In addition to humiliation, roast duck, roast pork…Lang Son also has a rustic dish with the mountain flavor of the Tay people, which is wild shrimp. Photo: Time Gold TV Unlike common shrimp species that live in the water, wild shrimp are insects that live on tree trunks or caves and are only found in Lang Son. Photo: Vietnamese people. Lang Son shrimp has a similar shape to a shrimp but is small in size and has locust-like legs. Photo: Vietnamese people. Considered as a seasonal specialty, Lang Son forest shrimp costs up to 500,000 VND/kg at the beginning of the season. In the middle of the season, wild shrimp are cheaper, about 300-350,000 VND/kg. Photo: Vietnamese people. According to local people, wild shrimp are available around June and July. At night, this insect flies out in all directions to feed, during the day it stays in the nest. Photo: People of Vietnam To catch wild shrimp, people have to go quite far because the deeper in the forest, the more wild shrimp there are. Sometimes we have to cross hills and mountains to deep forests. Photo: Youtube However, wild shrimp are very smart, knowing that someone is approaching, they run away. The catcher must have experience to catch all the nests. Photo: Youtube Due to the high selling price, in the season, many people go to the forest to catch wild shrimp to sell to earn extra income. Wild shrimp are often processed as a drink by roasting with ginger leaves, lemon leaves or guise leaves, leaves of magnolia. Photo: Time Gold TV At pubs, each kilogram of wild shrimp can be processed into 4-5 plates, each plate is about 200,000 VND. Photo: Time Gold TV Video: Lobster is cheap only 150 thousand 1 and the truth is…. Source: VTV24

The four hosts took the lead. Hua Shao is very fat in the host lineup, and his physique is almost 1.5 times that of the male hosts around him.

Under the close-up lens, his double chins are stacked and his neck is almost invisible. According to this trend, he may become Qian Feng 2.0.

The queen of the sketch, Cai Ming, did not perform any programs in his field this time. She stepped on high heels of more than ten centimeters, wearing black gauze, and sang “Sister is the Queen” realistically.

Cai Ming, who is nearly 60 years old, has obvious signs of aging on his face. The lines on both sides of the nose are already very deep, but she still has a queen aura in black clothes.

After that, Cai Ming also partnered with Xiao Xianrou to sing and dance on the same stage. She swayed together on high heels, full of vitality and never lost.

Cai Ming is the Queen of Darkness, so Jing Tian is an elegant fairy. She appeared in a pure white gauze dress. Although the style is simple, it just highlights the simple and atmospheric temperament, and she has a sense of sight of a fairy.

The face of the face lens was also resisted by Sweetness, and the collagen on his face was almost flawless. The “Human World Flower” is indeed well-deserved.

Gina Langlang from the husband and wife party fit together. Gina has been in good condition after pregnancy. She wore a light-colored flower embroidered dress at the party. The tube top design showed excellent shoulder and neck lines, and the tight waist showed off again. waist.

After that, they presented the four-handed combo together, Gina changed into a red cheongsam, and the thin waist on the back was very eye-catching. However, Lang Lang around him looks very “large”, which does not match Gina’s style of painting.

Not only Lang Lang, but the actor’s state in this evening party was a bit too much.

As a frequent visitor to the show, Xue Zhiqian also appeared on time for the show. He came up with a suffocating shot of a big face, with clearly visible skin pores and worrying hairline, leaving a huge psychological shadow on the audience.

The next performance was even more confusing. Xue Zhiqian climbed up high in the air, just like Spider-Man who was slow to act after retirement. It may be affected by such difficult actions. Xue Zhiqian’s singing slots are full, not only the vibrato is obvious, but there are also several false sounds that are broken. It is simply a disaster scene.

When singing to the point of love, Xue Zhiqian also showed his deep forehead lines like the camera, and the three horizontal bars are particularly obvious on the glowing forehead.

Luo Yunxi, the former costume male god, has recently become too thin, and he has the smallest face framed by the female guests. His cheeks were visibly sunken, and his face was long and he still felt tired and exhausted.

Zhang Zhehan, a newcomer, is still in a good state. He is in a black diamond suit. He sings two songs in a row, and his performance is stable.

Huang Zitao, a top performer in the past, wears a white vest in a plaid suit, and black tights to make the legs thicker, and the long-range lens feels like a fifty-fifth figure.

Close shot, Huang Zitao’s expression was a little tired and lacking energy. In some shots, his neck is as thick as his head.

Among the groups that appeared at the party were the three generations of the TF family who sang TFBOYS’s famous work “Youth Training Manual”. This is their first foreign affairs stage. Their youthful appearance and voice make people dream about the performances of the three little ones, Wang Junkai, Wang Yuan, and Yi Yang Qianxi.

The first generation group in the TF family is difficult to fit together, and the second generation group has a group exam, so this time Fengjun Times released three generations of members who are still trainees. This combination of members with the oldest 15-year-old and the youngest 13-year-old has lowered the average age of the audience at the party, and the formation of the male team will have new blood.

There were many groups that appeared on that day. In addition to the junior team of TFBOYS, there was also INTO1, the only men’s team that debuted this year. Their way of playing was very novel and exciting. 11 people hung in the air and landed slowly. The audience at that height was shocked.

After landing, this group of men once again brought “scare” to the audience. The collective makeup is thick, and the eye makeup is thicker than that of the female celebrities.

During the performance, they bit their lips, smiled evilly, and stuck out their tongues from time to time, and their expressions were so greasy that they couldn’t bear to look straight at them.

In general, in this evening, the actress status is online, and the male stars have their own flaws. From the recent red carpet to the event stage, everyone can’t help but sigh at the extent of the actor’s collapse. Both the stage and the red carpet are “mirror mirrors” in the circle. I also hope that the male stars will do a good job in image management and improve their business capabilities.

The tower built by Eric Klabel has a size of 6,157m. It was so tall it could be seen from afar. Klabel has been building everything from recycled items for about 6 years now. After meeting many other record-makers around the world, Eric Klabel was inspired to make a name for himself. In addition, the 12-year-old boy is also inspired by the father himself, when deciding to use things like used popsicles to build something majestic out of it. Eric Klabel stands by the tower made from his used popsicle popsicles. At first, Eric Klabel often created many different shapes from ice cream sticks. After seeing how his childhood toys were made, Eric Klabel decided to take it one step further. In 2015, the boy Eric Klabel officially began to step further in direction by trying to build structures suitable for ice cream. The mammoth tower is an example. Talking to the Guinness World Records Organization, Eric Klabel said: “In order to create the tower, I had to build the same vertical structure over and over again, again and again. But I feel very happy because my results are getting higher and higher. ” For Eric Klabel, the proudest moment was when the boy stood back and still saw the tower he created from used ice creams stood tall and never collapsed. Eric Klabel was completely surprised to learn about his record setting. Eric Klabel told the record tally organization: “I feel fulfilled and grateful to be the owner of this Guinness World Record. I am very happy that I was able to reach this point. Love My love for reaching a world record is that I can be known from my passion “. In addition to the tower, Eric Klabel also created a rod-shaped chair, a replica of a house with lights, furniture and other important furnishings.

The front of Chua Chua wooden incense sticks. Thay Pagoda’s name is “Thien Phuc Tu” in Sai Son commune, Quoc Oai district, Hanoi. The pagoda turns to the south and looks out to Long Chieu lake in front. Decorative art in Thay Pagoda is shown on the architectural composition of all three main buildings (Thuong pagoda, Trung pagoda, Ha pagoda), especially in the pagoda, there is also a seventeenth-century wooden jasmine in the upper court. . This is one of the artifacts of high artistic value typical for seventeenth century sty art that still exists today. In the temple there is also a wooden incense stick of eighteenth century style at Trung pagoda, along with the seventeenth century incense like the form of a mandala, but in terms of size, motif and style different changes compared with incense of the seventeenth century. By the nineteenth century, the form of incense was changed to the tall leg style, the vacuum part was no longer made to the style of the previous century, the size was reduced, the motif, the style of touch had a significant change with the carvings are not sophisticated and complex as in the seventeenth century. The motifs decorated the Buddhist temple incense Decorative motifs of dragons in combination with safflower clouds: Observing joss sticks in the upper court at Thay Pagoda, the dragon-shaped motif is the main one used to decorate incense on all four sides. The decorative art at Thay Pagoda is relatively similar to other pagodas of the same period, the dragon shape has always been a symbol of authority, used flexibly and harmoniously in the Vietnamese temple space. Decorated street frill wooden sentence Chua Thay. The dragon motif combined with the swords decorated on the joss sticks Chua Thay has changed in shape and layout, but has always been a key position on the overall joss sticks. Dragons are carved in the center, body, legs, overalls and without angular ears. For the decoration that is divided into the compartment as in the body of the incense, the dragon motif has changed in style. In the body of the incense, the dragon motif is shown with the front view, clearly showing the face, eyes, nose, mouth, and the blades that radiate sharply above and to the sides. Here the motifs are shown in the composition more visible and energetic, exhibiting strong authority. The dragon-shaped Buddhist temple adoring the sun has always been a popular form on incense in the seventeenth century and also popular in the later period. This motif is in the central part of the camellia, if in the body the direction is not focused, in the bib, the dragon shaped sun against the twisted pattern is the focus point on the overall incense. The two symmetrical dragons, this part combining dragons, cloud clouds, magma clouds, sun, is stretched horizontally, in a very airy and comfortable way. The dragon motif looks sideways to fight in the middle, the blades are pulled backwards, parallel to the long and short layers to change to create a smooth movement in the system of swords. Characteristics of dragons in the seventeenth century carved with pointed swords, straight tail, twisted clouds … Decorative motifs of the phoenix: Decorative motifs of lotus flowers, stylized chrysanthemums: The picture of the phoenix looking at the temple’s incense. Temple court of the Thay Temple, the tip of the Phuong model is arranged in a rectangular frame, posted against each other to create a harmony. In the Mac era, the image of Phuong bird was unified decorated in combination with twisted clouds, flowers and leaves, by the seventeenth century folk elements were developed stronger, the image of the phoenix with soft and flexible wings. .. In general, incense incense sticks of Thay Pagoda are carved in the shape of a side view, not only carved on wooden incense but also closely attached to many other positions in the architecture. In terms of design, whether touching on wood incense or other architectural elements, Phuong still keeps the typical beauty such as quills, pheasant-like hair flying backwards to create soft layers of swords. The neck of a Phoenix bird is usually decorated in a hiccup style, the body has a spear that flies to the back, with the above pose and carries the features of the seventeenth century, the image of the phoenix always in a moving posture. It is also by touching in this way that evokes the space of the previous, the back layer, intertwined, the wings and tail of the phoenix, showing that this is a refinement of the shape, but the writing of the pen is very comfortable. Expressions of fast, thin, deep, bright patterns, clouds, flowers … characteristics of the seventeenth century. The image of phoenix bird is touched in the form of reliefs, sometimes with holes and shallow touches with opposite layout. If the unified dragon motif exists in both the body, the legs and the cover, the Phuong-shaped motif is used less often, usually in a sub-position, a small area on the overall incense and makes the topic. more rich and lively. In general, in terms of decorative artistic features of the bird-shaped phoenix, Master Temple’s sentence still follows the principles and harmony of traditional folk art, most of which is the form expressed in dynamic, refined posture. In the way of touching shapes, blocks, and strokes, the unique characteristics of this phoenix motif are made in this time. The lotus motif in Thay Pagoda as in other pagodas of the same period is decorated in many different positions and has a different role. With Buddhist joss sticks, the lotus motif is mainly decorated to form the fringing of the parts above, on the one hand is to beautify the incense, on the other hand to increase the artistic value and sacredness. incense. On the whole wooden incense line, the lines separating the parts are decorated with a lotus-shaped motif, the expression of different lotus petals makes the distinction between the parts easily. There is no lotus decoration on the face of Thay’s incense stick. One part is the narrow size of Thay incense sticks, stretching the image of a phoenix looking at Thay Pagoda’s side. Spread the parts together to create narrower gaps and wider widths. It is also this change that parts and motifs expressed by the ancient artisans are suitable and delicate for each incense of this period. Techniques and effective art of carving incense sticks of Thay Pagoda Chua Thay incense sticks are mainly embossed, gorgeously carved and punctured on the surface, the carving technique is unified between the four sides. If the chrysanthemum surface is punctured to create a small contour, the next to the technical body has been changed, the combination of embossing and punctures in a predetermined frame and separated by lines just engrave. The dragon figure in Thay pagoda’s incense sticks is very delicate and soft by the ancient artisans, the touch lines become elegant, rhythmically linked together by strokes, blocks and arrays. The exposed part is shown thicker, creating a space deep inside the incense that increases the bold contrast and vividness of the touched array. The contour of the lotus petals in this incense is different from the other ones at the same time, the lotus petals are punctured. Interrupting the body and legs of the incense is punctured, embossed by decorative patterns, this part the old craftsman skillfully created gaps, gaps, voids, and the technique of carving shapes and strokes. making the incense more vivid and rich while still creating a deep sacredness. The dragon image looks directly at the temple of Thay. Through the analysis of the incense, the motifs decorated on the incense, the technique and effectiveness of the art of carving Chua Chua incense, combined with elements from space, light all play one. very important role. The artistic value of Thay Pagoda incense is a complete balance of decorative carvings, highlighting the theme content, creating a visual impression. The master temple of Chua Thay temple is a product that shows the hands and wisdom of an ancient artisan, bearing an important imprint of the seventeenth-century Vietnamese carving and decoration art in particular and the history of Vietnamese art in particular. general.

Pediatric patients are examined and hospitalized at the Department of Gastroenterology. After an abdominal ultrasound, the doctor discovered an image of the foreign object resembling a long plastic rod with a long, uniform tube-like structure completely located in the child’s intestine. Immediately after that, the doctor of the Department of Gastroenterology indicated urgent gastrointestinal endoscopy, grabbing foreign bodies. The foreign object that could be grasped was a plastic candy stick 10 cm long. Currently, the patient is stable and is being monitored at the Department of Gastroenterology.

A boy has colic for the whole month due to a 10 cm plastic rod stuck in the intestine. Photo: Thanh Nien

Through the above case, the doctors warned that the foreign body is a common dangerous accident in children, especially in children under 2 years old, because foreign objects falling into the airways narrow or completely block the airways. . Accidents usually happen when children eat, smile or eat improperly. In many cases, adults let children eat, play, suck or swallow small foods and objects.

Airway foreign body is an emergency condition, if not handled in time, it can lead to serious consequences such as irreversible brain damage or even death. Therefore, parents with young children need to pay special attention when their children play with objects or foods with high risk of choking, choking because children are easily neglected or swallowed, so there is a risk of choking, choking, choking. suffocate, even lose life if there is no timely emergency.

In addition, be very careful when feeding children or pay attention when children eat foods and fruits with small seeds such as na, corn, beans, peanuts, candy … these are foods. It is very easy for a child to choke and choke on food leading to foreign bodies entering the airways, obstructing the airways and the baby can die immediately before going to the hospital.

When a child has an abnormal airway, if the child is still pink, can cry, yell, speak, or not have difficulty breathing: should put in a sitting position to breathe, keep the baby, immediately take it to the nearest medical facility for approval. assist. Absolutely do not pick up your throat or use folk remedies. Improper manipulations can tear the esophagus, or accidentally push the foreign body deep into the airway leading to an obstruction, then the child is at a very high risk of death.

For children under 2 years old, if there is cyanosis, difficulty breathing, cannot cry or cry weakly, quickly call emergency and conduct first aid by: Place the baby on his or her stomach, head low on the left arm, hold the head. and the fore neck with the left hand. Use the heel of the right hand to pat 5 forcefully pat the child’s back between the shoulder blades.

Then turn the child back to the right hand, if breathing is difficult, cyanosis, use two fingers to press strongly in the area 1/2 below the sternum 5 times. If the foreign object still does not fall out, turn the young person over and continue patting the back. Take turns patting and chest compressions until the object falls out of the airway or the baby is crying.

In addition, Thai Binh Children’s Hospital recommends that, in addition to knowing the correct and timely first aid, patients should immediately go to medical examination and treatment facilities with endoscopic means for diagnosis. and quickly remove the foreign object properly.

An Duong (Th)