At the opening, the contestants wore tight cocktail dresses to show off their sexy figure. In this part, Khanh Van chose a pink dress showing off her seductive body, confidently striding on stage. Next, the contestants showed off bikini costumes. Khanh Van is still the last performer, she chooses a striking red bikini with a delicate chiffon gown, showing off her hot body. She catwalks with a bright smile, constantly turns and flips her shirt. After the swimsuit section, 74 contestants continued to enter the evening gown competition. Khanh Van chose an orange dress called “Hung Dong” by designer Thuong Gia Ky. The dress is inspired by the moment of transition between darkness and light, expressing the message: Dark things do not last forever, after the rain, the sun shines. Besides, with the striking orange color, Khanh Van cleverly integrates meaningful messages about family and community. This is the first color of the Ao Dai that Khanh Van’s father chose, hand-painted on the Ao Dai for Khanh Van in the first beauty contest to participate and be crowned in 2013. Since then, each time she wears it. Dressed in orange, Khanh Van seems to enjoy the power of red, the oppression of yellow, combining two sources of energy to keep her full of life. It is also the energy that Khanh Van feels after the Covid-19 pandemic, all the people of Vietnam and the world always have solidarity, unanimously overcome difficulties, regardless of circumstances, still maintain their faith. , facing forward. Along with the evening dress, Khanh Van also cleverly combines gem jewelry – Shining Asian beauty. Inspired by the distinct beauty, brilliance and warmth of an Asian woman, the jewelry set is a harmonious combination of delicately mounted white and gold-tone gems. The center stone is bright yellow, symbolizing the sun radiating energy around. At the end of the semi-finals, with professional performance skills, confidence and charisma, Miss Khanh Van conquered the stage of Miss Universe and made the audience proud because the representative of Vietnam was not inferior. representatives of other countries. Before that, on the morning of May 14 (Vietnam time), Khanh Van and the contestants also competed in the night of the national costume contest. She performed the set “Kon em” by designer Khoa Lo, inspired by the textile industry of Vietnam. The final night of Miss Universe 2020 will take place on the morning of May 17 (Vietnam time).

In the semi-final night, the contestants participated in the ensemble performance, then performed in bikinis and evening gowns. Before that, Khanh Van chose suitable costumes for her on this important night. At the opening, the contestants wore tight cocktail dresses to show off their sexy figure. In this part, Khanh Van chose a pink dress showing off her seductive body, confidently striding despite being called by the last name. Next, the contestants showed off bikinis. Khanh Van is still the last performer, she chose a prominent red bikini showing off her sexy body. This year, the bikini outfit comes with a cape so that the contestants have more acting space on stage. Finally, the evening gown performance. Undisclosed before, Khanh Van surprised when she appeared with a sexy orange-tone evening dress with a split thigh, taking on the theme of dawn. Khanh Van shows the national costume. Earlier on the morning of May 14 (Vietnam time), Khanh Van and the contestants also competed in the national costume contest night. She performed a cocoon costume, inspired by Vietnam’s textile industry. The final night of Miss Universe 2020 will take place on the morning of May 17 (Vietnam time).

It is not difficult to recognize that this continues to be a design in the collection of CONG TRI Spring-Summer 2020, which was performed at New York Fashion Week. The dress is model 60, the final design in the collection, to be performed by vedette in show by designer Cong Tri. This design performer is cult supermodel Elsa Hosk, Swedish model and former Victoria’s Secret Angel. She is 1m77 tall, starting her modeling career at the age of 14, and by the time Elsa performed for the show of designer Cong Tri, she was 30 years old, but her beauty and charisma were still extremely top. Elsa Hosk assumed the two most important positions in the show: opening and vedette . Another cult supermodel who has also worn this design by Cong Tri is Thanh Hang, the leading supermodel in the Vietnamese fashion village. She wore the dress on the final night of Miss Universe Vietnam 2019, and was extremely prominent on the red carpet. Thanh Hang 1m75 high, is a supermodel owning the second longest legs in Vietnamese fashion village. So she is almost never inferior to Elsa Hosk when wearing this design. Unfortunately in the MV Gone by Rosé, female idol Just performed the sitting scene with this dress, there was no full-body standing scene for fans to have a chance to see her full beauty. Rosé hair and makeup are quite sharp, even more eye-catching than Elsa and Thanh Hang when wearing this design. Vietnamese fans look forward to these stage Rosé promo for the song Gone in these show For music coming here, she will wear this dress to perform.

Let the performer come to play a concert that is exclusive to you? Dreams can shine into reality! The Huawei VR music media communication meeting with the theme of “Immersive and Seeing Beauty” was held today, showing VR music created based on Huawei’s VR audio and video platform, turning traditional concerts into 3D spatial music effects and VR visual experience , More on-site and immersive.

With the help of 5G, cloud computing and AI technology, the VR industry is entering a period of rapid development, and rich content and application scenarios have become key elements to promote the wider implementation of VR. In the digital age, users’ experience requirements for entertainment lifestyles are constantly escalating, and VR music produced by the combination of the two has become a trend in the music industry. Tan Donghui, vice president of Huawei’s consumer cloud services, revealed a set of data on the spot. In 2020, the demand for online video will increase sharply, and the viewing time will increase by 40% year-on-year; consumers need more forms and higher-quality excellent content.

Following the official release of the VR audio and video platform at the Huawei Developer Conference last year, Huawei has continuously made breakthroughs with its years of accumulation in the VR field and its own technology and ecological influence. The VR music works released this time are the commercial results of VR audio and video platforms moving towards consumer experience. “We can provide a technical platform for music companies and independent musicians, including high-definition VR video capture and output solutions, VR cameras, post-video encoding and decoding and playback, which greatly improves the convenience of VR music creation and lowers the threshold.” Tan Donghui said.

Feng Hanying, a Chinese classical recording engineer and producer, shared on the scene that as a person in the music industry, he has experienced the ups and downs in the music field and has been seeking breakthroughs. With the continuous development of audio technology, the sound reproduction format has also undergone a great iteration, from mono, stereo, flat surround sound, immersive surround sound that has only recently emerged, and more innovative VR audio and video. Faced with this new field, music producers are also exploring new forms of musical expression. The innovative services of Huawei’s VR audio and video platform not only solve the pain points of music production in the past to a large extent, but also realize scenes that we could not imagine in the past, such as combining with classical music, so that more people can feel the energy and vitality of live performance , Which makes the jewel in the music palace shine again. This cooperation is our initial attempt. In the production process, we have overcome many technical and artistic problems that we have never thought of before.

Xinxin, Huawei’s VR audio and video product director, introduced the platform’s innovative technology and its value to people in the music industry. Huawei’s VR audio and video platform connects musicians to provide Huawei’s global users with leading VR audio and video experience services. The most unique advantage of VR music is the sense of immersion, which restores the sound and physical characteristics of the scene, which is extremely important for establishing the sense of immersion. Huawei has its own core capabilities in audio and video. In addition to restoring various parameters at the scene, it also retains high-light details and dark colors through the industry’s highest-resolution 3D VR video at 13K*9K.

The domestic VR/AR market will exceed 100 billion yuan in 2022, and the trend of VR is unstoppable. In the future, Huawei’s VR audio and video platform will continue to leverage the synergistic advantages of software and hardware, empower developers and work with more artists to launch a wealth of high-quality content, inject innovative technology vitality into music, create more diversified forms of expression, and promote the booming audio-visual industry Development, thereby enriching the user’s audio-visual experience and enjoying more beautiful digital age.

Author: Xu Jinghui

Editor: Zhang Tianchi

*Wenhui exclusive manuscript, please indicate the source for reprinting.