Screenwriter Dinh Thien Phuc. Revenue does not equate to artistic quality As the scriptwriter for “Thau Nine in Siam” – the film received many film awards – including the best screenplay award, can you say something about the process of making this film? Uncle Ho’s period of more than 30 years of working abroad, when he was active in France, Russia, China… is mentioned a lot through documentaries, especially documentaries and feature films. But the time Uncle Uncle worked in Thailand (then called Siam) is rarely mentioned. When I researched, I found this period to be extremely important. The overseas Vietnamese force in Siam is very large and is the core of the revolutionary seeds. For example, in Tam Tam commune, the first 7 people came from Siam, and it was also from this force that Uncle founded the Vietnam Revolutionary Youth Association. When Uncle Ho reported to the Comintern to get back to work, they wanted Uncle to go back to China. However, Uncle still expressed his desire to return to Siam to develop a second base (the first base at that time was in Guangzhou). In less than 2 years, Uncle Ho’s operational efficiency was great. It was in Siam that was the starting point for Uncle Ho to go to Hong Kong to unite the three revolutionary forces, towards the establishment of the Communist Party of Vietnam. The film Do not burn based on the main material is the diary of martyr Dang Thuy Tram. Photo: KT “Rice tender in Siam” is quite attractive in terms of script. From the script to the film, is there anything that makes you unsatisfied? A few months ago, I went from Hanoi to Nha Trang, on a Vietnam Airlines flight, there was a screening of the movie “Tender nine in Siam”. Sitting next to some young people, I “show off” a bit, introducing myself as the script writer. They shook my hand and thanked me, expressing a pity that good films like this were not shown widely. When watching the movie, I am also very satisfied with the sound, music, and shooting setting. The film crew made the scene quite realistic, although many scenes were shot in Nghe An, not in Thailand. However, it is a little regretful that the actor who plays the role of Tieu Chin (the alias of Uncle Ho’s activities in Thailand) in appearance has not yet exuded Uncle’s sage and wit. The acting of the main character is a bit gentle, the appearance is also a bit fat. “Thau Chin in Siam” is one of the few feature films about the revolutionary war that has been produced in the past 10 years. If you put this film in theaters, do you think it will be a commercial success? From the perspective of film as a film industry product, it needs revenue. But revenue is not the same as artistic quality, much less evaluates the longevity of the film. With revolutionary war-themed films belonging to the state-ordered film series, the State has to some extent envisioned the difficulty of revenue. This difficulty is not only in our country, but also in the world. China, America, Korea… when they make historical war movies, there are movies that do very well, but there are also films that are difficult to see, even though the film can win all awards. Even now that we bring back the Cannes and Oscar-winning films, many movies are still empty. So the criteria for taking revenue to evaluate a good or bad movie or something depends on the concept of each person, depending on the concept of each audience class. The problem lies in the way of exploitation However, there are still films that achieve both criteria: art and revenue? Films that achieve both of those criteria are admirable. And movies like that already exist. For example, the movie “Great Sea War” of Korea, or the movie “Rescuing Private Ryan” of the US, achieved huge sales. War appears extremely fierce with messages imbued with humanity. During the renovation period, we had the movie “Girl on the River” directed by People’s Artist Dang Nhat Minh. It’s a movie that creates social and box office effects very well. If I remember correctly, at the 8th Vietnam Film Festival taking place in Da Nang city, the film’s revenue was enough to cover the entire film festival. That’s it. The topic has no errors. The problem lies in how it is exploited. It is necessary to exploit how to pull all classes of audiences to the theater. This is really a challenge for our country’s cinema today. “The Returner” is a movie about the revolutionary war that is highly appreciated by the audience. Photo: KT One of the reasons why our revolutionary war-themed feature films lack appeal is the lack of big scenes and the lack of money to make special effects. Not to mention other limitations that are repetitive: Choosing the wrong actor, acting has not arrived, costume errors, makeup mistakes, monotonous background … Lack of money is one thing. But to stage grand and effective grand scenes requires the filmmaker to have talent and to some extent have a natural gift. He can make great psychological films, but if he does the battlefield bomb scene, he is not sure he can do it. That is, we not only lack money but also lack of experience and talent. In the time of the market economy, actors run continuously, now they are in movies, tomorrow they are in TV series. To transform into the character, first need the commitment of the actor. Then there are factors such as whether the actor is competent enough, interested enough, passionate enough or not. Now there is a scenario about Nguyen Trai, for example. Actor playing Nguyen Trai must understand the stature, talent, charisma of Nguyen Trai, must study the scriptures, study history, learn to walk, talk. Only in this way can the character’s charisma emerge. Next are other auxiliary elements to shape the character such as how to dress, how to dress up. The makeup and costumes of Vietnamese cinema are also a weakness. And all those weaknesses add up, in the end the character doesn’t make a character. So of course that movie wasn’t attractive enough. Perhaps the biggest error still lies in the script. We lack good scripts, lack of new perspectives? In the past, movies about the revolutionary war had to go through many levels of approval. The first is the script. To be on the safe side, screenwriters often follow the formula that we win and lose, we are very good and the enemy is very bad. That motif repeated, becoming an invisible barrier. Before those barriers, if the artist with their living capital, talent, and enthusiasm, they will create their own path and they will succeed. For example, with the film “Town within reach” or “Girl on the river” by director of People’s Artist Dang Nhat Minh, it is also a look at war, but poses many painful and haunting problems with messages. never old. So here is the bravery and talent of the creator. If you believe in things that are truth, right, serve beauty, serve the cause of national construction and defense, you must bravely go to the end and bravely defend to the end.

Opening sales on the first Friday saw a record high, up about 50% compared to “Flip 4”, and more than 130% compared to “Flip 3”. These remarkable achievements have helped the hundred-billion-dollar director Ly Hai own two films among the top-grossing Vietnamese films of all time. Recently, the film crew announced that “Flip Face: 48H” will officially open in the US from June 18, 2021 in theaters in the states of California, Texas, Colorado, Atlanta, Georgia, Washington, Virginia, Florida. In addition to the previous states, 1 week later on June 25, 2021, the film continues to expand its screening points at cinema clusters in the states of Phoenix, Arizona, Illionis, Massachusetts, Philadelphia, New Jersey, Washington… A scene from Flip Face : 48H The joy is multiplied when just setting foot in foreign markets, “Flip Face: 48H” has received warm support from fans. The film will be available in 22 theaters, this is an extremely impressive number, twice the number of “Flip Face 4” and many similar films. “Flip Face: 48H” belongs to the action-comedy genre, true to the strength of the director of Western origin. The film’s story revolves around Hien (played by Vo Thanh Tam) – a gentle delivery worker who is good at martial arts ready to do anything for his family. During the risk of being involved in a business case, Hien and his family suddenly became the target of a fierce hunt. Hien’s wife and children were kidnapped and threatened with life. Hien only has 48 hours to find out the truth of the matter and rescue his wife and children. Directed by Ly Hai Although the film possesses a classic family rescue plot, it is guaranteed to make the audience nervous and not daring to breathe during the main character’s escape. During nearly 120 minutes, director Ly Hai will “deploy the army” with a series of high-class action scenes and entertain viewers with a series of risky situations, martial arts, thrilling chases, and explosions. satisfied with the level of stimulation gradually increased. In particular, many scenes are performed by the actors themselves without the need for stunts to ensure the authenticity of each martial arts pose. Ly Hai shared that although he was born and raised in the West, this is the first time that Ly Hai has brought the Western river scene to the big screen. More than 90% of the scenes will be filmed in the West, spanning many different places: from land to water, from Cham villages to Cai Rang floating market. The context is bold with Vietnamese identity, which will be a personal and sincere gift that Ly Hai wants to give and send to Vietnamese audiences far away. Thanh Van snail- Vo Thanh Tam “Flip the face: 48H” is also the most carefully and carefully invested work by Ly Hai. The most impressive thing to mention is his “strong hand” when he invited director Kim Jung-min from Korea to take the position of consultant for the action part. In Korea, Kim Jung-min is known to the audience as the action director of the 2018 box office blockbuster The Witch: Part 1. The Subversion. Then the action scenes, billions of dollars, even building a whole new row of houses on stilts just to “break”, or mobilize up to 1000 mass actors to participate in a melee scene,… All were done. demonstrate the “risk”, the willingness to play, and the spirit of dedication of the unique cool-handed director of the Vietnamese film village. This has been rewarded with the support of millions of domestic audiences, and the unspeakable praise from critics. Famous kimchi director Lee Hwan-kyung (from the blockbuster Miracle in Cell No. 7 – the work that broke all sales records in Korea in 2013) was also surprised by the quality of “Flip the Face”. : 48H”. “I had a meeting scheduled at first, so I was going to watch a part,” he said. The rest after the meeting I will continue to watch. However, watching for a while, I was so immersed in it that I couldn’t stop. It did so well that it was like watching a Hollywood movie!” In addition, “Flip Face: 48H” also has the participation of talented actors Vo Thanh Tam, Oc Thanh Van, Huynh Dong, Mac Van Khoa, Ha Anh,… Full convergence of action elements Eye-catching, entertaining humor and emotional family story. Screening spots in the US this summer

Ly Hai in Flip Face: 48H Recently, Flip Face: 48H welcome the good news when the film will come to foreign audiences when the work is released in the US from June 18, 2021 at cinemas in the states of California, Texas, Colorado, Atlanta, Georgia, Washington, Virginia, Florida. On June 25, 2021, the film continues to arrive at cinemas in the states of Phoenix, Arizona, Illionis, Massachusetts, Philadelphia, New Jersey, Washington… Before Flip Face: 48H , hit work Godfather of the duo Tran Thanh – director Vu Ngoc Dang also came to audiences in the US and Australia. The film continuously “sold out” in these two countries and received a warm welcome from a large number of expatriates. Flip Face: 48H belongs to the action-comedy genre, the content revolves around Hien (played by Vo Thanh Tam) – a gentle delivery worker, good at martial arts, ready to do anything for his family. During the risk of being involved in a business case, Hien and his family suddenly became the target of a fierce hunt. Hien’s wife and children were kidnapped and threatened with life, he only had 48 hours to rescue his family. During nearly 120 minutes, director Ly Hai and his crew impressed with a series of thrilling action scenes, a series of risky situations, martial arts, chases, fire effects… More than 90% of the filming scene of Flip Face: 48H is carried out in the West with locations from land to underwater, from Cham villages to Cai Rang floating market. Therefore, the frames imbued with Vietnamese identity promise to become an emotional gift that Ly Hai gives to Vietnamese audiences far away. Flip Face: 48H It is also a work carefully invested by Ly Hai. He invited Korean director Kim Jung-min to take the position of consultant for the action part. Kim Jung-min used to take on the role of action director of the work The Witch: Part 1. The Subversion (2018). Flip Face: 48H also has the participation of talented actors Vo Thanh Tam, Oc Thanh Van, Huynh Dong, Mac Van Khoa, Ha Anh…

Ly Hai and his wife Minh Ha at the premiere in Vietnam. The total revenue of his films “Flip Face” exceeded 500 billion VND. Ly Hai expressed that he was both happy and nervously waiting for the reaction of the international audience. The work had to be postponed 3 times in the country because of the Covid-19 epidemic. Therefore, the male director hopes that the project will go smoothly when going abroad and receive positive results. The movie is named in English as Face off: 48h . “Hopefully in addition to the Vietnamese community, international audiences will also be able to see Vietnamese films. That’s why, in the film, we focus heavily on regional culture to let foreigners know and feel about it Vietnam,” he shared. Before that, Ly Hai used to wear Flip face 4 premieres in the US, Australia and Canada in 2019. Flipping: 48h is in the series of the same name that makes up the brand of Ly Hai. The work also achieved the highest revenue in the sections with the figure of 156 billion dong. Currently, he has completed the script for season 6 and plans to start filming at the end of the year. Ly Hai expects the film to be well received when it is released internationally. Flip Face: 48h belongs to the action-journey genre, revolving around a family’s escape across the West before the hunt by a gang of wanderers for a treasure. The project gathers actors Vo Thanh Tam, Oc Thanh Van, Huynh Dong, Mac Van Khoa, Ha Anh… The film is mentored by Korean director Kim Jung-min (the action director of the blockbuster). box office 2018 – Artificial Assassin ). This is also the work “consuming” the most money and enthusiasm of Ly Hai ever. Trailer of the movie ‘Flip the Face’

Vo Hoai Nam in the movie excerpt The taste of love n (Vo Hoai Nam) Vo Hoai Nam used to be a beloved face on television decades ago with the series Criminal Police . After Street stories (2005), the actor born in 1965 stopped acting to focus on family affairs and suddenly returned to the screen after 16 years of absence with the role of Mr. The taste of friendship. Although the role does not appear much, but the movie scenes of Vo Hoai Nam are highly appreciated by the audience for his honest and introspective acting. Vo Hoai Nam shared the reason for returning to movies after 16 years as an actor on the show VTV Connect: “After many years, I took a break because I was busy with my own work, so I have not been able to serve many movies to the audience. After 16 years, I returned to the role of Mr. Sinh. One fine day, the director and producer came to talk to the brothers and said that they had an idea that they wanted to invite for a role. I hear it too close to me, close to emotion and interiority because I’m a person who prefers to act introspectively over form. So I decided to lose weight to make my face miserable, wrinkled, and the longer my hair fell, the more miserable it was. The first time I received a movie without reading the script, going against my rules ever since. I’m very happy that the new role appears less but is loved by the audience.” The actor talked about the challenge of this role: “The gangsters are always stalking and pulling him back to gain prestige. He was forced to hide and only dared to stand from afar to look at his children. Acting those scenes he had to do to The audience understands the heart of a father who is close to his son, touches his child, stands close to his child but does not dare to accept his child. That is the challenge of this Mr. Sinh’s role in this movie. The taste of friendship”. Sharing about how to raise emotions for Mr. Sinh’s role, Vo Hoai Nam said: “If you want to hold on to the scene to get your emotions, it doesn’t exist because it’s all shown from the inside out. Because there are dozens of people watching outside. , then the camera is placed in all directions, the light is blinding the eyes, how can you get the emotion, but that is the most important thing for the actor, when he goes to the scene, he forgets all the surrounding things to express. The inner character of the character gives the closest performance. If we act well, we will have an audience, if we lie a little bit, we will lose the audience. That is a principle from the past to now that I have never violated.” Vo Hoai Nam changes hairstyle for part 2 of ‘Flavor of Friendship’. Vo Hoai Nam further revealed that in part 2 he had to cut his hair to create a new image of Mr. Sinh. “In part 2, Mr. Sinh’s role has a relationship and has many new knots”, he revealed.

Specifically, Techcombank targets 2021 consolidated pre-tax profit at 19,800 billion, up 25.3% compared to the result in 2020. Credit balance is expected to reach nearly 356,200 billion, growth of at least 12%. compared to last year and within the amount allowed by the State Bank. Deposit value (including certificates of deposit for individual customers) is expected to reach VND 334,291 billion, growing at least 14.7% and in line with actual credit growth. Notably, Techcombank targets 2021 consolidated pre-tax profit to reach 19,800 billion, up 25.3% compared to 2020. NPL ratio is expected to be below 2%. Techcombank 2021 shareholders meeting Techcombank’s management said it would improve efficiency by concentrating resources to increase demand deposit balance (CASA), on home buying value chains, real estate and high-income customers. Techcombank will also focus resources on customer-transaction banking platforms; upgrading credit processes; providing the right process for customers, minimizing the time to reach “approval”; analyzing data to gain insights into customers; creating a technological platform for building and implementing specialized financial products and services … At the meeting, Techcombank continued to submit to shareholders not to pay dividends, which meant keeping more than 26,700 billion dong of undistributed profits for business operations. At the same time, the bank continues to submit to shareholders the plan of issuing shares for selected employees (ESOP). Number of shares expected to be issued is more than 6 million shares, selling price is 10,000 dong / share. Shares are restricted from transfer for 1 year. In addition, at this meeting, a new member of the Board of Directors will be elected with the candidate Mr. Ho Anh Ngoc (Chairman Ho Hung Anh’s younger brother). Thus, the number of members of the Board of Directors of the bank is expected to increase from 8 to 9 people. Mr. Ho Anh Ngoc was born in 1982, holds a Master’s degree in economics from Macquarie University Sydney, Australia. He is also a CPA member of the Australian Auditing Association. Since 1/2007, Mr. Ho Anh Ngoc has held many positions at Techcombank, from Deputy Director of Consumer Service Card Center; Director of Ho Chi Minh City Branch; Deputy Head of Wholesale Banking Division and Head of Wholesale Banking in the South, … Currently, he is holding the Southern Representative Board of Techcombank, is the Chairman of the Board of Directors of One Mount Group, Chairman of JSC 1MG Housing, Chairman of JSC One Distribition. In addition, from 1 / 2013-5 / 2018, he was a Vice Chairman / Chairman of the Board of Members of Techcombank AMC. From November 2011 to January 2013, he was Vice President cum General Director of Thao Dien Investment Joint Stock Company, … HA Techcombank aims to make a “huge” profit of nearly 20,000 billion in 2021

Appraisal Council and representatives of CGV Vietnam. Launched in 2018, after two competitive seasons, the CJ Short Film Project has received more than 500 entries sent back with many genres, diverse themes and deep, bold stories. humanistic about the slices of life. Success beyond expectations The complete short films have been selected to screen and compete at more than 50 large and small film festivals around the world. In particular, the short film “A Good Land” directed by Pham Ngoc Lan (season 1) was selected for the competition at the Berlin Film Festival 2019 (Germany), director Pham Thien An’s “Be Awake and Ready” (season 1) excellent award-winning Illy at Director’s Week in the framework of Cannes Film Festival 2019 (France) and the movie “Clouds But Not Rain” directed by Vu Minh Nghia and Pham Hoang Minh Thy (season 2) reached the top 12 short films contending for the Orizzonti Short category at Venice 2020 Film Festival. Mr. Tran Nhat Hoang, Deputy Director of Department of International Cooperation, Ministry of Culture, Sports and Tourism spoke. In addition, the short films “Sweet, Salty” directed by Duong Dieu Linh (season 1) and “Binh” by director Pham Quoc Dung (season 2) had a World Premiere (World Premiere) and competition. Short film category Wide Angle at Busan International Film Festival (Korea) in 2019 and 2020. At the press conference to introduce the CJ Short Film Project 2021, Mr. Ko Jae Soo – General Director of CJ CGV Vietnam enthusiastically shared: “The unexpected successes of the above short films in general and the efforts and creativity of young Vietnamese movie talents in particular have empowered the programmers who we are working on in the fifth year project. 3. With the attention and direction from the Ministry of Culture, Sports and Tourism, the Cinema Department, the Department of International Cooperation and the enthusiastic support of prestigious filmmakers of Vietnamese cinema, we hope will continue to implement the contest to become an annual playground for young talents to hit the movie lane. ” Mr. Tran Nhat Hoang, Deputy Director of International Cooperation Department, Ministry of Culture, Sports and Tourism said: “The CJ short film project, carried out by CGV Vietnam in collaboration with CJ Cultural Foundation, Korea, is back at a time when the film industry is in need of restart, thousands of young people in the filmmaking industry are in need of a playground. to train my talent and also write my dream film. That is enough to show the great significance of the CJ Short Film Project as well as the fervent expectations from Saturday art enthusiasts for this competition. ” Experienced evaluation board In addition to the familiar faces such as director Phan Dang Di, director Nguyen Hoang Diep and director Trinh Dinh Le Minh, this year’s Appraisal Council also has the participation of producer Tran Thi Bich Ngoc and director Tran. Thanh Huy. Independent filmmakers with a lot of experience participate in international “arenas”, promising to find the best projects, in accordance with the criteria of international film festivals. Mr. Ko Jae Soo, General Director of CJ CGV Vietnam. Director Trinh Dinh Le Minh, a member of the Appraisal Council shared: “After a year full of turmoil due to the epidemic, the filmmaking community in Vietnam can now continue to participate in a rewarding playground like the CJ Short Film Project. I am very happy that CJ Cultural Foundation and CGV are able to bring the contest back on time. With the practical financial and professional support, I think film talents can go further and locate the position of Vietnamese cinema on the world map. ” Joining for the first time as a member of the Appraisal Council, “Rom” film director Tran Thanh Huy said: “ As an indie filmmaker, going through the tough times of being a toddler, I understand how challenging filmmaking is. I hope with my experience I can support the contestants in this contest as much as possible. “ The short film project CJ 2021 is for Vietnamese citizens aged 18 to 40 years old, aimed at young people who are working in the creative field, who are passionate about cinema but do not have the budget to make their own short films. . The program is part of the series of social responsibility activities of CJ Cultural Foundation and CGV, demonstrating the efforts of businesses and directors and producers in their journey to support, accompany movie talents, and bring movies. Vietnam integrates into the world.

Mac Van Khoa and actors in the movie Flip Face part 5 are set mainly in the West River region The role of Mac Van Khoa in Turn over: 48H (part 5) is considered as “measuring ni in shoes” for his charming comedic qualities and his lovely “ugly” face. * Humorous role for knack Interview Dong Nai weekend , Mac Van Khoa revealed: “When I continue to invite me to participate in part 5 of the series Turn over right after part 4 Turn over: The house has guests (in 2019), director Ly Hai understood my abilities, forte and people in real life, so he created the character Lam in the screenplay very well. Mac Van Khoa was born in 1992 into a family with no artistic tradition in the poor countryside of Hai Duong province. When he was a child, he had a skinny body, a shy personality, or low self-esteem because he did not have outstanding looks and had a “funny” pronunciation. Mac Van Khoa has a passion for acting but failed when he entered Hanoi University of Theater and Cinema. After that, Mac Van Khoa just fortunately passed the entrance exam to Nha Trang College of Art. After graduating, Khoa entered the vibrant market in Ho Chi Minh City and started to become a prominent comedian on the TV screen thanks to the title of runner-up in the program of Smiling through Vietnam in 2015. He began to love electricity image and become a “strange case” does not need common principles and norms to become an interesting face appearing in movies. Turn face 4, Crab back to pregnant wife, 30 not yet Tet, Flip face 5 . At present, Mac Van Khoa has affirmed himself on the way of art. I am very comfortable, not restrictive and even feel a bit easy when playing this role. I also like it because there is a “land” for me to release humorous lines as well as handle funny situations in the film. I think the inner comedy Turn over: 48H not too much, but very well suited to give this very fast-paced film the necessary gentle “breathing spaces”. Indeed, Turn over: 48H there are high-intensity action entertainment movies. The film brings a close atmosphere in the West of the river with cheery laughter from Mac Van Khoa – he is called “holy bog” by audiences who love him. The graceful and much-needed moderation from the role of the runner-up of this 2015 cross-Vietnam comedy contest has contributed significantly to the film’s success. “Although I play the right role, I actually have a lot of pressure due to it Turn over: 48H is a very thrilling action film, the scene takes place in many different localities and areas from streets to rivers. In addition, the filming schedule is very hard for the whole crew, so an individual actor like me must also prepare hard in terms of health. This is my biggest worry besides the high-risk and high-risk action sequences. Fortunately, director Ly Hai and the production team spent a lot of time and effort preparing everything for the most effective and safe way “- Mac Van Khoa revealed. * Kindness and humanity Although only playing the main role, the “hospitable” couple Lam – Thao, played by Mac Van Khoa and Le Ha Anh, brought sympathy and happiness to the audience with their sincerity, honesty, “why do you say that? ” their. Contrary to his close friend Hien who is good at martial arts and strong, Lam played by Mac Van Khoa is gentle and seems to be easily bullied. Mac Van Khoa is rated successfully in comedian roles However, Lam’s kindness is the highlight that brings a feeling of comfort and support from the audience. Because in life, whoever does not have a difficult time needs to rely on relatives around and friends for help. Lam is such a good friend, knowing that Hien’s family fell into a dangerous spiral “let go” to help her vital friend without even asking for anything. “With Turn over: 48H , I like not only because I can act in great scenes, have a high investment but also the “comedy – action” nature of the movie makes me need to act as a comedy in a fast, enough style. not being able to fumble or “idle” for a long time can ruin the main rhythm of the movie. Also, it’s interesting that I was a North Vietnamese actor in a movie set in the South West, so I learned a lot of things. Even thanks to the predestined relationship in acting, I also opened a noodle shop in the “capital city of the West” Can Tho – is the main setting of the film. (laugh) “- The famous actor through the show The Comedy Challenge said. Mac Van Khoa said that he is feeling like comedy – action like a series Turn over directed by Ly Hai and “in the near future may be able to learn martial arts to be more ready for the action comedy role”.

“Sugar Mommy & Sugar Boy” is a continuation after the success of the story “Sugar Daddy & Sugar Baby” that once drove the Galaxy Play screen in late 2020. If season 1 focuses on the love story of money exchange, then Season 2 will follow the fate of the main characters, but there is an interesting swap, very surprising. Besides the almost intact Season 1 cast, “Sugar Mommy & Sugar Boy” will have more faces such as: Ly Binh, Luong Gia Huy, Le Giang, comedian Bao Chung. In particular, the role of “pilot” of Cao Thai Ha was chosen by director Tran Buu Loc to send gold to actor Ly Binh. As an actor from a modeling career, although not a very prominent name, Ly Binh is a multi-talented artist who has been in charge of many fields such as MC, director and actor. Recently, Ly Binh’s name has been noticed when publishing a relationship with singer and actress Phuong Trinh Jolie. The content of the movie “Sugar Mommy & Sugar Boy” revolves around the process of Thuy Linh (Cao Thai Ha) overcoming the threshold of her first marriage after days immersed in pain and tears with her husband Dinh Trung (Quang Minh). If part 1 opens the more or less shocking secret behind the cover of “father and daughter”, in part 2, the value of love at the age difference will appear beautiful, romantic through the love story of Thuy Linh (Cao Thai Ha) and a mysterious young man after she divorced her ex-husband. In the 4.0 era, will women still endure to embrace a love after divorce or will they immediately forget and accept new love? Age is not important in the relationship “Sugar Daddy & Sugar Baby” but in the world of “Sugar Mommy & Sugar Boy” can cause a barrier? And can women’s hearts fall in love from the beginning or are just filled with hatred? When she finds a new taste of love with a young man who is both sweet and pampering, will Thuy Linh’s wife be corrupted like Dinh Trung’s husband when planning revenge on her husband? … All answers will be revealed in the world “Sugar Mommy & Sugar Boy” premiered on Galaxy Play in the near future. Following “Sugar Mommy & Sugar Boy”, director Tran Buu Loc and Galaxy Play producer continue to embark on a new project called “Green Tea meets Super Donkey”. The work is inspired by ideas and situations from real “holy asses” cases. Tricks to create a rich status, such as self-proclaimed adoptive sister, daughter … billionaire, tricks to sell land for ghost projects, trick to receive gifts from abroad, trick multi-level sales, loan sharks , raising money to charity … A world “old woman thief” met, flashy exterior, inside a conspiracy to deceive, exploit each other. “Green Tea meets Super Don” is in the casting phase and is expected to shoot: June 15.

Actor Kien An plays a patriarchal husband and father Xuan Thanh (Nha Uyen) brought her daughter home after her grandfather passed away. The funeral was held as flamboyant as possible. Although facing loss, this funeral is when Xuan Thanh’s brothers and sisters are reunited after a long time. Families of generations gathered to see off his grandfather to his resting place for a night full of lights and music. And then a bunch of people came to collect the debt in amazement of all. Secrets were revealed, tragic husband tragedy, blood dyed red lights in that brilliant night. Actress Nha Uyen works with her husband in the project as a producer and actor The setting of the film is a house in Dong Nai. Everything from props, costumes, lights, and sounds is carefully researched to create the most authentic funeral possible. The first pictures from the trailer are also the first proof that Aaron Toronto sent to the public, the audience: a foreign director can still understand Vietnamese culture as a native. “ When I first came to Vietnam and attended a funeral, I was very surprised. There are many rituals and procedures, as well as a lot of nuances on the faces of the attendees. They held a ceremony to see off the deceased in a solemn but unspoken manner. Pain and loss are still in everyone’s heart, but the way they cherish the last moments of their loved ones with a brilliant funeral really makes me unforgettable. “. First poster of Dazzling dark night! Besides the flashiness and brilliance, Dazzling dark night! There is also a very fierce and cruel side of the family tragedy, social tragedy, and marriage tragedy. Conflict and noise surrounding debt collection stories, wealth division is always a painful problem for wealthy families. Sometimes the loss of a loved one is a joy to someone else. Sometimes funerals are not just the end, but the beginning of the tragedy. 16 years living in Vietnam, Aaron is like an insider but has the eyes of an outsider. His meticulous, subtle, yet calm observation was clear Dazzling dark night! promises to let the audience experience events and spaces that seem familiar to any Vietnamese but also full of surprises, shocks and pain. With Dazzling dark night !, Does Aaron have a proof that he truly understands the local culture when having lived in Vietnam for 16 years? The film has the participation of actors Nha Uyen, Kien An, Phuong Dung, Huynh Dong, Xuan Trang, Diem Phuong, Kim B.

In t easer poster At the beginning of the movie, the production team revealed a shadow of people and mysterious charms, which play an important role in the story of Unique Island – Tu Mother Thien Linh Cai . Unique Island Teaser Poster – Mother Thien Linh Cai Pebble in the role That Son Tam Linh helped the heroine Hoang Yen Chibi win the most popular movie actress category voted by the audience at the award Green Star 2019 . Hoang Yen Chibi at the Blue Star Awards 2019 This time, almost all of the crew That Son Tam Linh will continue to participate in making up the story Unique Island – Tu Mother Thien Linh Cai including director Le Binh Giang, producer Le Thanh Phong, producer Nguyen Cao Tung. This is also the team that has also produced and co-produced many successful films such as I See Yellow Flowers On Green Grass, Show You A Little Closer To You, Chi Pheo Extra Story, The Girl From Yesterday, 4 Years 2 Guys 1 Love, Super Dumb Superstar … Director Le Binh Giang Director Le Binh Giang has won many awards at domestic and foreign film festivals such as: Vietnam Film Festival 2011 Award of Merit, Best Director of the Film Festival New York Asian 2017 , The highest award ceremony Wildfest 2015 , Jury Prize F ive Flavor 2017 … Most recently, he and director Tran Thanh Huy (movie Ark are 2 Vietnamese directors who won awards from the Busan filmmaking fund (out of 4 awards). Hoang Yen Chibi and Quang Tuan impress the thorny character in That Son Tam Linh In addition, director of photography Trang Cong Minh will be in charge of the visual part of this part 2. Trang Cong Minh is the director of photography for many famous films such as Idol, Boy That Year, Murderer Lens, My Girlfriend Is The Boss, Parallel, Monster Heart. .. Unique Island – Tu Mother Thien Linh Cai will begin shooting in Summer 2021, scheduled to be released by the end of 2021.

Franchise Fast & Furious has written the history of action movies for nearly two decades, with gross sales of more than 5 billion dollars. Since its debut in 2001, Fast & Furious has always attracted the attention of a large number of audiences around the world through 8 parts and 1 extra story with spectacular cinematic experiences. Alternating thrilling action, the car racing chase to suffocate are still deep messages about family feelings that make the audience feel emotional. Next May, all eyes will focus on the long-awaited super product – Fast & Furious 9: Legend of Speed ​​(original title: F9).

To get the audience’s attention, Universal has released a new trailer for Fast & Furious 9, and this trailer is also tacitly asserting what fans have long guessed – towards space. The idea of ​​Dominic Toretto (Vin Diesel) and his family venturing into space started as a joke many years ago, but over time it has become a serious one. Cast Ludacris and Michelle Rodriguez seem to have confirmed Fast & Furious 9 will include some space moments, and now the latest trailer has shown footage of Tej (Ludacris) and Roman (Tyrese Gibson). wear a homemade space suit.

Han’s flickering appearance in the first trailer of Fast & Furious 9: Legend of Speed ​​made the audience feverish and excited if this was a trick of a production crew when it was really just a moment. rewind the time when Han did not lose his life? But in this trailer, Han is healthy, intact, his skills are still as bad as ever. He even barely saved Letty and Mia from death. Han’s new hairstyle and look further confirm that the “resurrected” guy from the dead is real. The reason why Han still survived that terrible car explosion is still open, making fans even more excited.

While sharing the trailer with Thehollywoodreporter, Fast & Furious 9 director Justin Lin revealed Tej and Roman’s car design work. Despite what many might think about the franchise’s realism, Lin actually spoke with some experts to come up with a plan to make the F9’s space car as realistic as possible. “I talk on the phone with scientists, learn about fuels and physics.” “It’s great, when the scientists at the end of the line say, ‘Wait, what? What are you guys trying to do?’ I love that idea “. In the trailer, the car is equipped with boosters to create momentum to help the car fly.

Universal also released a second trailer last night (in Vietnam time), making fans fidgety by too many stunned details. It is the appearance of Jakob – a rival for the first time in Fast & Furious history but sharing the same bloodline with Dom (Vin Diesel), pushing him into a wicked situation when “a drop of blood digs more than a pond of water. “. The scene of two cars driven by Dom and Jakob, colliding like two lions trying to devour each other, caused the audience to question a big question about the Dom brotherhood.

Although Fast & Furious often does give a somewhat fictional sequence, in reality the requests behind the scenes are as close to reality as possible. While a space car isn’t new in the movies, audiences can watch Fast & Furious 9 with the understanding that some elements of the space car actually stem from research. real science research. There could be even more vehicles in space than in the movie.

Hollywood’s unique racing blockbuster promises to satisfy all senses, the craziest ideas will hit the top “Nothing is impossible!”. All fans of the series need to do is prepare to be ready to welcome the super storm that Fast & Furious 9: Legend of Speed ​​brings in May. In particular, Vietnamese audiences are extremely lucky to be in the countries that enjoyed the earliest blockbuster in the world. The official opening date at theaters in Vietnam is May 28, 2021, while the international fan community (Europe and America and many countries) will have to continue waiting.

The new poster was revealed by the crew “Override”. Photo: NSX

In the poster “teasing goods,” the hammock, the familiar peaceful image of Vietnamese countryside, suddenly becomes a devilish “net” binding Lam Thanh My little girl. The little girl’s horrified expression and the devil’s creepy face behind her caused haunting viewers.

Lam Thanh My is the face of a promising child actress on the Vietnamese big screen. At a very young age like the present, she has had a series of roles in outstanding movies, including Doat Soul (director Ham Tran), I See Yellow Flowers On Green Grass (Director Victor Vu), Tinh Dau Tho Ngay (director Tran Nhan Kien) … The pure beauty like a muse with natural acting makes Lam Thanh My a very popular name for directors as well as audience. fake favor. Back in Bong De, Lam Thanh My will bring a very different image to his previous roles. In the family where the father “rooster raising children”, the character of Lam Thanh My is not only an older sister but also a mother who always takes care of and protects her little sister. Also suffering from an obsession from the past, the sister played by Lam Thanh My will show her mature, tough on the outside to hide her wounds as well as her inner bruises. This is a role that requires the ability to express complex emotions as well as concentration and deep understanding of the character.

“Sleep Sleep” is the first Vietnamese horror film to exploit the phenomenon of sleep paralysis – a phenomenon that is still controversial until now. Although there are scientific explanations about paralysis, in Vietnamese culture, it is still a phenomenon associated with many spiritual factors. Along with the Vietnamese village context and familiar items in everyday life, “Sleep Sleeper” will be a novel and haunting horror work. Not too abusive jumpscare or gore scenes, the movie will still make viewers shiver and fear during the enjoyment. “Sleep Sleep” is expected to open from May 14, 2021.

“The Sleeper” director Le Van Kiet graduated with a degree in Film and Television from the University of California, Los Angeles (USA). He has debuted movies: The House in the Alley 2012), Gentle (2014) … In 2019, he collaborated with Ngo Thanh Van on the action film Hai Phuong – about a mother who went to save her arrested daughter toads. Launched in Vietnam from February 2019, the work has caused box office fever with action elements. The work became the highest-grossing Vietnamese film of all time – over 200 billion VND (including international markets). The film is also shown in the US, China and the Netflix system under the name Furie. On Rotten Tomatoes, 95% of critics rated the film positively.

The audience could not help but feel frustrated when they heard that the director locked Gal Gadot in a secret room because she refused to film sensitive scenes.

Specifically, when director Zack Snyder left the Justice League project in 2017, director Joss Whedon was led by Warner Bros. invite and supervise filming. Since then, Joss Whedon requested to return 75% of the film, “cutting” the original script quite deeply. At that time, Warner Bros. wanted to change the direction of the DC universe in the bright, humorous style of Marvel. Joss Whedon is also the director of the blockbuster Avengers every day, so the leader of this company entrusted the project Justice League. However, when it was released in theaters in 2017, Justice League was hated by professionals and fans because it was too bad, many “sexualized” segments of Wonder Woman.

During the campaign to release the movie Zack Snyder’s Justice League, actor Ray Fisher (playing Cyborg) has repeatedly voiced the actions “disgusting, bullying, unprofessional, unacceptable. “okay” by Joss Whedon on set. Both Gal Gadot and actor Jason Momoa (playing Aquaman) have voiced support for Ray Fisher. Warner Bros. The announcement has held a special investigation related to the incident, but did not publish the results of the investigation.

Recently, the news site The Hollywood Reporter revealed many controversial developments on the set of Justice League, especially regarding actress Gal Gadot.

The female star was not satisfied with the new direction the film exploited her Wonder Woman character, as well as the lines she had to say. Because of that, Joss Whedon is said to have threatened Gal Gadot’s career if she did not obey. Even he threatened to “lower the honor” of Patty Jenkins – director of blockbuster Wonder Woman series, who is also close to Gal Gadot.

A witness at the studio revealed that Joss Whedon also bragged to everyone about his intimidation of Gal Gadot, admitting that he deliberately forced the actress to say lines that she would certainly not like. “He told Gal Gadot that he was the writer, she would have to ‘shut up’ and read the lines, and then he could make Gal Gadot extremely stupid in this movie.”

This controversial scene is believed to be the intentions of Joss Whedon

Previously, it was reported that Joss Whedon locked Gal Gadot in a waiting room because she refused to film Flash falling on Wonder Woman’s chest. That shot was still shot by Joss Whedon with a stuntman, and even appeared in the official Justice League theatrical release.

Three months after Justice League hit theaters, director Joss Whedon withdrew from DC’s Batgirl project in development. When asked to respond to the charges on the Justice League studio, he declined to comment.

Before this new information, many viewers expressed anger and anger because Gal Gadot was unfairly treated and humiliated: “Inviting rival film director to make filmmaking, an unexpected move of Warner Bros”, “Joss Whedon is so heavy.”, “It feels like this Joss Whedon has a grudge against DC. No one can make such a bad movie “,” There is one more reason to hate this man. Dare my sister Gal Gadot! ”…

Frances McDormand in Nomadland. (Photo: IMDB)

This year, the UK Academy of Film and Television (BAFTA) awards ceremony, also known as the “British Academy Award” was held online for two nights, with nominations participation via television, due to the Covid-19 epidemic.

Nomadland is no stranger to awards this year. The film received the Golden Globe Award for Best Drama category. Chlóe Zhao is also the first Asian female director to receive the prestigious award. The film is also receiving four nominations for the 2021 Oscar.

Speaking upon receiving the best director award at BAFTA, Chloe Zhao said: “We want to dedicate this award to the nomadic community who generously welcomed us into their lives.”

“Thank you very much for showing us aging is a beautiful part of life, a journey that we all should cherish and celebrate. The way we treat our elders speaks volumes.” about who we are as a society and we need to do better. ”

The British Academy Film Award (also known as the BAFTA Award) is an annual award awarded by the British Academy of Film and Television Arts (BAFTA). This award is generally considered to be the same award as an Oscar in the UK.

The first award was given in 1949. In 1958, the Institute was merged with the Association of Television Directors and Producers as “supporting, developing and promoting various types of cinematic arts by identify and reward excellence, inspire artists and benefit the public. ” The award is a stage mask designed by Mitzi Cunliffe and the ceremony usually takes place in February, before the Oscars.

Ly Hai – Minh Ha and her children at the press screening last night (April 14) in Ho Chi Minh City.

The work is in the series Turn over which has brought Ly Hai many successes in previous versions such as Flip, Flip Flips: Films, Flipped sides: Three guys flipped and flipped: The house has guests. According to the crew’s earlier revelation, Turn over: 48 hours is a work in the action genre – journey has a huge investment with scenes “not inferior to hollywood”. The film revolves around a family’s escape across the West before the gang’s pursuit for a treasure with the participation of actors Vo Thanh Tam, Oc Thanh Van, Huynh Dong, Mac Van Khoa, Ha. Brother…

Director Li Hai said, he did not expect his film to create “explosion” in revenue. “I only have a week to recoup my capital before a series of other Vietnamese films hit theaters such as ‘Tinh Tý’, ‘Guardian Angel’, ‘1990’ and other Hollywood blockbusters” – Li Hai said.

Poster “Flip: 48h” by Li Hai.

This producer also expressed concern when witnessing a series of recently released Vietnamese films “premature”, heavy losses and heavily affected by mixed comments. According to Ly Hai, in addition to the content, acting, acting and effects, a work hits theaters is greatly influenced by the public’s comments on social networks and forums. Public opinion really greatly affects the revenue and psychology of the audience before they choose the works to enjoy.

“Comments and comments on a film depend on each person’s point of view and level of perspective. But unwilling, heavy, outrageous comments can kill a movie and make the producer have. could fall into bankruptcy “- Ly Hai concluded.

According to information from the issuer, Turn over: 48 hours There will be a premiere of the Hanoi press tonight (April 15) and is scheduled to open to the audience nationwide on April 16. As planned, the film will be released in the US, Canada, Australia in June next.

Snyder left his mark as a coincidental director also a work of zombie disaster. A remake of Dawn of the Dead and Zack really breathes new life into George A. Romero’s original epic. Since then, fans have been waiting for the director’s comeback, and it was not until May 2021 that everything came true. Army of the Dead will act as the spiritual successor to Dawn of The Dead, not a simple post-story.

As can be seen, from the new trailer, the zombies of Snyder have evolved in an amazing way. They are faster, smarter and more organized than the usual concept of a zombie.

While the upgraded zombies aren’t groundbreaking if you follow The Walking Dead, however, the twist at the end of the trailer has revealed that the zombie virus can even affect both animals and us. there was a “Tiger-zombie” growling in amazement from the survivors.

With Army of the Dead going to own a prequel movie, titled Army of Thieves, even if many characters will perish, fans still have peace of mind when their favorite role is likely. come back. Netflix seems quite confident in Snyder’s vision, with a rush to green light the prequel project when the movie is not hot.

Tu Ba took Thuy Kieu to meet Thuc Sinh.

The movie “Kieu” spent a year of tireless efforts, rescheduling back to rescheduling, finally coming to the public. The movie “Kieu” after its first screenings, has appeared many different praise and criticism. However, no one can deny the courage of director Mai Thu Huyen and the film crew who dare to face psychological pressure to have a movie “Kieu” adapted from Tale of Kiều.

In 1923, French filmmakers used to make the movie “Kim Van Kieu” based on “The Story of Kieu” and accepted the fact that it did not get the desired results. True, “The Tale of Kiều” is a poetic masterpiece with many characters and many situations, but it is not easy to transfer poems to the screen. Dare to take inspiration from “Truyet Kieu” to make the movie “Kieu” with the first direct test, has also been a commendable challenge for director Mai Thu Huyen at the age of 42.

In order to adapt “The Story of Kieu”, the most difficult character to find is Thuy Kieu. There is a rather daring idea that has been given at the Association of Vietnamese Writers and the Association of Kieu in Vietnam, that is to organize a contest to select Thuy Kieu to honor the legendary beauty. Unfortunately, no one is confident enough to host because the selection of Thuy Kieu meets two factors, “flowers of jealousy, inferior willow,” and “sharp to ask for one, talent to fight two”, it is even more difficult than a hundred times the trick. Miss grave. Therefore, a young face like actor Trinh My Duyen could not meet the expectation of the audience of the movie “Kieu”, which is also in the expectation of many people.

The movie “Kieu” with Kieu is different between the different tastes of the crowd, what should we cling to to survive? Background, costumes and music? The addition of all three is still not enough. Most important is the right slice. It is impossible to embrace the Tale of Kiều in a cinematographic work, but it is necessary to choose an angle to emphasize the fate and character of the character in order to hope to satisfy “the galaxy of the khanh To Nhu”.

Elite artist Phi Tien Son writes the script “Kieu” mainly revolves around three characters Thuy Kieu – Thuc Sinh and Hoan Thu. Such a grim and wicked love triangle, the main object, not Thuy Kieu or Thuc Sinh, but Hoạn Thu, “is fine to live and eat, to say things are bound to be old.” Hoan Thu’s lineage of mandarins, extra wise and also redundant fangs when jealous of blood. The most powerful impression that Hoạn Thu left in Tale of Kiều was his improvisation when facing the condemnation of Thuy Kieu with the help of the mighty hero Tu Hai. The movie “Kieu” does not mention that important part, but only revolves around the scope of Hoạn Thu and resolves resentment of being robbed of her husband by Thuy Kieu.

Cao Thai Ha plays the role of Hoan Thu.

Actor Cao Thai Ha is relatively round the role of Hoan Thu in the movie “Kieu”. If the expressiveness of the eyes and face of Hoan Thu improved a little, the aesthetic value of the movie “Kieu” will be greatly enhanced. The way of staging Hoan Thu to torture Thuy Kieu and Thuc Sinh is a bit rhetoric and cumbersome, but viewers still feel the jealous industry under the brand Hoan Thu “worry about that, ants in the mouth of the cup can crawl. No, it makes you look at each other, you make the damn head not up, make the money visible, let the people who participate in the boat sale know their hands ”.

With the conception of a professional profession, Merit Artist Phi Tien Son reasonably expressed as a screenwriter: “Filmmakers have many approaches to literary works. I do not want to narrate with honest images. I don’t want to tell a story everyone knows. If I tell the story as a description of the original, it is sometimes more critical. “Tale of Kiều” is a famous work, but most young people only know it through a few literary periods. In order to truly understand Kiều, to contemplate the essence of Tale of Kiều, there is not much. I want to make a movie Kieu to reach a young audience. So I need to find a new way of telling stories that engages people. That is the crew’s difficulty. Therefore, I only know how to do my best in thinking that I feel right and good ”.

People’s Artist Le Khanh played the role of Hoạn Bà.

The script “Kieu” is not bad, even the supporting roles like Hoan Ba ​​(played by People’s Artist Le Khanh) or the role of Hien Ba (played by actor Hieu Hien) are coherently strung. The only limitation of the script “Kieu” is the character language. Tu Ba’s lines (played by singer Phuong Thanh) Ma Giam Sinh (played by actor Long Dep Trai) are not enough to reveal the charisma and character character. If the “Tale of Kiều” is consulted more carefully, Elite Artist Phi Tien Son will surely find better lines for the roles.

Again, making a movie from “Story of Kieu” is an adventure that has enough room for any failure of any director. Why? Because “Tale of Kiều” is deeply embedded in the cultural life of the Vietnamese people. The public has set a set of individual values ​​for each character in “Tale of Kiều”. Wanting to break the habit of comparing original and adaptive is extremely difficult. Nguyen Du’s vague poems crept into the hearts of the crowd, flickering like smoke, so they always claim to themselves the right to refuse formats other than their imagination. However, the director also has the creative right to overcome that scary obstacle.

Mai Thu Huyen plays the role of Dam Tien.

The most notable creation in the movie “Kieu” is not the image of Thuc Sinh fighting the martial arts and reading poetry, but the cinematographers who pulled Dam Tien out of the “hanging out on the roadside, sullen with the grass.” half-green gold ”to take part in Thuy Kieu’s fateful commandment.

With the grief of Nguyen Du, Dam Tien is like a mirror reflecting the life of Thuy Kieu. In the middle of spring, the geranium branches will break quickly “and bear the bitterness” to live as a wife all over people, skillfully change the waterfall to become a ghost without husband, whoever worshipers together, whoever accumulates greed for roses “.

Thúy Kiều in “Tale of Kiều” believes that Dam Tien’s soul has not yet escaped: “Kieu that: Those who are talented, cascading, are still eloquent, easy to meet love, wait and see, they will see miracles. Now, a word was barely in time, the minute the wind blew the flag, rushed to shake the tree, there seemed to be more or less scent in the wind, watchful the wind followed, the shoe imprints step by step imprinted with moss. “. However, Nguyen Du instructed Dam Tien to come back to Thuy Kieu by telling her that: Causes and effects are unfinished, has tried to evade the debt of the scene, some people still have heavy debt to dig, the oil people want to avoid, goddamn it. gave”.

In the movie “Kieu”, director Mai Thu Huyen plays the role of Dam Tien by himself with many dramatic scenes. Every time Thuy Kieu was in danger, Dam Tien appeared to protect. Dam Tien became Thuy Kieu’s guardian god in the true way of similar disease, similar to hot air, “pain in women’s destiny, the word that fate is also a common word”. However, the meaning of Dam Tien does not stop there. Dam Tien became a knot for the director to express today’s attitudes about the love and treachery of the old people.

The humiliating climax of his love of a triangular left hand, Dam Tien instigated Thuy Kieu to resentment. Dam Tien handed a knife to Thuy Kieu to stab Hoan Thu to death in order to end the injustice. In grief and resentment, Thuy Kieu did not act as Dam Tien wanted. Thuy Kieu’s abandonment is the hallmark of the movie “Kieu” and is also a show full of confidence by director Mai Thu Huyen.

Vietnamese cinema industry is not used to making historical films. Without a set and without historical film making technology, having a product like “Kieu” is enough for director Mai Thu Huyen to be satisfied with his costly and drastic play.