will complicate the entire creative process. The front and rear cameras of the Samsung Galaxy S21 series can be called at the same time. You can choose either the picture-in-picture mode or the split-screen mode. This saves the inconvenience of shooting with multiple phones at the same time and the cumbersome post-editing process, so it can be called Vlog. Creation artifact.

The three lenses on the back of the phone can be previewed at the same time, which allows Wang Fengchen to see the pictures taken by three different lenses at the same time during the creative process, and then can directly choose the most favorite picture.

There are many portrait close-up shots in the story of “First Meeting”, thanks to the powerful artificial intelligence analysis function of the Samsung Galaxy S21 series, which can intelligently recognize facial features and natural lighting, and then optimize various details, which also saves creators Time for repeated shooting and post-grading.

After thoroughly using the “director’s perspective”, Wang Fengchen exclaimed: In this era of universal Vlog, with this mobile phone, everyone can become a photographer, starting from the touch of life, recording life and recording the times. .

In the creation process of “First Meeting”, in order to express the past and memories, many shots needed to be taken in a relatively dark environment. At this time, another powerful mode of the Samsung Galaxy S21 series, “Night Mode”, came in handy. , It can achieve clear shots even in dim environments.

In the “First Meeting” micro-film, in order to show Xiao Feng Chen’s innocence and emotions with his grandma, many jumping shots are used. At this time, how to prevent jitter becomes the key to whether the shooting is passed. At this time, the “Super Stability Mode” of the Samsung Galaxy S21 series plays an important role. The stabilization function reduces the jitter caused by motion. Even when moving, it can take a smooth and stable shot like a sports camera, ensuring the video quality. Quality and standard.

As a fashion designer, he is extremely sensitive to beauty. In addition to the shooting function, Wang Fengchen also values ​​the appearance and color of his mobile phone very much. The Samsung Galaxy S21 series provides a total of three color schemes-full of youthful and vigorous Brahma dream purple, fashionable and elegant fantasy silver and eternal classic color night black. The designer said that each color scheme is very individual and can satisfy everyone’s needs. favorite. Wang Fengchen herself has always used Youye Black. She thinks this color is the same as her own image-a bit cool and mysterious, and the combination of metal and matte texture makes her feel very advanced. This mix and match reminds her of In order to make the design concept, “Irregular matching of fabrics or colors of different materials can create a sense of collision and harmony.”

Just as inspiration flashes at any time when designing, and needs to be recorded in drawings at any time, Wang Fengchen also had many fantastic ideas about the film during the entire shooting process of “First Meeting”. What should I do if the inspiration comes? The designer is most grateful to the S Pen stylus of the Samsung Galaxy S21 series, “it can help me record inspiration anytime and anywhere, and bring a lot of convenience to my creation”.

“I like to try new things and break conventions. This time, it is a small breakthrough to derive my creativity and ideas into a micro-film story.” Talking about participating in the “21 Vision” micro-film project, Wang Feng Chen summed it up like this.

Do you aspire to break conventions, record life, and challenge yourself with creation like Wang Fengchen? I believe that the Samsung Galaxy S21 series can help you.

The audience could not help but feel frustrated when they heard that the director locked Gal Gadot in a secret room because she refused to film sensitive scenes.

Specifically, when director Zack Snyder left the Justice League project in 2017, director Joss Whedon was led by Warner Bros. invite and supervise filming. Since then, Joss Whedon requested to return 75% of the film, “cutting” the original script quite deeply. At that time, Warner Bros. wanted to change the direction of the DC universe in the bright, humorous style of Marvel. Joss Whedon is also the director of the blockbuster Avengers every day, so the leader of this company entrusted the project Justice League. However, when it was released in theaters in 2017, Justice League was hated by professionals and fans because it was too bad, many “sexualized” segments of Wonder Woman.

During the campaign to release the movie Zack Snyder’s Justice League, actor Ray Fisher (playing Cyborg) has repeatedly voiced the actions “disgusting, bullying, unprofessional, unacceptable. “okay” by Joss Whedon on set. Both Gal Gadot and actor Jason Momoa (playing Aquaman) have voiced support for Ray Fisher. Warner Bros. The announcement has held a special investigation related to the incident, but did not publish the results of the investigation.

Recently, the news site The Hollywood Reporter revealed many controversial developments on the set of Justice League, especially regarding actress Gal Gadot.

The female star was not satisfied with the new direction the film exploited her Wonder Woman character, as well as the lines she had to say. Because of that, Joss Whedon is said to have threatened Gal Gadot’s career if she did not obey. Even he threatened to “lower the honor” of Patty Jenkins – director of blockbuster Wonder Woman series, who is also close to Gal Gadot.

A witness at the studio revealed that Joss Whedon also bragged to everyone about his intimidation of Gal Gadot, admitting that he deliberately forced the actress to say lines that she would certainly not like. “He told Gal Gadot that he was the writer, she would have to ‘shut up’ and read the lines, and then he could make Gal Gadot extremely stupid in this movie.”

This controversial scene is believed to be the intentions of Joss Whedon

Previously, it was reported that Joss Whedon locked Gal Gadot in a waiting room because she refused to film Flash falling on Wonder Woman’s chest. That shot was still shot by Joss Whedon with a stuntman, and even appeared in the official Justice League theatrical release.

Three months after Justice League hit theaters, director Joss Whedon withdrew from DC’s Batgirl project in development. When asked to respond to the charges on the Justice League studio, he declined to comment.

Before this new information, many viewers expressed anger and anger because Gal Gadot was unfairly treated and humiliated: “Inviting rival film director to make filmmaking, an unexpected move of Warner Bros”, “Joss Whedon is so heavy.”, “It feels like this Joss Whedon has a grudge against DC. No one can make such a bad movie “,” There is one more reason to hate this man. Dare my sister Gal Gadot! ”…

The meeting between leaders of Foreign Investment Department, Hai Phong Economic Zone Authority and LG Electronics Vietnam

At the meeting between the leaders of the Foreign Investment Department (Ministry of Planning and Investment), Hai Phong Economic Zone Authority and LG Electronics Vietnam Company in Hai Phong on the afternoon of April 14, Mr. Jung Hai Jin, The General Director of LG Electronics Vietnam in Hai Phong shared about LG Group’s withdrawal from smartphone production in Hai Phong.

Mr. Jung Hai Jin said: “Smartphones are one of many other electronic products that LG is making here. The withdrawal or reduction of smartphone production at the Hai Phong factory is the policy of LG Electronics globally. in product restructuring. ”

Previously, according to Business Korea, LG Electronics was gradually closing factories in Taubate (Brazil) and Qingdao (China). LG’s cessation of smartphone production in Hai Phong is part of the group’s policy to withdraw from the smartphone market to focus resources on better growing businesses such as electric vehicle components, cars, and equipment. connections, civil electricity …

LG Electronics Vietnam in Hai Phong officially came into operation in 2013, up to now, this enterprise has an investment capital of up to 1.5 billion USD, including factories manufacturing products such as audio-visual equipment, home appliances, informatics products, air conditioners and air solutions, beauty equipment … to supply to the global market.

Right at this moment, LG Electronics Vietnam Hai Phong is investing in an additional factory to produce super super washing machines, this factory has a factory area of ​​up to 43,000m2, adjacent to the phone factory. This factory is expected to come into operation by the end of 2021.

Mr. Le Trung Kien, Head of Hai Phong Economic Zone Authority, said that LG Electronics Vietnam is part of LG Group’s group of manufacturing companies located in Trang Due Industrial Park. Compliance with regulations and policies on investment law and the environment and make a great contribution to the export and import turnover, as well as the city budget. In particular, LG Electronics Vietnam is a business with good links and cooperation with the business community in increasing the localization of products and focusing on the welfare of employees.

At the meeting, Mr. Do Nhat Hoang, Director of the Foreign Investment Department, said that an enterprise or a corporation changes its production and business strategy, positioning its products to suit its capacity. Intrinsic is very normal, especially, in the face of a breakdown in global supply chains due to the Covid 19 pandemic, the restructuring of enterprises is inevitable and necessary.

Sharing the company’s policy, Mr. Jung Hai Jin, General Director of LG Electronics Vietnam in Hai Phong said that LG Group in general and LG Electronics in particular define Vietnam as a country with an investment environment. Safe, attractive, so maintaining and continuing to invest here is a long-term and sustainable development strategy.

Before the information around the smartphone factory in Hai Phong, Mr. Jung Hai Jin affirmed: “We have no plan to sell the factory, but if the product restructuring, this facility will be transformed. to the new function, all workers working in the smartphone factory will be kept intact to serve the production of other products “.

Ministry of Industry and Trade is responsible?

In court, the defendants have the right to argue before the prosecution’s allegations that they are responsible for the VND 830 billion loss case at the Thai Nguyen Iron and Steel Phase 2 Production Expansion Project (TISCO).

Defendant Tran Trong Mung, former General Director of TISCO, was the first to have the right to argue, but asked lawyer Dinh Anh Tuan to defend himself. Previously, defendant Mung was offered a penalty of 10-11 years in prison by the Procuracy because he was accused of having the main responsibility in the case when he did not terminate his contract with China Metallurgical Science, Technology and Trade Group (MCC) even though this business has violated.

Project of production expansion phase 2 of Thai Nguyen Iron and Steel Company stopped construction for many years. Photo: GENERAL WRITE

The proceeding agency said that the defendant should Mung must terminate the contract with MCC, withdraw the advance; report to the authorized person to cancel the bid or to re-bid. However, he directed to negotiate at the request of MCC; sign a written request for price increase of part C (construction and installation) in the EPC contract of the project.

The Procuracy also accused Mung of introducing and accepting the Vietnam Industrial Construction Corporation (VINAINCON) as a subcontractor. Since then, VINAINCON is not qualified, so in 2011, construction has stopped, making the project unfinished so far.

Defending defendant Tran Trong Mung, lawyer Dinh Anh Tuan said that it is necessary to consider the responsibility of the Ministry of Industry and Trade when introducing VINAINCON to the defendants in the case so that they can choose to be subcontractors.

According to lawyer Dinh Anh Tuan, the main responsibility in introducing VINAINCON must belong to the Ministry of Industry and Trade; TISCO and Vietnam Steel Corporation – VNS are only liable for joint responsibility.

Lawyer Dinh Anh Tuan also said that his client only has a part of responsibility in introducing VINAINCON as a subcontractor, so he asked the court to transfer the crime from “Violation of regulations on the management and use of property. water causes loss and waste “to” Lack of responsibility, causing serious consequences “.

Regarding the alleged loss of VND 830 billion, VINAINCON was approved as a subcontractor, the defendants are former leaders at TISCO and VNS declared, they accepted because there was a document signed by the Ministry of Industry and Trade signed by a Deputy Minister. In the document, the Ministry of Industry and Trade said that VINAINCON is an enterprise of the Ministry with good capacity.

“Choose VINAINCON because according to experience”

Before that, in the questioning section, judge Truong Viet Toan asked VINAINCON’s representative, Mr. Hoang Chi Cuong (at the time of project implementation, VINAINCON’s General Director) to clarify the capacity of this business when being introduced to a subcontractor in the EPC contract.

Judge Truong Viet Toan asked Mr. Hoang Chi Cuong to confirm that at the time the bid received the requested documents from MCC and TISCO?

Mr. Hoang Chi Cuong affirmed that he has not received any documents yet.

Seeing “unreasonable”, because there is no request dossier in the bid, but VINAINCON is a subcontractor, judge Truong Viet Toan asked: “Without the request, on what basis for VINAINCON to respond. Asked to bid? ”

Mr. Hoang Chi Cuong said that this is just the selection of subcontractors of MCC, this is not the bidding document!

2 representatives of VINAINCON presented in court. Photo: DO TRUNG

Explaining to the representative of VINAINCON, judge Truong Viet Toan said that the selection of a contractor is also a form of bidding in the Bidding Law, in which the Bidding Law governs; the only difference is that public bidding or appointment of contractor, appointment of contractor is also a form of bidding.

“In the EPC contract, the general contractor MCC has the right to select the contractor according to the method of bidding or contractor appointment. Also in the same contract, the provisions of the contractor’s responsibility depend on the MCC; MCC selects subcontractors on the basis of bidding or contractor appointment. Bidding or appointment of contractors is ultimately regulated in the Bidding Law. Bid preparation will include requirements documents, in which the project owner will require to do what works, how economic and technical efficiency, progress on time, construction design, evaluation of works. What is the project’s environmental impact? Perhaps you do not understand what the required documents are, “said judge Truong Viet Toan.

According to Judge Truong Viet Toan, the selection of contractors, appointment contractors or tenders are all governed by the Bidding Law; In the initial steps, there are bids, in the bidding documents there are requirements.

“I asked to see how the pressure is. Because all the defendants at TISCO declared the selection of VINAINCON, this is an incompetent and inexperienced unit. And based on that dossier of request, how VINAINCON responded according to the required dossier, to see if it is true or not, ”said judge Truong Viet Toan.

Meanwhile, Mr. Hoang Chi Cuong continues to affirm that his business is a subcontractor and has never received the required documents from TISCO and MCC.

Judge Truong Viet Toan continued to prosecute: “So on what basis to sign a three-party contract?”

“Signing a 3-party contract on the basis of the capacity and experience of VINAINCON for the previous works done”, said representative of VINAINCON.

Judge Truong Viet Toan interrupted: “But, in reality, there are things that cannot be empiricist. How do you see the specific capabilities of VINAINCON in this project? “

Please be presented more, Mr. Hoang Chi Cuong said that VINAINCON has done many great projects since the 1960s, such as Apatite Lao Cai, participated in the construction of Thai Nguyen Iron and Steel Area from the beginning, Supe Lam Thao, steel, hydropower …

“Those are achievements, this is not a meeting to raise achievements and reward for emulation”, judge Truong Viet Toan asked Mr. Cuong to focus on the question …