Recently, the Twice girls have officially returned to the music race with the song Alcohol Free. In this song, Twice wears outstanding and brilliant clothes filled with the excitement of summer. In terms of style, they are also invested in a feat when the stylist has bluntly cut a thousand-dollar Hermès scarf to make a costume. However, in reality, Twice’s stylist still has many unsatisfactory phases. Twice’s costumes in this comeback are more colorful, bright, full of cheerful and excited atmosphere. With Jeongyeon, in the teaser photo, she wears a Tory Burch long dress mixed with a Hermès scarf. The colorful scarf is completely out of place compared to the graceful white dress. In the MV, the stylist cut the skirt part, giving Jeongyeon a square silk scarf of Hermès. But obviously, this dressing is both messy and confusing and loses the beauty of the original dress. In Mina’s case, the stylist sewed down the front flap to avoid cutting too deep. But the seam is not really delicate, wrinkled and twisted, making the 17 million dress look like a less beautiful market. In addition, adding tight details in the body of the skirt also makes the skirt feel heavy and ruffled. The stylist is even “lazy” to the point where Jeongyeon and Nayeon share a pair of earrings. “Breaking” the Hermès scarf to get the fabric to sew the edges of Jeongyeon’s shirt, but obviously this creative performance of the Twice stylist did not create a unique and attractive effect, this design is no different from the dresses that are still available for sale. . In the past, Twice’s stylist has also been criticized many times for his disastrous repair of branded clothes, turning branded goods into marketable goods.

In courts and palaces, elaborate and splendid woven rugs play an important role in the interior decoration of large and small rooms. There was a time when wool carpets were sold very expensive, becoming a valuable product in the treasure of kings and used as tribute between nations. Until now, the hand-woven and elaborate traditionally woven rugs are still expensive decorations for luxury villas. The art of weaving wool carpets imported to Vietnam has no long history, only about a hundred years. In 1926, in the village of Hang Kenh, Hai Phong, a 13-year-old boy named Dang Huu Binh broke up with his family to make a trip. Binh traveled all the way to Tianjin province in China, where he practiced carpet weaving centuries ago, which has produced the most beautiful and famous carpets in Asia, to learn the craft of carpet weaving. After 6 years studying, he returned home and worked at the Hang Kenh carpet weaving factory – Hai Phong, one of the largest carpet weaving factories in Southeast Asia at that time. The document does not indicate that this weaving workshop belongs to Mr. Binh, his family or that of another person. The Saigon Book looks back one hundred years. Photo: Phanbook. An article (without author’s name) on the page vinacarpet.vn said “wool carpet making appeared in Hang Kenh, Hai Phong around 1930 (?) and stopped around 1944. At that time, every year Hai Phong exported to France and Hong Kong about 1,000 m2 wool carpet. The color, pattern, layout, decorative concept of Hang Kenh wool carpet was almost like Chinese wool carpet at that time. Although there was a painter (graduated from Indochina Fine Arts College) at that time gave some new wool carpet samples to the Hang Kenh wool carpet weaving establishment, in order to lessen the Chinese carpet look of Hang Kenh products, but he did not. accepted by customers because they used to use Chinese-style carpets ”. Mr. Binh is not really the first person to learn the profession of carpet weaving, but perhaps a rare Vietnamese artisan learns the craft of weaving traditional high-class wool rugs from a country with more sophisticated carpet making. After working for a while at the Hang Kenh textile company, Dang Huu Binh moved to the South to set up a career in Saigon. From 1955, Mr. Dang Huu Binh officially established Dong Hung carpet weaving company, also known as Vietnam Industry of Weaving Carpet, concurrently held the position of technical director. His workshop was set on 2,300 square feet of land, consisting of a painting office for design and a weaving workshop of thirteen hand-woven wooden frames, of which a giant 13-meter-wide frame, 8 meters tall is the largest. Products of Dong Hung carpet weaving company. The picture in the Saigon book looks back a hundred years. The drawings are all sketched by Mr. Binh, two sons and a grandson. Weavers are completely women, there are up to fifty permanent workers, including people in the family of Dang Huu Binh. The process of weaving carpets in Dong Hung carpet company was reported Free World Volume IX, number 9 describes in the article: “To weave a rug, first of all, sketch a small model with all colors and images. Then, depending on the size and proportion, magnify on a glossy paper. The weavers base on the pattern and the scale of the carpet will weave, base the frame with cotton thread “. “This cotton thread is called the vertical thread. Then the wool color is chosen to weave the weft. The tools of the carpet-weaving industry are a sharp, sharp knife, a pair of scissors and a beating table with teeth like a comb. Every time a knot of wool is tied, between two standing cotton threads, the worker uses a knife to cut off the wool and knots the next second like that for the rest of his work, for there are at least four on the loom. five workers work together. After tying all the wool knots in a turn, push down one of the cotton threads and press down hard with the table to tighten the knots. At the same time, a second cotton thread is also pushed down diagonally so that the wool knots cannot move. For every cross-street to make another road ”. The average weaver completes a square meter in 5 days. The best or medium rugs differ in the thickness of the knots. For example, the premium type has a square meter of wool with four kilograms of wool with 100,000 knots, the second three and a half kilograms with 67,000 knots, the third 3 kilograms of wool with 45,000 knots. The hand-woven textile industry in the South at that time was considered to be very sophisticated and was on the rise. In Saigon before 1975 there was an exhibition of tapestries and wall rugs for decoration, held at Thanh Le’s shop, Tu Do Street (Dong Khoi), to introduce to the public. the prosperity of the wool carpets industry and the latest art products of this small technology industry. The rugs displayed here are all produced by Dong Hung firm of Dang Huu Binh at 270 Le Van Duyet Street, and by the Thanh Le house as an agent.

This was a challenge because the requirement was to produce an unconnected whole rug, up to 27 meters long, 11 meters across, a total of about 300 square meters, which is very large. The weavers are trimming the watermarks and trimming the flowers on the giant rug located in the Independence Palace ceremony room at the Dong Hung carpet weaving factory. The picture in the Saigon book looks back a hundred years. Realizing this sheet, Mr. Binh considered the continuation of the tradition of his hometown’s Hang Kenh weaving profession, making the carpet for the most important mansion in the South. To make a large carpet, there must be a large loom, Mr. Binh himself had to design a giant loom made entirely of wood, with a trunk of a wood with a diameter of 50 centimeters. A document showing his own drawing and the Gia Dinh Fine Arts School made. To weave the carpet, Mr. Binh built his own workshop, with up to 60 artisans and craftsmen directly sitting and weaving. The carpet is located in the Independence Palace Palace room built in 1966. Photo: The TGTD newspaper episode XVI number 1. The mat is exactly the same size as above, 1.8 inch thick. The main tone of the carpet is red, the white daisies are scattered prominently on the red background and the border has blue patterns. The design is generally luxurious and modern, elegant and no frills. This giant carpet is heavy and very bulky. When bringing the carpet into the room to use a crane and many helpers. The carpet was used regularly for nine years in the Khanh Tiet room, the largest room of the palace with an area of ​​448 square meters, where it was used to hold large meetings, entertain guests with solemn ceremonies from 1966 until 1975. Fix the carpet in the Unification hall. Photo: Hans Peter Grumpe. It was not until 1991 that this large rug was repaired and thankfully, German photographer Hans Peter Grumpe came to capture this rug repair scene. Dong Hung carpet weaving company probably ended in 1975. The pictures here are published from The Gioi Tu Do, volume IX, number 9 and volume X number 5 (no publication date, about the second half. 1960s) are the remnants of a time when Saigon has developed a proud high-class wool carpet weaving industry.