When it comes to Xi’an Small Wild Goose Pagoda, no one is unfamiliar. This dense eaves brick tower built in the first year of Emperor Jinglong in the middle of the Tang Dynasty, after more than 1,300 years, is still one of the most important landmarks in the city of Xi’an. In 2014, as the site of the “Silk Road” project, the Small Wild Goose Pagoda was included in the “World Heritage List”. Compared with its sister tower and the big wild goose pagoda, which is full of tourists, the small wild goose pagoda, which is open for free, seems to be more popular among Xi’an people. Classical gardens surround this thousand-year-old tower. The quiet environment and profound background always make many old Xi’an visits constantly. Starting from March 25, 2020, the Little Wild Goose Pagoda was temporarily closed due to landscape maintenance until it finally reopened on April 30 this year. After a lapse of a year, what has changed in the Little Wild Goose Pagoda after the renovation and upgrade? Hurry up and follow Xiao Yu’s lens to take a look! May 2021 Small Wild Goose Pagoda After learning about the reopening of the Little Wild Goose Pagoda, Xiao Yu quickly took the time to stroll around. The day I came was within a week, and I saw the sight of tourists queuing into the park when I arrived at the gate. It can be seen that the popularity of the Small Wild Goose Pagoda is still quite high. Change 1: To enter the park, you need to make an online appointment in advance and swipe your ID card to enter The Little Wild Goose Pagoda has always been open to tourists for free. Before the renovation and upgrading, you need to bring your ID card to the scenic window in exchange for tickets. Now book free tickets directly on Meituan and Dianping, and you can enter the park by swiping your ID card when you arrive. Personally, I feel that it is much more convenient. Although there are a lot of tourists in line, I still enter the scenic spot very quickly. At the same time, the ticket exchange window is still reserved to facilitate the entry of foreign tourists with passports and tourists with other documents such as household registration books and driver’s licenses. May 2021 Small Wild Goose Pagoda The fence in the picture above (picture 3) is the ticket gate of the original Little Wild Goose Pagoda. Now the entrance to the park is directly placed at the outermost antique gate building (Figure 2), which is equivalent to expanding the scope of the scenic spot. At the same time, the eastern part of the Little Wild Goose Pagoda, which originally belonged to the parking lot of the scenic spot, has also been closed to become part of the scenic spot. I went around and found that there were no other buildings, only large lawns, but it also expanded the scope of the scenic spot as a whole. Change 2: The classical garden becomes a large lawn, which one do you prefer? Everyone knows that the Little Wild Goose Pagoda was originally a tall tower in Jianfu Temple of the Tang Family Temple in the Tang Dynasty, but today, the temple no longer exists. The current Small Wild Goose Pagoda and Xi’an Museum are an overall 4A scenic spot, including the classical garden area and the Xi’an Museum. The classical garden area where the Small Wild Goose Pagoda is located still retains the classical central axis architectural layout. The central axis includes Baiyi Pavilion, Small Wild Goose Pagoda, Zangjing Pavilion, Daxiong Hall, Cishi Pavilion, Nanshan Gate and other ancient buildings in Ming and Qing Dynasties from north to south. There are two courtyards on the east and west sides. I came to visit the Little Wild Goose Pagoda this time, and all the indoor buildings were not open. These halls were originally the exhibition halls of the Silk Road culture and the history of the Small Wild Goose Pagoda, and they are still under repair. So the focus of the tour is on the outdoors. In my opinion, the biggest change in the entire Little Wild Goose Pagoda is the small courtyard on the east side. May 2019 Small Wild Goose Pagoda across the Cuiyuan May 2021 Small Wild Goose Pagoda across the Cuiyuan The small courtyard on the east side is called “Ge Cui Yuan”. It originally contained a stele pavilion with large and small stone steles and horse-locking stones. Now it has been renovated and turned into a closed corridor-shaped building. Because it is not open, I don’t know what it is inside. The yard was originally planted with peony, rose and other flowers of various colors. When I came in May of previous years, it was like a classical garden, very beautiful. Now the garden has become a lawn, and the style is completely different. Put two sets of photos from the same angle, taken in May 2019 and May 2021 respectively. Let’s see which style you prefer? May 2019 Small Wild Goose Pagoda across the Cuiyuan May 2021 Small Wild Goose Pagoda across the Cuiyuan Change three: add lounge bar and Changan ancient music performance In the courtyard on the west side opposite the Cuiyuan on the east side, there are two indoor buildings that have been closed. I came again this time and found that it has been changed to open. One was changed to a Chang’an ancient music performance, and visitors need to buy tickets to enter; one was changed to a gourmet lounge, where visitors under the pergola ordered drinks and rested. 2021 Little Wild Goose Pagoda West Courtyard Change four: missing red lanterns Although the interior buildings are not open this time, I still found some small changes in it during the tour. That is, there are no red lanterns hanging on the original building in the Little Wild Goose Pagoda. Perhaps it is to restore the quaint feeling of the ancient building itself? Still put two sets of photos with the same angle, you can see the changes. 2021 Little Goose Pagoda and Great Hall of Heroes 2019 Little Goose Pagoda and Great Hall of Heroes May 2021 Small Wild Goose Pagoda May 2019 Small Wild Goose Pagoda Speaking of so many changes in the Little Wild Goose Pagoda, in fact, the core landscape, the Little Wild Goose Pagoda, still stands tall and has not changed. As a typical work of the square brick tower in early my country, the Little Goose Pagoda can be said to be a precious artistic heritage of Buddhist architecture in the Tang Dynasty in my country. The legendary story about the “three shocks and three combinations” of the Little Wild Goose Pagoda has always been talked about by people. However, the Little Wild Goose Pagoda is still undergoing internal repairs, and it is not yet possible to climb the tower. May 2019 Small Wild Goose Pagoda The small wild goose pagoda scenic area in May is full of ancient trees and green trees. Take time to stroll around! May 2021 Small Wild Goose Pagoda Finally, I will talk about some useful travel information, friends who want to come can refer to: The Small Wild Goose Pagoda is located on Youyi West Road, South Gate, Xi’an, with convenient transportation. You can take a bus to the “Little Wild Goose Pagoda” station, or take the subway to the “Nanshaomen” station, and then walk for 15 minutes. It’s free and open, but you need to book an e-ticket on Meituan or Dianping in advance. When you come, you can swipe your ID card to enter the park. If you want to know more about less popular and fun tourist destinations, you are welcome to pay attention to Xiaoyu’s travel diary. Discover more beautiful worlds with Xiaoyu!

Shakyamuni Buddha… … and Maitreya Buddha Palace are two of the three large palaces at Quynh Lam Pagoda. Quynh Lam Pagoda is said to have a history of construction from the Ly Dynasty and major restorations in the Tran, Le, and Nguyen dynasties. The stele “Reconstruction and reconstruction of the first Tien Du Son Quynh Lam Pagoda” in front of the present three-door gate shows the history of thousands of years of the pagoda. This stele is 2.46m high, 1.53m wide and 0.25m thick, originally erected in the Ly Dynasty, in the Le Trung Hung period, when the temple was restored, part of the motifs and all illustrations were removed. text of this stele for engraving. This is one of the largest steles of the Ly dynasty still in Quang Ninh. Over time, rain, sun, war, the pagoda became ruins in the mid-twentieth century. The temple has just been restored today and is now one of the largest wooden pagodas in the northern region, built from more than 1,500m3 of ironwood. The magnificence and magnificence of Quynh Pagoda is reflected in the complex of 3 large electric buildings with a total area of ​​more than 1,000m2, rebuilt on the foundation of the old pagoda, with traditional materials, with continuity, selected filter. The Emerald Buddha statue is the highlight of the Luu Ly Buddha Palace of Quynh Lam Pagoda. The outermost large hall is the Shakyamuni Buddha Hall, in addition to many large wooden pillars, there are also two very precious jade wooden columns with a diameter of more than 100cm, with a very pleasant characteristic natural fragrance. The Maitreya Buddha Hall is located in the middle, worshiping the Three Worlds Buddhas. The Buddha Hall of Peace is located at the back. The highlight here is the statue of Buddha Shakyamuni weighing about 3.5 tons, 2.2m high, which was provided by Vingroup with a value of about 20 billion VND. The ancient Quynh Lam pagoda, besides the statue of Maitreya, which is considered the Annam of the Four Great Airs, is also very famous for its steeple. This work is newly built on the old foundation site, with ironwood structural frame. In particular, the large bronze bell hanging here is 200 years old, cast during the restoration and embellishment of the pagoda during the Nguyen Dynasty. The bell of Quynh Lam pagoda was cast from the Nguyen Dynasty. Attached to a long history, Quynh Lam Pagoda saves the names and merits of many monks through the tomb towers still scattered in the temple garden. Especially among them is the ancient stupa built by Zen Master Phap Loa – the second ancestor of the Truc Lam Yen Tu Zen sect, to house the remains of Emperor Tran Nhan Tong and Tue posted the tower as the tomb of Zen. Monk Chan Nguyen, who had great merit in restoring the pagoda under Le Trung Hung. This is also the largest tower still in the tower garden. The stone footings and steps are the architectural relics of the ancient Quynh Lam pagoda. In the past, there was a saying “Muong pagoda yard, Quynh pagoda field” referring to the vast wealth and land of the pagoda. Now, although the area is no longer like that, Quynh Pagoda still has a very spacious campus with many kinds of shady trees. Around the temple garden, visitors can see the remaining ancient relics of the temple, giving visitors more emotions. Most of them are the footstones and stone steps from the Ly, Tran and Le dynasties, in which there are two stone mortars that are part of the nine products of lotus flowers in Quynh Lam and a very large lotus platform in the Le Trung period. hung… Quynh Lam from the past and present, no matter what time it is, is still a scenic spot in the East, bringing a special experience to visitors every time they come back.

Land lotus is also known as mountain lotus, Ha Lien Son, Thai Son Moc … originated from South America There are 3 unique white lotus trees in the campus of Boi Khe pagoda This species of lotus is a woody plant grown on land, with shade Boi Khe ancient temple has long been known in addition to its ancient beauty because in the temple there are very beautiful and rare earth lotus species. In particular, this species of lotus also has fruit, its fruit is usually pale pink, large in size and shaped like a pine cone. The flowers are pure white, the petals are thicker and more fragrant than the water lotus Ground lotus can be planted in pots, planted in the garden to decorate because of its beauty, and also have the effect of purifying the air to help fresher. In many places, ground lotus is also chosen to be planted in the temple grounds, but the tree is rarely noticed by people because it rarely flowers. Land lotus blooms from April to June of the lunar calendar, the flower is very durable until 1 week to fade Referring to Boi Khe Pagoda is referring to the earth lotus, a lot of people come here because they are curious about this flower

The pagoda was built in 1964, after the ups and downs of the history of the pagoda, it was restored and put on a new, more beautiful and splendid shirt. Currently, the pagoda has a distinctive and unique oriental beauty from many different architectural backgrounds such as China, Taiwan, Korea, the most prominent of which is Japan with its architecture similar to temples. curved roof, bringing a classic feature. (Photo: alongwalker) Only about 2 km from the city center, Minh Thanh Pagoda is located on a gentle hill on Nguyen Viet Xuan Street. From a distance, you will easily see the curved roofs of the temple amidst the blue sky, white clouds floating. Minh Thanh Pagoda possesses a space and architecture rarely seen in any other temple in the country. Along with mossy patches bearing the traces of time. Embraced by the fanciful mist, the journey to visit the temple will make you feel like you are lost in the land of Phu Tang. (Photo: @hueandsuntravel) The temple yard is quite large and decorated with miniatures, stone statues, carved wooden materials in a very sophisticated way. In addition, the pagoda also has a green space that is reasonably designed with trees to make the atmosphere very fresh and pure. (Photo: 123didulich) Small willow trees droop around the lake, and the whole sky is silhouetted against the water, creating a very poetic scene that makes many people flutter. You will easily see in the small aisles of the temple the mossy walls that have been built for a long time, the interlaced vines walls as a proof of the age of the temple. (Photo: alongwalker) Referring to Minh Thanh Pagoda, it is impossible not to mention the relics stupa with 9 floors 72 m high, the main color is red – bright eye-catching yellow located on the left side of the main hall. This can be considered as the most unique stupa in Vietnam and in the top of the tallest architectural works of Pleiku city. (Photo: @hihii0210) (Photo: wiki-travel) Standing from afar, under the blue sky with golden rays of sunlight, the shimmering stupa appears as a symbol of majesty and reverence. Any guest who sets foot here will be impressed by this unique architecture and think that they are lost in a certain temple of the land of the rising sun of Japan. (Photo: 123didulich) (Photo: @yenretro) (Photo: @tung23096) Those who have come often find it difficult to leave the peaceful beauty of this temple. You can visit Minh Thanh Pagoda at any time of the year. People from far away come to Gia Lai, to Minh Thanh Pagoda to enjoy a little peace, quiet and peace in the misty land of the mountain town.

1. Located at 53 Ton Duc Thang, Soc Trang City, Soc Trang Province, Kh’Leang Pagoda is one of the Khmer pagodas with a long history and the most beautiful architecture in the South. The pagoda was built in 1533, at first it was just a pagoda with thatched roofs. The current architecture dates back to the late 1910s restoration. The pagoda has a campus of 3,825m2, the central work is the main hall divided into three ground steps, each step is about 1 meter high, surrounded by fences, forming internal courtyards. The top floor is where the shrine is located. The entire main block of Kh’Leang pagoda is built by 60 pillars, divided into 6 rows. Inside the main hall, the altar and the place to place the statues are in the two innermost compartments. The centerpiece is a statue of Shakyamuni Buddha meditating on a high pedestal, decorated with many layers of lotus and fire patterns. In addition to the main hall, on the premises of Kh’Leang pagoda, there are other auxiliary structures such as Sala (meeting house), houses of monks, guest houses… With great values ​​of history and architecture The architecture and pagoda have been recognized as a national historical and cultural relic of Vietnam. 2. Located on Van Ngoc Chinh Street in Soc Trang City, Soc Trang Province, Bat Pagoda (also known as Ma Toc Pagoda or Mahatup Pagoda) was started construction in 1569. Since then, the pagoda has been restored many times. , the last major restoration in 2009. This temple has ancient Khmer architecture with the main hall built of bricks, tiled roof, four curved roofs carved with Naga snakes, on top of the roof there is a pointed tower. In the main hall there is a monolithic statue of Shakyamuni Buddha placed on a lotus about 2 meters high and a statue depicting the Buddha riding on the god Muchalinda snake. Outside the main hall of the temple are other buildings such as the sala house, the monk room, the relics tower.. located in the green campus shady with ancient trees, the space is cool and pure. In particular, the temple garden has a lot of bats and crows to live in. This is the origin of the name Bat Pagoda. 3. Located in Dai Tam commune, My Xuyen district, Soc Trang province, Chen Kieu pagoda or Sa Lon pagoda is one of the most unique pagodas in Vietnam. This is a temple of Khmer people, whose original name is Wat Sro Loun or Wat Chro Luong. Over time this name became Salon. The pagoda was first built in 1815 with leaves. In 1969, the pagoda was rebuilt. During the construction process, due to the lack of funds to buy enough decorative ceramic tiles, the monks came up with the initiative to donate broken cups and plates from Buddhist relatives in Phum and squirrels for wall cladding. The pagoda has mobilized Buddhists to donate tons of cups and plates for decoration. Intact cups and plates are left on the wall by the monks, while broken cups and plates are broken down to form floating patterns on the wall. With skill and meticulousness, Khmer artisans have created an extremely unique artistic architecture. Since then, the pagoda is also known by the people by the second name, Chen Kieu Pagoda. Invite readers to watch the video: Charming Non Nuoc Tam Chuc Pagoda | VTV24.

Panoramic view of Linh Ung Pagoda-Bai But located on Son Tra Peninsula (Da Nang). (Photo: Tran Le Lam/VNA) On days when the weather changes, the complex of Linh Ung Pagoda is hidden in the morning mist. (Photo: Tran Le Lam/VNA) Temple items were built with many unique cultural architectures. (Photo: Tran Le Lam/VNA) Statue of Bodhisattva Avalokitesvara and the main hall of Linh Ung Pagoda – Bai But. (Photo: Tran Le Lam/VNA) Panoramic view of Linh Ung Pagoda-Bai But located on Son Tra Peninsula (Da Nang). (Photo: Tran Le Lam/VNA) The complex of Linh Ung-Bai But pagoda leaning against the mountain overlooking the sea.(Photo: Tran Le Lam/VNA) The main hall area is located in the complex of Linh Ung Pagoda-Bai But.(Photo: Tran Le Lam/VNA) 18 large stone statues of Arhats are arranged along both sides of the road to the main hall in the Linh Ung-Bai But Pagoda Complex. (Photo: Tran Le Lam/VNA) 18 large stone statues of Arhats are arranged along both sides of the road to the main hall in the Linh Ung-Bai But Pagoda Complex. (Photo: Tran Le Lam/VNA) Tam Quan Gate leading to Linh Ung Pagoda Complex – Bai But.(Photo: Tran Le Lam/VNA) The statue of Bodhisattva Avalokitesvara with a height of 67m, a lotus diameter of 35m at the foot of the statue is a unique highlight in the Linh Ung Pagoda-Bai But complex. (Photo: Tran Le Lam/VNA) The statue of Bodhisattva Avalokitesvara with a height of 67m, a lotus diameter of 35m at the foot of the statue is a unique highlight in the Linh Ung Pagoda-Bai But complex. (Photo: Tran Le Lam/VNA) Inside the main hall of Linh Ung Pagoda – Bai But. (Photo: Tran Le Lam/VNA) From the main hall, overlooking the garden of statues of Arhats of Linh Ung Pagoda – Bai But. (Photo: Tran Le Lam/VNA)

Although the local government and the festival management board have put up many thoughtful and meticulous guide signs, reminding visitors to consciously comply with regulations, there are still behaviors and annoying behavior. The saddest thing is the taking pictures of the guests. Noisy and messy jostled each other, competed for a place to record, and then posted something on the internet that Mr. Ginger didn’t understand. Even shoving and knocking over flower pots, trampling ornamental plants and even quarrels, splashing out many rude words. Many people also innocently climb, cling, rub their hands on stone pedestals, walls, bronze bells, statues, surreptitiously write, draw personal souvenirs on the walls, tree trunks. At this time, the rice trees on the temple yard bloomed with red flowers and fell all over the roots, and a series of guests flocked to take pictures and filled the large yard. Many young girls dressed in revealing clothes, too shy to read the regulations of the relic site, so carelessly jostled each other to burn incense, not suitable for the strict scene of the temple. The perennial plant was also damaged by a few groups of guests chirping branches, breaking flowers, causing pure resin to overflow. Witnessing that scandalous, thorny scene, Mr. Ginger and the elderly men and women in the village and the management board had to constantly remind them. These days, carrying out the prevention and control of the Covid-19 epidemic, the ancient temple relic has to temporarily close the gate to not welcome guests. The elders in the village have to mobilize everyone in the village to clean the toilet and take care of the flower beds and ornamental plants. The temple has put up a “no entry” sign, but still see a group of young men and women coming from nowhere on motorbikes to gather in front of the gate. The boys and girls asked to take pictures inside the temple yard, but the elders had to work hard to explain. I couldn’t beg, the young people, after a moment of struggle, had to turn the car and leave, leaving behind words that did not come to their ears at all. Mr. Ginger looked at them and was bored, unable to help but worry about the children’s way of visiting the temple. He thinks that if he comes here, the epidemic situation is less stressful and the temple is allowed to reopen, he will petition the government to take stronger measures to remind visitors to strictly follow the regulations. of the temple.

The paintings of thousands of years white clouds fly As one of the world’s largest religions, throughout history, Buddhism has left mankind with millions of magnificent works. Among them, the “thousands of years of white clouds flying” paintings always have a very special position. In the world, there can be names like the Four Great Buddhist Mountains of China, Rongbuk Monastery, Tibet or the mountains like Taktsang Palphug (Bhutan), Golden Stone Pagoda (Myanmar) or Huyen Khong Temple (Myanmar). China)… In Vietnam, the holiest temples often have a similar location. Typically in the North, there is Dong Yen Tu pagoda located in Truc Lam Yen Tu complex located on Yen Son peak with an altitude of 1,068 m above sea level. As the “holy land” of the Truc Lam Zen sect, Yen Tu’s pure and secluded space is an ideal place for Zen practitioners to attain the Way. Further south, Linh Son Tien Thach Tu on the slopes of Ba Den mountain in Tay Ninh – the roof of the South is also a destination not to be missed. The 300-year-old temple is associated with the legend of Ba Den’s epiphany not only naming the whole land but also associated with the local residents’ belief in worshiping the Holy Mother Linh Son. Spiritual complex on the top of Fansipan The most prominent is the spiritual complex of Fansipan on the roof of Indochina, with an altitude of more than 3,000 m above sea level. Including 12 works bearing bold architecture of the ancient Vietnamese temples of the North of the 15th-XVI centuries, the complex makes visitors feel like they are lost in a pure region. The Arhat Street was silent and majestic in the mist; The great compassionate Amitabha Buddha statue covers all worlds or amazing natural phenomena such as Buddha light, sea of ​​clouds … all make Fansipan a sacred and peaceful destination. Decoding the sacred circuit of the mountain According to researchers on history – culture, the reason why high monks often choose high mountains to build pagodas is rooted deeply in the original Buddhist beliefs. Accordingly, Theravada Buddhism inherently advocates “out of the world”. Those who go to practice are called monastics, which means letting go of everything that belongs to the world. Buddhism believes that: If you want to practice, the mind must be pure, if you want to be pure, the six senses (eyes, nose, ears, mouth, body and nerves) should not have too much contact with the world. Therefore, the ancients often chose deserted places, away from the temptations of dusty places to study to quickly attain enlightenment. From a feng shui point of view, the terrain on the mountain is one of the ideal places, with good feng shui, receiving a lot of energy from heaven and earth, converging spiritual energy, creating a solemn and solemn atmosphere. If you build a pagoda next to the sacred gas gathering points, you will always get prosperity, the pagoda will be sacred and last for years. That is also the reason why the spiritual population on Fansipan peak is agreed by many feng shui researchers that: The peak of 3,143 m in Vietnam is one of the landmarks on the meridian line starting from the roof of the world to the top of the world. to the Gulf of Mindanao Philippines, converging in itself full of the quintessence, the spirit of heaven and earth. Venerable Thich Duc Thien, Secretary General of the Central Executive Council of the Vietnam Buddhist Sangha also commented: Fansipan – the highest mountain in the thousands of thousands of mountains in the majestic Hoang Lien Son range, the great blood vessel of the country, the source of spiritual energy… Cultural and spiritual complex, including a system of pagodas such as Bao An Thien Tu , Bich Van Thien Tu, Kim Son Bao Thang Tu, Great Buddha Statue of Amitabha, Bodhisattva Avalokitesvara… have enhanced the magical spiritual realm of the majestic Fansipan… continue to arouse abundant spiritual resources, bringing to the well-being of everyone and will further promote the development of Lao Cai “. Located on that “great vein”, each building in the complex has an almost perfect harmony with nature and is especially suitable for feng shui elements. Prominent as Kim Son Bao Thang Tu is designed to adhere to the mountain position, like a mountain. Seen from afar, the shape of the pagoda blends with the great blue color, hidden in the mist, as beautiful as a fairyland. Walking in the spiritual space and feeling the peace between heaven and earth in the place of the national bloodline, Fansipan peak is not only a tourist destination but also becomes an address to worship the sacred Buddha, a heritage for thousands of people. next life.

Huong Tich Pagoda, full name Huong Tich Co Tu, also known as Thom Pagoda, is a famous temple located in Thien Loc commune, Can Loc district, Ha Tinh province. The pagoda is located at an altitude of 650m above sea level, located on the top of one of the most beautiful and majestic mountains in the Hong Linh range. Huong Tich Pagoda, Ha Tinh Province. This is one of the oldest pagodas in Vietnam, dating back thousands of years. The ancient landscapes of Vietnamese Buddhism now have two landscapes with the same name, which is “Perfume Pagoda” one in Can Loc district, Ha Tinh province, the other in My Duc district, Hanoi city. Both Huong Tich pagodas are named in a rustic way with Vietnamese cultural style as Thom pagoda. Vietnamese historians are trying to find documents about the original Huong Tich pagoda in Can Loc district, Ha Tinh province, which has a history of more than 7 centuries.
Huong Tich Pagoda in Ha Tinh is a complex of many traditional Vietnamese cultural and religious relics, with many temples worshiping Buddha, a few temples worshiping Gods, including temples carrying agricultural and religious beliefs. model worship. The Perfume Pagoda complex is divided into three main parts: Upper Palace, Thien Vuong Temple and Thanh Mau Am. In addition, there are forest gate temple, Phat Ba resting station, Giac Pho am, Quy Khoc slot, Giai Oan waterfall, market beach, Thuong pagoda, Ancestral church, Thanh Mau palace, Dieu Thien am, Duoc Su am, Trang Vuong background. , am Bat Canh…
Behind the pagoda are countless large rocks, around many ancient trees reaching out to cast moss on the roofs of the pagoda, making the scene more melancholy, contemplative, sacred, fanciful… The pagoda also has wonderful scenery. beautiful links such as: Tien Nu cave 36 doors, Phun May am, Tien Bath stream…
From behind the pagoda, go up about 28 stone steps to Huong Tich cave, also known as Am Quan Am, Am Phat Ba, which still retains the old structure. Inside the deep cave, there is a statue of Lady Buddha sitting on a lotus throne and some statues of a mother holding a child holding a willow branch… People consider Am Phat Ba a sacred place and it was in this place that Princess Dieu Thien practiced. practice Buddha.
Legend has it that: “About 500 BC, King Trang Vuong of Chu (in China) gave birth to three daughters. When they grew up, the two sisters followed the king’s will and married their father to become a mandarin in the court. In turn, the youngest princess Dieu Thien, the king forced her to marry a martial mandarin, was a cruel and cruel person. She was frustrated and went to the Buddha’s door to practice, the martial officer set fire to the temple, but Dieu Thien and the monks and nuns were protected and saved by the Buddha.
“Walking along to the south, Dieu Thien stopped at Huong Tich cave, Hong Linh mountain, the land of Viet Thuong where he built a monastery and was famous as a compassionate and compassionate nun. In the meantime, Chu Trang Vuong fell seriously ill, the doctor advised to have the irises and hands of a volunteer daughter to save.
“When listening to the story, Dieu Thien invited compassion and compassion to save sentient beings, poked out his eyes and cut off his hand to give to the messenger to save his father. Trang Vuong recovered from illness, sent someone to repay the favor, only to know that it was his son. The Buddha was touched by Dieu Thien’s heart, so he allowed her eyes to shine again and her hands to grow back. Dieu Thien attained enlightenment and turned into a thousand-eyed, thousand-armed Guanyin Buddha.
The top of the mountain has Huong Tich pagoda, which was once mentioned in the famous poem of La Son Phu son Nguyen Thiep: “Huong Tich Tran Trieu Tu/ Hong Son first Phong/ Di Am not Bach Thach/ Ancient only Dan Thanh Tung” The temple of the Tran dynasty / Built on the most beautiful mountain of Ngan Hong / The old Am remains white stone / In the past, only green pine trees remain).
Since 2012, here has built a cable car system to serve tourists. The cable car route starts from Mieu Co Station and ends at Huong Tich Station with a travel time of about 4 minutes, making the ceremony more convenient. In previous years, the Perfume Pagoda festival was held on the 18th day of the second lunar month, but in recent years, it has changed to the 6th day of the first lunar month, opening the tourism year of Ha Tinh province.
In 1990, Perfume Pagoda was recognized by the Ministry of Culture and Information of Vietnam as a national cultural and scenic relic and an attractive spiritual and cultural tourist destination, attracting more than 150,000 visitors annually. Visitors from all over the world come to worship and worship Buddha.

Boi Khe Pagoda is located in Tam Hung Commune, Thanh Oai District, Hanoi. Ground lotus petals are white, pistil yellow. Referring to Boi Khe Pagoda, people refer to the lotus. The ground lotus is not like other lotuses grown under the lagoon, this flower has a pure white color, and the scent is ecstatic. The ground lotus tree has a bare stem, the leaves are glossy green on the upper surface, and the lower surface has fine brown hairs. The ground lotus from the time it blooms to the time its wings are released has a very similar shape to a water lotus. The flower only has yellow pistil, not a lotus mirror like a water lotus, but when the petals dry, it still leaves a fragrance. In Vietnamese folklore, there is a folk song “Yesterday slap the head of the house / Forgot the shirt on the lotus branch”. Many people think that there is no “lotus flower branch”, it is just a product of rich imagination to add poetry to the folk song, but the people of Boi Khe village insist that “lotus flower branch” is mentioned there. is the branch of the lotus tree in the temple grounds. According to Ms. Pham Thi Quyet, a resident of Boi Khe village, these precious lotus trees have existed for hundreds of years in the temple grounds. Villagers also call it dry lotus. Previously, the pagoda had two lotus trees about 5m high, but one of them died because of insects. Currently, there are only three lotus trees in the temple grounds. Two young lotus trees about 2.5m high, planted in front of the three treasures, are extracted from the lotus tree nest next to the harem. Ground lotus in the campus of Boi Khe pagoda. As soon as entering the temple grounds, visitors can smell the gentle, very pleasant aroma of earth lotus. The lotus season blooms from late spring to early summer, the flowers bloom for 1-2 weeks before they fade and are fragrant. Also according to Ms. Pham Thi Quyet, lotus is grown in some places in the North of our country, but rarely blooms. In Boi Khe pagoda, land lotus blooms every year, each tree only blooms about ten flowers. Perhaps for that reason, this place has attracted many tourists to visit the temple and admire this rare flower.

This bridge was built by Japanese merchants in the early 17th century. Due to the influence of natural disasters, the Covered Bridge has been restored many times and lost Japanese architectural elements, replaced by architecture. Vietnamese-Chinese style architecture. Legend has it that in 1719, Lord Nguyen Phuc Lai visited the pagoda and gifted the pagoda with three words “Lai Van Kieu”, which means “Friends from far away”, as an admiration, praise, and at the same time. Express your love for the scenery here. Around the 17th century, at this time the building was only considered a means of transportation for people. In 1653, people built an additional part of the pagoda, connected to the northern railing, protruding between the bridge, from which the locals called it Chua Cau. Hoi An Bridge Pagoda is called a pagoda, but it does not worship Buddha but worships the North De Tran Vo – a god who protects the country, bringing joy and happiness to people on this land. According to legend, the origin of the Covered Bridge is associated with the legend of the monster Namazu (also known as the Cu) – a sea monster in Japanese legend. This beast has a head in India, a body in Vietnam, and a tail that runs all the way to Japan. So every time it moves, disasters like floods, earthquakes… will happen. Therefore, the temple was built with the meaning of a sword blocking Namazu’s back, preventing it from moving, helping the lives of the people of… all three countries more peaceful. The Covered Bridge is a unique construction in our country, with long historical value, this is also the symbol of Hoi An city in Quang Nam province, so it was chosen to be printed on the VND 20,000 bill. Up to now, the temple seems to have become an invaluable asset, officially chosen as the symbol of Hoi An.

As one of the world’s largest religions, throughout history, Buddhism has left mankind with millions of magnificent works. Among them, the “thousands of years of white clouds flying” paintings always have a very special position. In the world, we can mention the four great Buddhist famous mountains of China. These are the four sacred mountains where many unique spiritual populations are concentrated. For example, the Marble Mountains in the Shanxi province of this country. With an altitude of 3058m, Ngu Dai Son is known as the “World’s Thanh Luong” by the followers as it has witnessed the development of Buddhism during the past two millennia. Since the Tang and Song dynasties, monks from all over Asia have often come here on pilgrimage to offer incense. Wutaishan – China In Tibet, the most famous is Rongbuk Monastery – the monastery located at the highest altitude in the world. With an altitude of 5,000m above sea level, this is also one of the holiest destinations for Tantric Buddhists. Other famous pagodas can be mentioned as Taktsang Palphug (Bhutan), Golden Stone Pagoda (Myanmar) or Huyen Khong Tu (China). In Vietnam, the holiest temples often have a similar location. Typically in the North, there is Dong Yen Tu pagoda located in Truc Lam Yen Tu complex located on Yen Son peak with an altitude of 1068m above sea level. This is the place where the spiritual energy of Bach Van Son converges, so the clouds are rolling all year round. As the “holy land” of the Truc Lam Zen sect, Yen Tu’s pure and secluded space is an ideal place for Zen practitioners to attain the Way. Further south, Linh Son Tien Thach Tu on the slopes of Ba Den mountain in Tay Ninh – the roof of the South is also a destination not to be missed. The 300-year-old pagoda is associated with the legend of Ba Den’s epiphany not only naming the whole land but also associated with the local residents’ belief in worshiping the Holy Mother Linh Son. Spiritual complex on the top of Fansipan The most prominent is the spiritual complex of Fansipan on the roof of Indochina, with an altitude of more than 3000m above sea level. Including 12 works bearing bold architecture of ancient Vietnamese temples in the North of Vietnam in the 15th and 16th centuries, the complex makes visitors feel like they are lost in a pure region. The Arhat path is solemnly silent in the mist; The great compassionate Amitabha Buddha statue covers all worlds or amazing natural phenomena such as Buddha light, sea of ​​clouds … all make Fansipan a sacred and peaceful destination. Decoding the sacred circuit of the mountain According to researchers of history – culture, the reason why high monks often choose high mountains to build pagodas is rooted deeply in the original Buddhist beliefs. Accordingly, Theravada Buddhism inherently advocates “out of the world”. Those who go to practice are called monastics, which means letting go of everything that belongs to the world. Buddhism believes that: If you want to practice, the mind must be pure, if you want to be pure, the six senses (eyes, nose, ears, mouth, body and nerves) should not have too much contact with the world. Therefore, the ancients often chose deserted places, away from the temptation of dusty places to practice and learn to quickly achieve Enlightenment. Fansipan peak is considered the place Full convergence of the quintessence and spirit of heaven and earth From a feng shui point of view, the terrain on the mountain is one of the ideal places, with good feng shui, receiving a lot of energy from heaven and earth, converging spiritual energy, creating a solemn and solemn atmosphere. If you build a pagoda next to the sacred gas gathering points, you will always get prosperity, the pagoda will be sacred and last for years. That is also the reason why the spiritual population on Fansipan peak is agreed by many feng shui researchers that: The peak of 3143m in Vietnam is one of the landmarks on the meridian line starting from the roof of the world to the end of the world. Mindanao Bay Philippines, full of the quintessence, the spirit of heaven and earth. Most Venerable Thich Duc Thien, General Secretary of the Central Executive Council of the Vietnam Buddhist Sangha also commented: Fansipan – the highest mountain in the thousands of thousands of mountains in the majestic Hoang Lien Son range, the great blood vessel of the nation, the source of spiritual energy… Cultural and spiritual complex, including a system of pagodas such as Bao An Thien Tu , Bich Van Thien Tu, Kim Son Bao Thang Tu, Great Buddha Statue of Amitabha, Bodhisattva Avalokitesvara… have enhanced the magical spiritual realm of the majestic Fansipan… continue to arouse abundant spiritual resources, bringing to the well-being of everyone and will further promote the development of Lao Cai “. Fansipan spiritual complex in snowy season Located on that “great vein”, each building in the complex has an almost perfect harmony with nature and is especially suitable for feng shui elements. The pagoda was built on a superficial surface, but most of the work items are of limited size to suit the landscape and terrain of the high mountains, and at the same time, create a harmonious landscape architectural complex. . Prominent as Kim Son Bao Thang Tu is designed to adhere to the mountain position, like a mountain. The temple is therefore like a part of the natural landscape available at this place. Seen from afar, the shape of the pagoda blends with the great blue color, hidden in the mist, as beautiful as a fairyland. Today, when reaching the top of Fansipan, visitors will not only conquer the roof of Indochina but also get lost in the sacred spiritual domain. There, it seems that all the dust and dirt has stopped outside the meditation door, only the joys of joy, the sincerity of many tourists and Buddhist followers from the ten directions come here to worship. , pay homage. The moment Buddha’s light appeared at the Great Amitabha Buddha statue on the top of Fansipan Walking in the spiritual space and feeling the peace between heaven and earth in the place of the national bloodline, Fansipan peak is not only a tourist destination but also becomes an address to worship the sacred Buddha, a heritage for thousands of people. next life.

The center is scheduled to open to the public in May and has pledged to keep fees below those of other charity hospitals in the area. The Kek Lok Si Charity Medical Center is located on the grounds of Lac Lac Temple, the largest Buddhist temple in Malaysia. This is home to a 36.6 meter high bronze statue of Bodhisattva Avalokitesvara and a Buddha made from jade mined in Myanmar and carved in China, considered one of the largest jade Buddha statues in the world. . This temple, called Sukhāvati in Sanskrit, which translates as “land of ultimate happiness”, nestled on a hillside, offering panoramic views of the city and sea, is a popular pilgrimage and visitation site. language of the Buddhist followers in the region. Venerable Seck Jit Heng, the temple’s abbot and former President of the Malaysian Buddhist Association, will become the Chairman of the hospital’s Board of Directors. “This is not the first charity hospital in the state, but rest assured that the fees here will be much lower than the lowest fees of all the other charity hospitals here. We only serve Malaysians, especially the poor,” said Dr Teng Hock Nan, Board member and Medical Director at the hospital. The facility has five floors and occupies part of the temple grounds. The center will include X-ray, ultrasound and CT scanners, modular critical care and a hemodialysis center. The hospital will provide 50 beds with 130 staff members, including seven resident consultants, two doctors, two consultants and one visiting consultant. The hospital with modern equipment is working towards 200 beds “We hope to expand our hospital to a total of 200 beds in the future,” said Dr. Teng. Aiming to avoid common medical tourism in the region, Dr Teng said: “If there is an emergency involving foreigners, we will treat them until their condition is reached. they stabilize before being transferred to other hospitals.” The Penang state government has invested RM200,000 (US$48,698) in the hospital, and officials expressed hope that a similar donation would be made every year. “Since the hospital operates entirely on donations, but the costs of the hospital are very high, we hope the state will consider approving the funding for the hospital every year.” Dr. Teng told Penang Premier Chow Kon Yeow when he visited the hospital. In response to this request, Premier Chow called on all NGOs and corporations, the Chinese city hall in Penang, the Penang Chinese chamber of commerce and multinational companies to support the disease. this charity.

Yen Tu is not only a sacred mountain of Vietnamese Buddhism but also a cultural and historical destination with extremely interesting natural scenery. Among the Yen Tu relic complex, the most famous is the Dong Yen Tu scenic area in Uong Bi city, Quang Ninh province. If you have come to Yen Tu on a fun but crowded spring festival, come back to pilgrimage these autumn days, explore hundreds of pagodas and towers, and follow in the footsteps of Buddha Emperor Tran Nhan Tong – who left The king ascended the mountain to practice and founded the Truc Lam Zen sect with Vietnamese imprints 700 years ago. Right from the foot of the mountain, visitors can hardly count all the ancient pagodas with different legends: Bi Thuong Pagoda where the ceremony is performed before going up the mountain, Suoi Bath Pagoda where the Buddha stopped to shake off the dust, Cam pagoda. Real – the king began to use spring water instead of rice, pagoda and Giai Oan stream where the palace maidens were immersed in unsuccessfully advising the king to return, the fog drifted in the murmuring stream like meditation music. The most wonderful pilgrimage route is the road to the mountain through thousands of stone steps, a total length of about 6,000m, deserted by pedestrians. Although the road is long, but in the cool autumn weather and beautiful poetic scenery can dispel fatigue and depression, everyone’s footsteps are lighter. Walking under the trees, don’t forget to stop to rest and enjoy the ancient space in Duong Tung, the road about 200m thick with soaring pine trees with a lifespan of 700 years, cool foliage. On the way, there is also a supple, green Truc Forest in the middle of the mountains. Tung – Truc are symbols of Yen Tu, bearing the mettle and thoughts in harmony with nature of the ancients. If you are not healthy enough, you can choose the cable car to go up the mountain, visit the main temples. From the cable car, the magnificent scenery of Yen Tu National Forest is captured in sight. Up high, white clouds quickly covered, echoing the song On the top of Phu Van: The vastness of Phu Van Yen Tu / Vi vu vi vu Truc Lam meditation / To the top of the mountain three meters from the sky / To the bottom deep valley, long river. At an altitude of about 600m, visitors will encounter a quiet and majestic tower garden. That is the garden of the ancestral tower, the center of which is Hue Quang Tower, where the Buddha’s residence is located, the faint scent of incense darkens the time. Climbing the towering steps to Hoa Yen Pagoda, the 700-year-old ancient trees with thin branches and leaves imprinted with frost will surely make you admire. Hoa Yen Pagoda has a grand and majestic architecture leaning against the back of the mountain, which is the main temple of the whole Yen Tu pagoda system. Nestled on the cliff, hidden deep in the mountain is a unique pagoda with only one roof as the name suggests: Mot Mai Pagoda. Standing here, visitors will feel the peace and serenity as if they were far away from the world, only the sound of muffled chanting echoes. The Ngu Duoc am, Thung am (where apothecary), Bao Sai Van Tieu pagoda, … are all looming in the white clouds. The space is quiet, the wind and clouds come and go like a fairyland. On the way over the craggy stone steps to the top of the mountain, stop to admire the statue of An Ky Sinh, a natural rock shaped like a monk with his hands clasped respectfully, ao dai. Legend has it that in the 3rd century BC, Taoist An Ky Sinh came here from the North to practice religion. Majestic in the middle of the sacred land is the Buddha statue of Emperor Tran Nhan Tong. The monolithic bronze statue, weighing 138 tons, was inaugurated on the occasion of the 705 anniversary of the Buddha’s passing into Nirvana in 2013. The top of the mountain is here, Dong Pagoda – a unique temple cast entirely in bronze on an altitude of 1,068m. Even in the middle of a beautiful sunny autumn, it is difficult to see the temple not engulfed in clouds, but the moment standing on the top of the sacred mountain with relaxation, freedom and stillness makes anyone satisfied. At the end of the journey, visitors can visit destinations with a space imbued with meditation and culture of the Tran Dynasty at the foot of the mountain, participate in retreats or simply spend time relaxing, finding the best value for money. own simplicity.

March of ca dao is the month of the festival: “… March of summer festival …” then there are many festivals in my hometown Phu Quoc. One of the unique festivals bearing bold folk beliefs is the Thay pagoda festival which is held on the seventh day of the third lunar month every year. In March, when the rice flower clusters lit a crimson fire like the lips of betel and bite of the women of Doai village. In March, when the shiny rice stalks are in progress, her daughter, preparing to do the same thing, conceiving for a golden season, is also a good day. Old young people, boys and girls in Phu Quoc region again eagerly invited each other to go to Thay pagoda festival. Beautiful campus at Thay temple. The elderly come to the pagoda, pray for the good weather, the family is prosperous, the children and grandchildren eat and make a living, peace of mind … The child is born in new clothes, on the way back to the congregation will be spoiled for throwing and throwing. snatched fallen rice flowers, laughed at the water puppet shows on Long Tri Lake, then took a pocket to get five cents, a dime bought a piece of sugarcane, gourd canes as a walking stick to climb several hundred stone steps. went to Flea market and was peeked into Thanh Hoa cave, where Zen master Tu Dao Hanh became holy … Until late afternoon, the walking stick is enough to quench the thirst, get rid of tired legs and have enough strength to walk home. And boys and girls come to the association as an excuse to have sex. The green-eyed girl fumbled with green bags fluttering in the spring breeze, swaying with seven-and-a-half clothes, her chest rising through her peach overalls, white bibs. The strength of the mussel, the mash, the toned arm holding the plow and the plow to turn the ground and ice suddenly became poetic and somewhat elegant in the clothes, percussion towels on the way back to the association. Each top, each group of village boys stood lined up on the stone steps, narrow streets crowded so people crowded. Many sections up the mountain, people wedge people like mortar wedge. This is also an opportunity for the boys to show their masculinity and mettle, to prevent the crowd from crushing the Coal hat (the hat made by the people of Ngoc Than village) of the girl. It’s also regretful that the hat is flattened, but regretful for the whiteness of the ivory body panels pressed, squeezed … Holding her hand tightly, pulling away from the crowds that were jostling and shoving to receive a glint. Grateful eyes and clamshell strength always have to force her to escort her up to Thuong Temple. Her sideburns were covered in sweat, now suddenly flying in the wind from the field of Khuong, Can blew back. “Come on, give me your hand / Up your hair will blow the wind …”. The fluttering wind made the back belt green, fluttering the flaps of the shirt three and seven times. The wind flutters like awakening the first tremors of the couple when they go to Thay Pagoda. Thuy family at Thay pagoda. It is no coincidence that the Phu Quoc people from my hometown still have the lyrics: “Unmarried girl misses Cac Cause cave.”
Unmarried boys remember Thay pagoda ”. Going to the guild without going down to Cắc Cause cave is considered as if you have not been to the guild. Why are the Phu Quoc people from my hometown known as Cac Cac cave (Actually, Than Quang cave?). In order to enter the cave, all the girls and villages have to receive the help of the boys. Hold each other’s hands and pull, there are steps to the side, on the other side a guy holds his hand, on this side a guy holds his hand, even with strong hands, squeezing the soft waist and passing it to the side. that. The road down to the cave is dark and slippery, the girls always have to cling to the boys … That way, we know that the ancients are both risen and modern. In the radiant circle of rituals and customs, people in general and especially girls and boys in a burning fire love, they look to the festivals of Da La “ The best fun is that the Phu Thick / Fun festival is not so much fun “As well as looking forward to entering Cac Cui cave on the occasion of Thay pagoda, waiting for fifteen minutes to turn off the candles, turn off the lights, turn off the torches to hold hands, hold my waist, to feel the softness and fainting.” being naive from half of one’s body, in order to free one’s own body, and free of itself from the invisible ties, was the “excuse” to go to the guild of the old Paladin region? Also easy to explain in terms of dialect: “Cắc”, “Khac?”. Whether it was Chinese or pure Vietnamese, it showed a very short time. Even if it’s just a short time to have a chance, to have a chance to meet each other, to evoke feelings and be able to come together and be a husband and wife or just one last time instead of saying goodbye by the ngoe, the left side of life? With a visit to Thay Pagoda on the seventh day of the third lunar month every year, there are always “short fun days”. Had a crush on each other, when we broke up, we used it, being forced by heavy meaning, heavy love. The girl turned her face to another direction, lifted the blue band and quickly dotted two new tears spilled out, making her eyes that were already wet and black even more wet. Nhat Tien Bridge at Thay Pagoda. Send off each other to the head of the village, where banyan trees are several hundred years old, let go of the roots from the towering branches like a natural curtain and a mossy, deserted temple. An invisible milestone with grim challenges for both boys and girls to have enough faith and courage to overcome, come together in the true spousal way before customs, with the notions “Buffalo I eat my grass ”. The banyan trees and rice trees in the village that are hundreds of years old are the witnesses, having witnessed countless successes and failures in the marriage of generations of Phu Quoc girls and boys. The deserted, mossy temple is still a place where couples date. There have been many couples coming to the abandoned shrine just to see each other wiping their tears, sadly parting ways because of the customs of getting married, getting married, because of the feuds with eternal curses. There are couples who come to the deserted shrine to bow to the gods, turn their hands to their villages, clasp their hands, give their heads, and together leave the village to disappear according to the call of love … For many years, the Thai love and the ups and downs of history, but the Thay Pagoda festival is also opened every year on the seventh day of the lunar month. Every year, people squeezed themselves to go to Cac Cac cave. Will it still retain the human beauty, be the “excuse” for the love of a couple to forever sublimate.

View of Ho Quoc pagoda. Listening to teacher Thich Truc Thong Kien, the abbot of the pagoda, everything was new and clear. Ho Quoc Pagoda is located in the Truc Lam Zen monastery system, which is both a place for Buddhist work, and meets the spiritual needs of the people and tourists visiting to worship. More meaningful in the middle of the wind, the pagoda displays majesty as to maintain the land position, to protect the Fatherland’s position forever. It turned out that behind the curved roofs of the pagoda, the bells rang concealed many sacred things. Through the towering three judges, I entered the ceremony courtyard. The warm sacred feelings seemed more pronounced. In the middle of the square, the jade Buddha statue placed under the bodhi tree is an image of the Buddha’s reincarnation of being the fruit of the fruit to make vows. Behind the jade Buddha, the four dragons touched the stone leading the way over 70 green stone steps. It is a dragon image of the Ly-Tran dynasty bearing the Vietnamese national spirit. Seeing the architecture here makes it easy to think of the temple citadels of the imperial land thousands of years ago. On the top of the tower, the grand hall of mighty palace is located in deep silence, on both the left and right sides are the empty bell floors. Standing on a windy height, the most impressive thing is still the bell. The temple bell early and late night only points a few moments, while the wind chimes ring happily around the clock. The sea breeze rushed past the thousands of trees and leaves, crept into the sanctuary to shake the wind chimes. Just like that, the music played together, sometimes the sound resounded, sometimes tinkled loudly. Just that much will help calm the soul, forget about the dust and dust. Bringing the group to visit Ho Quoc pagoda, driver Nguyen Huu Ngoc volunteered to be an enthusiastic guide who spoke clearly about the monastery with an expression of joy. He said that in order to have this 110-hectare spiritual population, workers have to work hard for more than a year to complete. All skilled craftsmen in the provinces of Bac Ninh and Hai Duong come here to build walls, work as carpenters, to build up the second largest pagoda in the Mekong Delta. If you have come to Phu Quoc but have not yet visited Ho Quoc pagoda, something very sacred seems to be lacking. So, despite the tight travel schedule, Mr. Ngoc enthusiastically carried the couple to the pagoda ceremony. Standing in front of the main hall, I looked away, the sky and sea seemed to blend together in the deep blue. On the background of that picture, only the boats stretching out and stretching are moving. The people here still tell each other that, when they go to sea, their eyes turn to Ho Quoc pagoda as if they are strengthened and more confident in their motherland to overcome all dangerous storms. The temple is like a lighthouse standing in the middle of a beautiful pearl island leading fishermen back in good luck. The afternoon gradually let go, the waves still rumble, the wind chimes are like the words of thousands of years of heaven and earth, the sea of ​​the homeland …

The Buddha statues at Trung Son Tu (Photo: Phuong Anh / Vietnam +) Less than 5km from the center of Phan Rang-Thap Cham city to the northeast, Trung Son pagoda is an architectural work with majestic and poetic beauty, located on the slopes of Da Chong Mountain. This is one of the most famous sights in Ninh Thuan today. Initially, the pagoda was just a simple temple worshiping Buddha in the mountains. After 1975, the monk and the Buddhists from near and far raised money and effort to build. Over the years, the pagoda was planned and added a number of new works. Different from many temples and pagodas Trung Son dwell on a prime position. Each architectural line of the temple exudes the characteristic of the land full of sunshine and wind. From the top of Da Chong mountain, just zoom in in the Southeast directions to see the city Phan Rang-Thap Cham , Binh Son beach, Ninh Chu beach, Ninh Chu bridge, Nai market, Dam Vua … all are famous tourist destinations of Ninh Thuan. The other direction is simple images, but bold cultural identity of the land Ninh Thuan sunny and windy like rice fields, vine trusses, Dinh river and peaceful roads passing through villages. On the full moon days or on holidays, tourists flock here a lot, not just to temple ceremony We wish luck and peace but also enjoy the beautiful scenery of the pagoda and nature from the top of the mountain./.

Tam Chuc Pagoda – the largest temple in the world in Ba Sao town, Kim Bang district, Ha Nam province Travel Service Company Limited Tam Chuc On April 29, there was an urgent notice of the temporary closure of Tam Chuc Tourist Area (Ba Sao town, Kim Bang district, Ha Nam province) from 18:00 on April 29 and will reopen when there is a decision of a competent state agency. As suspected, in contrast to the crowded scene, squeezing each other to suffocate on holidays and Tet of previous years, on April 30, Tam Chuc Pagoda was empty, there was no one. The whole resort is immense and peaceful, strangely peaceful. The image of Tam Chuc Pagoda “as empty as Ba Danh pagoda” on the holidays of April 30: Tam Chuc Pagoda has officially announced its closure from 18:00 on April 29 The secluded scene at the largest temple in the world The entrance to Tam Chuc tourist area is not a person at noon on April 30 The entrance area and ticket control area if the holidays and New Year are full of people, but this year, due to the outbreak of Covid-19, the pagoda has to close to welcome guests. The entrance to buy tickets to get on the boat, ride the tram “as empty as Ba Danh pagoda” Parking lots and rest stops for guests The boat check-in area on the lake on April 30 is strangely peaceful, without a boat The corridor inside Tam Chuc pagoda

1. Which of the following pagodas in Hue (Thua Thien – Hue) has the tomb of the eunuch of the Nguyen Dynasty? Tu An Temple
Tu Hieu Pagoda
Tu Son Pagoda Tu Hieu Pagoda is located in Thuy Xuan ward, Hue city. According to the documents, the pagoda is famous for the story of the monk Nhat Dinh being filial to his mother, passed to the king’s ears. This ancient place is also known to many people with the presence of the tomb of the eunuchs of the Nguyen Dynasty. Image: Sascha Timm. 2. How is Tu Hieu Pagoda still called by many people? “Temple of the Temple”
“Mountain temple”
“Cave temple” With the presence of the tomb of the eunuch of the Nguyen Dynasty, Tu Hieu pagoda is also known by many people as the “temple of eunuchs”. According to the sources, a eunuch under King Thieu Tri, named Chau Phuoc Nang, stood out and raised money to repair the pagoda, so that after his death there was a place of worship, incense and smoke. Image: Hue Tourism Portal . 3. Which famous temple in Hue has the iconic Phuoc Duyen tower? Co Thach Pagoda
Thien Mu Pagoda
Huynh Dao Pagoda Thien Mu is a famous sacred ancient temple, attracting tourists to visit when coming to Hue. In the courtyard of the pagoda, there is an ancient tower with unique octagonal architecture, 7 floors high, each floor is worshiping Buddha, called Phuoc Duyen tower. This is considered a memorable symbol of the ancient capital. Image: Ngababii . 4. What national treasures are attached to Thien Mu pagoda? Beer “Expected Thien Mu Tu”
Dai Hong shared Thien Mu pagoda
All right The stele “Anticipated Thien Mu Tu” and the great rose of the Thien Mu pagoda are both recognized as national treasures. According to the documents of the Cultural Heritage Department, the stele “Anticipated Thien Mu Tu” is made of stone, dated in 1715, original artifacts, original, massive size; while the general rose in the pagoda weighs nearly 2,000 kg, balanced shape, pattern, motif on the bell body are carved delicately and sharply … Photo: Travel.with.hieu.chu . 5. In Thua Thien – Hue, which of the following temples? Truc Lam Tay Thien
Truc Lam Bach Ma Zen Monastery
Truc Lam Phuong Hoang Zen Monastery Coming to Phu Loc district, Thua Thien – Hue province, visitors can visit Truc Lam Bach Ma Zen Monastery. According to the introduction page, this is the first Truc Lam Yen Tu Zen monastery in Central Vietnam. The name of the monastery is associated with the famous Bach Ma mountain. Image: Crazybackpacker . 6. Which lake is Truc Lam Bach Ma Monastery in the middle of the lake? Ho T’Nung
Ho Lak
Ho Truoi Truc Lam Bach Ma Monastery is located on an island in the heart of Truoi Lake, in Bach Ma National Park, with a poetic and charming landscape. According to the website of Bach Ma National Park, Truoi lake has an area of ​​about 400 hectares, was built to serve the irrigation of the local fields. Image: Trung Phan . 7. How tall is the statue of Sakyamuni Buddha in front of Truc Lam Bach Ma Monastery? 24 m
34 m
44 m Coming to Truc Lam Bach Ma Monastery, visitors can admire the Shakyamuni Buddha statue in meditation posture, placed in the middle of an open space. According to the introduction from Hue tourist portal, this stone statue is 24 m high and weighs 1,500 tons. Image: Tum100394 . Dreamland Hue – where tourists find peace Hue has been associated with ancient times in this land for many generations. This place is suitable for visitors who want to feel the peaceful rhythm of life and enjoy delicious and typical dishes.

A temple in Kalmykia during the Buddha’s birthday. Where heaven and earth are in harmony Kalmykia is located in southern Russia, on the western coast of the Caspian Sea. In Kalmykia, there is no shortage of natural reserves, the most famous of which is the natural diversity reserve called Chornye Zemli next to Manych-Gudilo, the largest saltwater lake in Kalmykia. Every year, this lake welcomes millions of spotted cauldrons, white-necked ducks and many different types of wild geese returning from the winter migration. Another animal in the reserve that gets a lot of attention is the moose. Like birds, individual groups of elk migrate from Chornye Zemli to Uzbekistan and Turkmenistan in winter, and then in spring they return. The best time to see the elk falls around March and April, when their plumage changes from brown to red. Russians have long known the therapeutic uses of Manych-Gudilo and other salt-water lakes in Kalmykia. The Soviet government (former) built a number of combined healing resorts next to saltwater lakes, the most prominent of which are the two villages Berezovoe and Solenoye on the shores of Lake Yashalta. Many Kalmykian herbal remedies have been recognized worldwide, especially for skin and respiratory diseases. From Berezovoe and Solenoye, tourists can head up north to reach the Ergeni hills. Contrary to the grasslands stretching out of sight, Ergeni is the only place with forests and mountains in Kalmykia. Tourists can explore the scenery or hunt for many valuable medicines in the forests. The Sarpa Freshwater Lake area is especially famous for its fishing and hunting activities. People in the area today also offer sand bath services. Tourists who want to see the Caspian Sea with endless stretches of white sand, come to Lagan. From a small fishing village, Lagan has now become a famous homestay tourist destination. Visitors need to keep in mind only one thing: Russian naval forces regularly patrol this coast. So, remember to bring your own documents, preferably with a tour guide. Chess is everywhere in life in the capital Elista. The city of temples Located on the transport axis connecting Central Asia with Northern Europe, Kalmykia has long absorbed many different cultures. The Kalmyk ancestors, the main ethnic group in this country, migrated from Xinjiang, China, to Kalmykia. They preserve their Central Asian culture while receiving activities and art from the Mongolian, Turkish and Russian communities living next to them. By the beginning of the 5th century, Tibetan Buddhism was introduced into Kalmykia and popularized until now. Kalmykia is also known with the nickname: “The only Buddhist republic in Europe”. Elista, the country’s capital and largest city, is also known as one of the few Buddhist centers in Europe. Tibetan Buddhism plays a key role, but there are also traditional features of Chinese and Japanese Buddhism here. The largest temple in Europe is the Golden Temple, located in the center of Elista. The temple was started construction in 2004 under the witness of the Dalai Lama during his visit to Kalmykia. Today, the Golden Temple is an attraction for Buddhists to pilgrimage from all over the world, with the tallest Buddha statue in Europe (9m high). Right next to the temple is the National Museum of Kalmykia, where guests can learn more about the history of Buddhism in particular and the history of Kalmykia in general. In addition to Buddhism, the capital Elista has many other interesting things to explore. Former President Kirsan Ilyumzhinov of Kalmykia was former President of the World Chess Federation. He put a lot of effort into making chess into the national sport. Nowadays, chess is included in the curriculum in schools, so wherever you go you can see people setting up chess boards or watching chess. Kirsan Ilyumzhinov’s greatest achievement is “Chess City”. It is a sports complex associated with the athletes village built on the occasion of the 1998 Chess Olympics and is now a tourist destination. Even the architecture here is also influenced by the chessboard that creates amusing, such as the International Chess Museum. In addition to watching the international chess tournaments held regularly, the favorite activity of tourists in the chess city is to play chess on the outdoor chess boards with giant chess pieces.

The main facade of Hue Nghiem pagoda The pagoda was established in 1975, built by Venerable Thich Tri Quang. Previously, the current pagoda land was used to produce rice for the Hue family. After 1975, Venerable Thich Tri Quang built the workshop, then built Hue Nghiem 2 pagoda to increase them and Buddhists had a place to rest and study. In 1998, Hue Nghiem 2 pagoda was officially recognized. Hue Nghiem pagoda is now quite spacious and solid. Every year, on the occasion of the Great Buddha’s Birthday, the District 2 Buddhist Representative Board chooses the pagoda as the gathering place for hundreds of monks and nuns and Buddhists to attend. The cool green carpet not only makes Hue Nghiem pagoda more beautiful, but also attracts many visitors from all directions to stop and worship Buddha. In the front yard of the pagoda, there is a statue of Bodhisattva Quan The Am, 12 m high (8m high, 4m high), made of monolithic marble, weighing 60 tons, donated by the Venerable Master Kim Son Thich Tinh Tu pagoda. 2003. The temple usually only opens the main hall on the full moon day and the 1st. In the current period, due to the impact of the Covid-19 epidemic, visitors to the temple are much less deserted. People who go to pagodas also voluntarily keep their distance when burning incense and ceremonies to prevent epidemics. Statue of Bodhisattva Quan The Am is 12m high. Previously (the time of translation of Covid-19 did not break out), in the lecture days of the Venerable Thich Tri Quang, there were always many monks and nuns and hundreds of Buddhists coming to the temple to study. On May 27, 2000, Venerable Thich Giac Hoang gave the temple three relics of the Buddha’s relics and the two monks, Muc Kien Lien, Xa Loi Phat. The arrangement, harmonious combination between green patches, lotus pots, flower pots, stone steles, Buddha statues … creates a feeling of tranquility, peace and comfort for anyone who comes here. The temple grounds have many large-sized stone steles, engraved with the Buddha’s teachings. Spacious space with many green patches, flower gardens, small landscape with elegant beauty. In each courtyard, garden corner, lotus pond … all are given the names of each Bodhisattva by the Venerable Abbot, the Holy Sangha has titles in the Dharma States. Every month, there are two Sundays for Buddhists Dharma Hoa specialized in meditation. In addition, when visiting, the pagoda ceremony, visitors can also admire a new architectural beauty, which is the combination of architecture of Vietnamese pagodas and modern, sophisticatedly renovated Japanese temples. The main hall adorns the Buddhas: Buddha Bhikkhu Bodhisattva, Bodhisattva Avalokiteshvara, Bodhisattva Dai The Chi, Bodhisattva Van Thu, Bodhisattva Samantabhadra, Bodhisattva Maitreya. Hue Nghiem Pagoda is a combination of Vietnamese and Japanese architecture. The current abbot of Hue Nghiem Pagoda is Venerable Thich Le Trang. Before the translation of Covid-19 was not available, the pagoda regularly welcomed many domestic and foreign delegations to worship. The pagoda plans to construct the present pagoda into one of the most remarkable temples in Vietnam in the near future./.

Dau pagoda was awarded as “the first great fame”, and still preserves the flourishing architectural style of the Le dynasty (17th century). Dau Pagoda is one of the four largest pagodas of worship (cloud, rain, thunder, lightning) in the North, possessing two full body statues of two famous Zen monks at home and abroad; Tam Quan Dau pagoda is also a two-storey bell tower with eight roofs. The roof is tiled with five comedy tiles, the pillars are carved with dragons, the pillar pedestals are carved with lotus flowers. (Photo source Dinh Lang Viet village) Recently, many items of Dau pagoda relic have deteriorated, so Tam Quan and Huu Mac house have been renovated. (in the photo: After the restoration, the Three Bodhisattvas put on a new paint color and sculpted poses that are no longer as sophisticated as before) From the position of Tam Quan looking at the pagoda, on the left hand side, also the entrance is a large lake, with giant solid works built, according to the diagram to visit Dau Pagoda, this location is the Tower of Guan Yin. Next to the Quan Yin Tower is the Mandala Stupa, Thuy Dinh Di Lac, newly built right next to Am Pagoda (one of the items in the overall architecture of the old Dau pagoda). These three floating structures are connected by a concrete bridge with two points adjacent to the area known as the Zen garden. From the position of the Three Bodies, looking at the pagoda on the right hand side also appeared a new building, with a monumental roof, a wall from Tam Bao. According to the diagram to visit the monument, this is the Lecture Hall Not only Quan Yin Tower, Mandala Stupa, Maitreya Water Palace, but also the door system, surrounding walls were also newly erected. Lame with the quiet look of the Tien Duong, Tam Bao, To …, is the category of ancient relics. The ancient temple was built with a very large overall scale, structured in the way of “internal public, foreign”. That is, in the temple grounds, the architectural works worshiping pre-Buddha and the post-saint are arranged like the word “work”. Surrounded by other architectural clusters forming the shape of the word “quốc” in the Chinese sense. Dau Pagoda was ranked as a national monument in 1964 Recently, the Department of Culture and Information has coordinated with other agencies to inspect the relic and noted that the garden on the right of the entrance to the pagoda has made the way to the relic and has signposts indicating the parking area; The entrance road in front of the Tam Quan category, at the front of Tam Bao, has been corrected and sealed the old passageway, the area in front of the pagoda. Many large-scale construction items show signs of violation of the Cultural Heritage Law as well as current regulations on the protection and promotion of the value of monuments. According to the reporter, the new construction took place in the last 2 years, the temple has built many new projects, 40 days of workers work continuously. During the weekend, there are still more than 10 workers surveyed at the pagoda, digging, digging; excavating machinery for making roads around the temple area Many tourists after 20 years returning to visit the relic are surprised with the new monument.

The front of Chua Chua wooden incense sticks. Thay Pagoda’s name is “Thien Phuc Tu” in Sai Son commune, Quoc Oai district, Hanoi. The pagoda turns to the south and looks out to Long Chieu lake in front. Decorative art in Thay Pagoda is shown on the architectural composition of all three main buildings (Thuong pagoda, Trung pagoda, Ha pagoda), especially in the pagoda, there is also a seventeenth-century wooden jasmine in the upper court. . This is one of the artifacts of high artistic value typical for seventeenth century sty art that still exists today. In the temple there is also a wooden incense stick of eighteenth century style at Trung pagoda, along with the seventeenth century incense like the form of a mandala, but in terms of size, motif and style different changes compared with incense of the seventeenth century. By the nineteenth century, the form of incense was changed to the tall leg style, the vacuum part was no longer made to the style of the previous century, the size was reduced, the motif, the style of touch had a significant change with the carvings are not sophisticated and complex as in the seventeenth century. The motifs decorated the Buddhist temple incense Decorative motifs of dragons in combination with safflower clouds: Observing joss sticks in the upper court at Thay Pagoda, the dragon-shaped motif is the main one used to decorate incense on all four sides. The decorative art at Thay Pagoda is relatively similar to other pagodas of the same period, the dragon shape has always been a symbol of authority, used flexibly and harmoniously in the Vietnamese temple space. Decorated street frill wooden sentence Chua Thay. The dragon motif combined with the swords decorated on the joss sticks Chua Thay has changed in shape and layout, but has always been a key position on the overall joss sticks. Dragons are carved in the center, body, legs, overalls and without angular ears. For the decoration that is divided into the compartment as in the body of the incense, the dragon motif has changed in style. In the body of the incense, the dragon motif is shown with the front view, clearly showing the face, eyes, nose, mouth, and the blades that radiate sharply above and to the sides. Here the motifs are shown in the composition more visible and energetic, exhibiting strong authority. The dragon-shaped Buddhist temple adoring the sun has always been a popular form on incense in the seventeenth century and also popular in the later period. This motif is in the central part of the camellia, if in the body the direction is not focused, in the bib, the dragon shaped sun against the twisted pattern is the focus point on the overall incense. The two symmetrical dragons, this part combining dragons, cloud clouds, magma clouds, sun, is stretched horizontally, in a very airy and comfortable way. The dragon motif looks sideways to fight in the middle, the blades are pulled backwards, parallel to the long and short layers to change to create a smooth movement in the system of swords. Characteristics of dragons in the seventeenth century carved with pointed swords, straight tail, twisted clouds … Decorative motifs of the phoenix: Decorative motifs of lotus flowers, stylized chrysanthemums: The picture of the phoenix looking at the temple’s incense. Temple court of the Thay Temple, the tip of the Phuong model is arranged in a rectangular frame, posted against each other to create a harmony. In the Mac era, the image of Phuong bird was unified decorated in combination with twisted clouds, flowers and leaves, by the seventeenth century folk elements were developed stronger, the image of the phoenix with soft and flexible wings. .. In general, incense incense sticks of Thay Pagoda are carved in the shape of a side view, not only carved on wooden incense but also closely attached to many other positions in the architecture. In terms of design, whether touching on wood incense or other architectural elements, Phuong still keeps the typical beauty such as quills, pheasant-like hair flying backwards to create soft layers of swords. The neck of a Phoenix bird is usually decorated in a hiccup style, the body has a spear that flies to the back, with the above pose and carries the features of the seventeenth century, the image of the phoenix always in a moving posture. It is also by touching in this way that evokes the space of the previous, the back layer, intertwined, the wings and tail of the phoenix, showing that this is a refinement of the shape, but the writing of the pen is very comfortable. Expressions of fast, thin, deep, bright patterns, clouds, flowers … characteristics of the seventeenth century. The image of phoenix bird is touched in the form of reliefs, sometimes with holes and shallow touches with opposite layout. If the unified dragon motif exists in both the body, the legs and the cover, the Phuong-shaped motif is used less often, usually in a sub-position, a small area on the overall incense and makes the topic. more rich and lively. In general, in terms of decorative artistic features of the bird-shaped phoenix, Master Temple’s sentence still follows the principles and harmony of traditional folk art, most of which is the form expressed in dynamic, refined posture. In the way of touching shapes, blocks, and strokes, the unique characteristics of this phoenix motif are made in this time. The lotus motif in Thay Pagoda as in other pagodas of the same period is decorated in many different positions and has a different role. With Buddhist joss sticks, the lotus motif is mainly decorated to form the fringing of the parts above, on the one hand is to beautify the incense, on the other hand to increase the artistic value and sacredness. incense. On the whole wooden incense line, the lines separating the parts are decorated with a lotus-shaped motif, the expression of different lotus petals makes the distinction between the parts easily. There is no lotus decoration on the face of Thay’s incense stick. One part is the narrow size of Thay incense sticks, stretching the image of a phoenix looking at Thay Pagoda’s side. Spread the parts together to create narrower gaps and wider widths. It is also this change that parts and motifs expressed by the ancient artisans are suitable and delicate for each incense of this period. Techniques and effective art of carving incense sticks of Thay Pagoda Chua Thay incense sticks are mainly embossed, gorgeously carved and punctured on the surface, the carving technique is unified between the four sides. If the chrysanthemum surface is punctured to create a small contour, the next to the technical body has been changed, the combination of embossing and punctures in a predetermined frame and separated by lines just engrave. The dragon figure in Thay pagoda’s incense sticks is very delicate and soft by the ancient artisans, the touch lines become elegant, rhythmically linked together by strokes, blocks and arrays. The exposed part is shown thicker, creating a space deep inside the incense that increases the bold contrast and vividness of the touched array. The contour of the lotus petals in this incense is different from the other ones at the same time, the lotus petals are punctured. Interrupting the body and legs of the incense is punctured, embossed by decorative patterns, this part the old craftsman skillfully created gaps, gaps, voids, and the technique of carving shapes and strokes. making the incense more vivid and rich while still creating a deep sacredness. The dragon image looks directly at the temple of Thay. Through the analysis of the incense, the motifs decorated on the incense, the technique and effectiveness of the art of carving Chua Chua incense, combined with elements from space, light all play one. very important role. The artistic value of Thay Pagoda incense is a complete balance of decorative carvings, highlighting the theme content, creating a visual impression. The master temple of Chua Thay temple is a product that shows the hands and wisdom of an ancient artisan, bearing an important imprint of the seventeenth-century Vietnamese carving and decoration art in particular and the history of Vietnamese art in particular. general.

Tu Hieu Pagoda is located in Thuy Xuan ward, Hue city. According to the documents, the pagoda is famous for the story of the monk Nhat Dinh being filial to his mother, passed to the king’s ears. This ancient place is also known to many people with the presence of the tomb of the eunuchs of the Nguyen Dynasty. Photo: Sascha Timm. With the presence of the tomb area of ​​the eunuch of the Nguyen Dynasty, Tu Hieu pagoda is also known by many people as the “temple of eunuchs”. According to the sources, a eunuch under King Thieu Tri, named Chau Phuoc Nang, stood out and raised money to repair the pagoda, so that after his death there was a place of worship, incense and smoke. Photo: Hue Tourism Portal. Thien Mu is a famous sacred ancient temple, attracting tourists to visit when coming to Hue. In the courtyard of the pagoda, there is an ancient tower with unique octagonal architecture, 7 floors high, each floor is worshiping Buddha, called Phuoc Duyen tower. This is considered a memorable symbol of the ancient capital. Photo: Ngababii. The stele “Anticipated Thien Mu Tu” and the general red rose in Thien Mu pagoda are recognized as national treasures. According to the documents of the Cultural Heritage Department, the stele “Anticipated Thien Mu Tu” is made of stone material, dated in 1715, original artifacts, original, massive size; while the general persimmon temple weighs nearly 2,000 kg, balanced shape, pattern, motif on the bell body are carved sophisticatedly and sharply … Photo: Travel.with.hieu.chu. Coming to Phu Loc district, Thua Thien – Hue province, visitors can visit Truc Lam Bach Ma Zen Monastery. According to the introduction page, this is the first Truc Lam Yen Tu Zen monastery in Central Vietnam. The name of the monastery is associated with the famous Bach Ma mountain. Photo: Crazybackpacker. Truc Lam Bach Ma Monastery is located on an island in the heart of Truoi Lake, in Bach Ma National Park, with a poetic and charming landscape. According to the website of Bach Ma National Park, Truoi lake has an area of ​​about 400 hectares, was built to serve the irrigation of the local fields. Photo: Trung Phan. Coming to Truc Lam Bach Ma Monastery, visitors can admire the Shakyamuni Buddha statue in meditation posture, placed in the middle of an open space. According to the introduction from Hue tourist portal, this stone statue is 24 m high, weighs 1,500 tons. Photo: Tum100394. Dreamland Hue – where tourists find peace Hue has been associated with the ancient beauty of this land for many generations. This place is suitable for visitors who want to feel the peaceful rhythm of life and enjoy delicious and typical dishes.

Recently, many people are extremely frustrated by a series of photos of a young person taking off his pants showing off his 3 objectionable round in the supermarket. The owner of the objectionable photo taken at the supermarket is DGB with the caption on his personal page: “Do you want to eat candy or want a drink?”

After the offensive images she posted on her personal pages Facbook, Intagram, DGB received much criticism from the online community.

Before the criticisms of the online community, DGB said the act of taking off the pants to take photos was not wrong, she even felt too normal. This explanation by GB has received mixed opinions.

Before DGB, hot girl TikTok Le Bong was also heavily criticized for wearing offensive in public, especially at a temple in Gia Lai.

The image of Le Bong wearing an outfit with high-cut flaps, objectionable and difficult to understand, revealing a sensitive body in the sanctuary made the social network “wake up” for a while.

Similar to Le Bong, the couple Chi Pu and Sun Ht were severely criticized for their inappropriate outfits. Both have worn short skirts above the knee while many temples have a rule to wear discreetly over the pillow.

As for Sun Ht, she wore a red, knee-length innovative dress that cut a large space in front of her chest, making the overall dress more objectionable.

The image of disrespectful clothes like a bikini, showing off the extremely daring “third round” while going on a performance at Ngan 98’s bar has received many negative reactions from the online community. After this incident, Ngan 98 was fined 40 million VND by the Department of Culture, Sports and Tourism of Hanoi and banned for 4 months.

Or the image of a young girl with a TMH account revealing, objectionable, and then filming a clip on social networks, caused a wave of backlash from Hoi An people as well as the online community.

The most frustrating is still a series of moments of a woman named LBC in Ho Chi Minh City when she constantly shares the image of “letting go around 1” everywhere.

These images have spread rapidly on social networks, creating a lot of criticism.

Even though she received “bricks”, it seems that Mrs. C. chose not to care. On her personal page, this woman continues to add more penetrating shirt images. Photo: General

Invite readers to watch the video: Suggest not to dress Ho Hang at Hoan Kiem Lake pedestrian street, how should it be understood? – Source: VTV WHOLE SCENE

Recently, many people are extremely frustrated by a series of photos of a young person taking off his pants showing off his 3 objectionable round in the supermarket.

The owner of the objectionable photo taken at the supermarket is DGB with the caption on his personal page: “Do you want to eat candy or want a drink?”

After the offensive images she posted on her personal pages Facbook, Intagram, DGB received much criticism from the online community.

Before the criticisms of the online community, DGB said the act of taking off the pants to take photos was not wrong, she even felt too normal. This explanation by GB has received mixed opinions.

Before DGB, hot girl TikTok Le Bong was also heavily criticized for wearing offensive in public, especially at a temple in Gia Lai.

The image of Le Bong wearing an outfit with high-cut flaps, objectionable and difficult to understand, revealing a sensitive body in the sanctuary made the social network “wake up” for a while.

Similar to Le Bong, the couple Chi Pu and Sun Ht were severely criticized for their inappropriate outfits. Both have worn short skirts above the knee while many temples have a rule to wear discreetly over the pillow.

As for Sun Ht, she wore a red, knee-length innovative dress that cut a large space in front of her chest, making the overall dress more objectionable.

The image of disrespectful clothes like a bikini, showing off the extremely daring “third round” while going on a performance at Ngan 98’s bar has received many negative reactions from the online community. After this incident, Ngan 98 was fined 40 million VND by the Department of Culture, Sports and Tourism of Hanoi and banned for 4 months.

Or the image of a young girl with a TMH account revealing, objectionable, and then filming a clip on social networks, caused a wave of backlash from Hoi An people as well as the online community.

The most frustrating is still a series of moments of a woman named LBC in Ho Chi Minh City when she constantly shares the image of “letting go around 1” everywhere.

These images have spread rapidly on social networks, creating a lot of criticism.

Even though she received “bricks”, it seems that Mrs. C. chose not to care. On her personal page, this woman continues to add more penetrating shirt images. Photo: General

Invite readers to watch the video: Suggest not to dress Ho Hang at Hoan Kiem Lake pedestrian street, how should it be understood? – Source: VTV WHOLE SCENE

It took about 2 kilometers to reach the gate. Will not disappoint people to admire, worship, because the pagoda is small but ancient and majestic.

Remember when I was a child, on the full moon day, my whole family used to take each other to the temple to pray for peace. Although the house is about 4 kilometers away from the pagoda, for our villagers, that distance is unharmed. We used to walk mainly because in the past my village was very poor. Only a few people are quite new to the pagoda. The rest are on foot.

We usually visit the temple in the evening. Because during the day, adults are still busy with farmwork until dusk before carrying out their hoes. Should always go to the temple around 7-8 pm. Although the moon was bright and shining, everyone was armed with torches and torches and did not forget to bring a matchbox. Simply entering the street with the shade of trees, or for those who are afraid of the darkness of the night, thinking around, a bundle of torches is a great savior.

When I went to the temple, I was afraid of getting lost, so my father always carried me or carried me. I still vividly remember the innocent questions: “Mommy, I’m kneeling like this, right? How many amnesty? What am I supposed to do? Then I was led by my parents around the temple to pray to the La-Han, Bo-slaps. When we were about to leave, we went to the front yard of the pagoda to kneel at the feet of Quan The Am Mother … The departure was quite boring. In the crimson torchlight of a full-moon night, I sleep on my back for a while.

Remember the times when we went back to the temple to go back to school, the whole group of us pulled together to go to the temple to ask for fruit picking. The pagoda planted many fruit trees, plums, breast milk, longan, guava … But because monks did not pick up in time, ripe fruits often fell on the yard. “You mustn’t break flowers, break that tree. In the Buddha’s vow, please pick the monk and pick “. You guys listen to me. Since my family used to do gong work at the temple, the monks all knew my face. Without asking, the monk said: “You keep picking it naturally. But don’t climb that fall. Behind there is a bamboo stick, back to pick it up ”. Said and then turned inside. We are very happy, picking as much as we want and then eating at the base. When it was time to feel bad, about to hurry home, the monks told me to have vegetarian rice. The delicious vegetarian meal was delicious, even though it was just vegetables, but each of us had three cups. The old monk laughed, a gentle smile: “You should come to the temple to play comfortably, but remember not to climb up and bring the painting. Sunday without school, the children come here to teach solemnity, normal activities to help parents … ”.

Then that beautiful, innocent childhood also passed. As fast as the peaceful smile of the monks at the temple. Every time I go home, I take a little time to visit the temple. The temple is still ancient, mossy as ever. Still lotus pond, plum tree, apricot root, canopy radiate cool. But the old monks that year passed away. The young monks are now full of arms and legs. I always remember the abbot’s saying: “Human life is very impermanent, my son! Live in a way that benefits yourself, your family, your society and don’t hurt anyone. Because it hurts them to hurt themselves. That pain endures a lifetime. Do not let the next day regret what I did today… ”. It is these truthful statements that have helped me to live a life worth living, lovingly in this Ta-Bà realm.

“Beautiful scenery in the West / Giving out to each other with me / Me / Remembering the sixth day of March / Eating with coffee at the Western pagoda”. These verses have imprinted on the souls of many people of Doai. Over time, with a lot of livelihoods, but every month of the third lunar month, when rice flowers are red in one corner of the sky, people eagerly await the Western pagoda festival.

Tay Phuong Pagoda is famous not only in the ancient times through legend and history, it is also famous in the enchanting landscape, because it is located on the top of Cau Lau mountain, suddenly in the middle of the fertile plain, with mountains and mountains. rivers, water are associated with the concept of oriental feng shui. The West is also famous for its set of golden-painted vermilion wooden worshiping statues, which can be considered as the most crowded Buddhist temple in the temples in Vietnam with outstanding and outstanding value for wooden statues, recognized as Treasures. Country 2013.

Tay Phuong Pagoda is usually held on March 6 of the lunar calendar every year.

The current Tay Phuong pagoda is a group of monads, including the following categories: Tam Quan Lower, Tam Quan Thuong, Son Than Temple, Tien Duong, Trung Duong, Upper Palace, Ancestral House, Mau House and Guest House.

From the lower three mandarins sent up 247 new laterite steps to Tam Quan Thuong. Son Than Temple is located on the left side of the pagoda, separate from the main temple area. This is a plaintiff that both plays a role as a place to worship the god of the mountain and Duc Ong church, with a modest area with traditional tiled wood architecture. Main Temple is the main item of all Western bliss. The pagoda is located on the top of Cau Lau mountain, has a public (I) architectural structure, including the buildings of Tien Duong, Trung Duong and Upper Palace. All three have a wooden frame structure of a match-pile style, two floors and eight roofs. Both roof floors are in the style of “blade of the roof”, between the two floors is a match neck covered by puzzle boards. The front street and the upper house were 5 compartments, 2 wings with 6 feet for the roof, and the Middle Road was shortened horizontally, only 3 rooms with 2 wings, 4 feet for truss, but with a high roof.

Tay Phuong Pagoda, or the word “Sung Phuc Tu” is a relic of an artistic architecture, located on the territory of Thach Xa commune, Thach That district, about 40 km from the center of Hanoi city to the west.

Legend has it that the birth of the temple was associated with the spread of Buddhism into Vietnam. A few centuries later, the story is tilted in a different direction, associated with the character Cao Bien – Tang Dynasty porcelain of the Tang dynasty (864 – 868) who once ruled An Nam and came here to build a religious architecture, with the intention of blocking this country.

The match stock in Tien Duong and Thuong Dien has the same size and height of 1m, while in Trung Duong is larger in size, 1.40m high. Because Cổêm is so taller, so although the roofs of all three buildings are the same height, the upper roof of the middle court is significantly superior, accordingly, in the overall view of the pagoda, we can see that the Middle Road is much higher. The front of the front of the street is lined with wooden doors and tables in the three nave, the two sides are built with bricks, only without plastering, is the language of the outer wall, representing all three plaintiffs.

Tay Phuong main pagoda still has a lot of specialties about wooden frame structures, roof ships, roof sets, and decorative themes on wooden architecture. In order to fully feel the beauty of the temple in general, the main temple architecture in particular, certainly not a single article is exhausted, hope visitors from all over the world, pilgrims come to admire the new place. All the beauty of this item.

People take measures to prevent epidemics when they visit the pagoda.

All wooden details in the temple are exquisitely carved. The traps, the paintings, the armpits, the dragon planks … all have carved familiar Vietnamese decorative themes: mulberry leaves, lotus leaves, lotus flowers, chrysanthemums, dragons, phoenixes, tiger cubs. … very lively, created under the hands of talented carpenters of carpenters in the area of ​​Tong Nua, the traditional village of Chang Son – the oldest and famous carpentry village of Doai.

Tay Phuong Pagoda is a unique first-class architecture in the temples in Vietnam, with a combination of traditional architectural style and natural habitat. For that reason, in 2014, the Government recognized this temple as a special National Monument of artistic architectural value.

The relic management board has deployed a separate scenario for epidemic prevention, so the number of visitors from all over the world to visit and worship the Buddha is very crowded.

This year, due to the complicated evolution of the Covid-19 epidemic, the People’s Committee of Thach That district did not hold the festival as usual. However, from March 13, 2021, Tay Phuong Pagoda was opened to welcome tourists from all over the world to visit after the closing time to prevent the Covid-19 epidemic. Thach That District People’s Committee, Monuments Management Board has deployed a separate scenario for epidemic prevention with many synchronous solutions, so the number of visitors from all directions to visit and worship Buddha is very crowded.

The people who come to the temple are not just “happy children, happy old people,” but also come with their spiritual and respectful wishes. Along with the measures of the authorities and local authorities, the National Monuments Management Board, Specially Western Pagoda, calls on visitors to fully comply with the regulations on prevention and fighting against the Covid-19 of the central government. and Hanoi city, strictly abide by the message “5K” of the Ministry of Health to maintain the achievements of epidemic prevention and control, to meet the people’s spiritual needs and legitimate beliefs.