With the meaning of honoring Vietnam’s silk weaving, Cocoon Em Researched by the author using light, flying materials, combined with rope-tie technique marcame of foreign countries. According to the information revealed in video clips , the costume weighs up to 30kg, and on the day of the photo shoot with this costume, countless crystal beads injured Van. The queen also carefully learned how to assemble the most accurate, before the exam day National Costume (National Costume), Khanh Van will have to spend nearly 1 hour to assemble this rather complicated costume set. However, the design with all-white tones is said to not be able to stand out on stage compared to the colorful and eye-catching designs of other competitors. Not to mention Cocoon Em quite bulky, difficult to move and at first no one could see Khanh Van until she stopped and opened the cocoon. This may be a curious point, but it does not help Khanh Van create an advantage when moving on stage. After side activities such as trying on the opening costume, filming a video, taking a promotional photo… Khanh Van and the contestants entered the practice phase to prepare for important competition nights: National Costume (7 a.m. May 14, Vietnam time), Semi-finals (6 a.m. May 15, Vietnam time), Final (7 a.m. May 17, Vietnam time). Competition Miss Universe The 69th edition will take place in the US from May 6 to 16, 2021 (US time). Audiences can vote for Khanh Van to enter the Top 21 directly by vote through the app Miss Universe , the voting portal has opened and will be closed until the end of May 15, 2021 (US time). Contest National Costume Voting portal will be open from May 13, 2021 to the end of May 15, 2021 (US time).

Khanh Van wears the design of Ken Em by designer Khoa Lo With the meaning of honoring Vietnam’s silk weaving, Cocoon Em Researched by designer Khoa Lo, using lightweight, flying materials, combined with stringing techniques marcame of foreign countries. Dominant white tones on the background form The shape of the ao dai helps Khanh Van to have flexible steps, and at the same time shows the grace and elegance of the traditional Vietnamese woman. After discussing, discussing and agreeing, designer Khoa Lo, Miss Khanh Van and the crew decided to change a bit in the cocoon frame, making it easier for Khanh Van to move and less weight on her shoulders. . National costume Cocoon Em was also performed by Miss Khanh Van for the first time in the show Send Off took place on April 27 – before leaving for the US. In the exam National Costume , Vietnam has many times made an impression on international friends with many unique national costumes such as: Lady Cloud (Le Hang – Miss Universe 2016), Vietnamese soul (Nguyen Thi Loan – Miss Universe 2017), Bread (H’Hen Niê – Miss Universe 2018), Iced milk filter coffee (Hoang Thuy – Miss Universe 2019). Spectators can watch the competition National Costume at 7 a.m. on May 14 on ‘s YouTube channel Miss Universe , and at the same time expressed her love for Miss Khanh Van by voting for the award-winning Ken Em costume Best National Costume . Contest National Costume Voting portal will be open from May 13, 2021 (US time) to the end of May 15, 2021 (US time). Also on the evening of May 13, Khanh Van entered the Interview with the jury Miss Universe . The semi-finals of the competition will take place on the morning of May 15 at 6 o’clock, the final takes place on the morning of May 17 at 7 o’clock.

Miss Khanh Van. With the meaning of honoring Vietnam’s silk weaving, “Ken Em” is researched by the author using light, flying materials, combined with foreign marcame tying techniques. The dominant white tone on the form of ao dai helps Khanh Van not only have flexible steps, but also skillfully show the grace and elegance of the traditional Vietnamese woman. After discussing, discussing and agreeing, designer Khoa Lo, Miss Khanh Van and the crew decided to change a bit in the Ken frame, making it easier for Khanh Van to move and reduce the weight on her shoulders. The Ken Em national costume was also performed for the first time by Miss Khanh Van at the Send Off event on April 27 – before leaving for the US. In the “National Costume” contest, Vietnam has repeatedly impressed international friends with many unique and creative national costumes such as: “Nang May” (Le Hang – Miss Universe 2016), “Vietnamese soul” (Nguyen Thi Loan – Miss Universe 2017), “Banh Mi” (H’Hen Niê – Miss Universe 2018), “Café phin with milk ice” (Hoang Thuy – Miss Universe 2019). Therefore, the audience is very much looking forward to the performance of Miss Khanh Van with the Ken Em outfit, especially after many years of bringing innovative designs, Vietnam returns to the form of ao dai with variations attached to the dress. meaning to honor the traditional craft village. The audience can watch the “National costume” contest at 7 am, May 14 on Miss Universe’s Youtube channel, and at the same time, show their love for Miss Khanh Van by voting for the winning Ken Em costume. Award “Best National Costume”. The contest “National costume” will be open to vote from May 13, 2021 (US time) to the end of May 15, 2021 (US time). On the evening of May 13, Khanh Van will enter the Interview with the judges. The semi-final will take place on the morning of May 15 at 6 o’clock, the audience can watch it on the Youtube channel of Miss Universe, the final takes place on the morning of May 17 at 7:00, the audience can watch it on the Foxlife channel. Miss Universe 69th will take place in the US from May 6 to 16, 2021 (US time). Audiences can vote for Khanh Van to enter the Top 21 directly by voting through the Miss Universe application, the voting portal has been opened and will be closed until the end of May 15, 2021 (US time).

At the same time, this is also an opportunity for beauties from all over the world to promote national culture through national costumes full of meaning and traditional values. The costume “Ken Em” was chosen by Khanh Van to perform at Miss Universe. As previously teased, the outfit Khanh Van brought to Miss Universe this year is named “Ken Em”, a design by author Khoa Lo. The outfit is meant to honor Vietnam’s silk weaving. The outfit is designed with the main white tone, light material, combined with the technique of marcame … this helps the representative of Vietnam not only have flexible steps but also skillfully show the Graceful, elegant traditional woman. With a sharp aura, the beauty Khanh Van has scored a great deal in the eyes of the public as well as international friends through this traditional costume. Khanh Van confidently performed “Ken Em” on the stage of Miss Universe. Miss Universe is one of the largest international beauty pageants in the world held every year. The competition was started in 1952 by the clothing company Pacific Mills in California. Along with the contests of Miss World (Miss World), Miss International (Miss International) and Miss Earth (Miss Earth), Miss Universe (Miss Universe) is one of the annual beauty pageants. largest in the world, collectively known as the Four Great Miss After side activities such as trying on the opening costume, filming a video, taking a promotional photo… Khanh Van will join the contestants in the practice phase to prepare for important contest nights: National Costume (7 am 14:00 pm). May 5, Vietnam time), Semi-final (6 am 15/5, Vietnam time), Final (7 am 17/5, Vietnam time). The 69th Miss Universe pageant will take place in the US from May 6 to 16, 2021 (US time). The audience can vote for Khanh Van to enter the Top 21 directly by voting through the Miss Universe application, the voting portal has been opened and will be closed until the end of May 15, 2021 (US time). The National Costume contest will open the voting portal from May 13, 2021 to the end of May 15, 2021 (US time).

The costume ‘Ken Em’ was chosen by Khanh Van to perform. This morning, 7am on May 14 (Vietnam time), Miss Nguyen Tran Khanh Van will enter the national costume contest with more than 70 contestants from other countries and territories. This year Miss Universe was held at Seminole Hard Rock Resort and Casino, Hollywood, Florida, USA. The contest took place extremely excitingly with the competition of the representatives who in turn showed the beauty imbued with national cultural identity on the stage. In the National Costume – National Costume competition, Khanh Van chose ‘Ken Em’ to perform in this beauty arena. The outfit is very interested in her performance by domestic and international audiences. This is an outfit designed by designer Khoa Lo and implemented with designer Tin Thai. The national costume performance of Miss Nguyen Tran Khanh Van at Miss Universe 2021. Not disappointing fans, in her performance, Khanh Van not only showed grace but also full of confidence when striding on stage. Under the stands, the fans kept cheering, as well as giving her the warmest applause. With this performance, the Vietnamese representative left a strong impression on friends around the world about Vietnamese culture as well as attracting the attention of the international media. Through “Ken Em”, Khanh Van not only cleverly shows the grace and elegance of the traditional Vietnamese woman, but also conveys a message that honors Vietnam’s silk weaving.

Khanh Van’s traditional costume contest at Miss Universe Khanh Van brought to the Miss Universe pageant an Ao Dai inspired by silk weaving. After the national costume contest at Miss Universe 2020, Khanh Van shared with Zing design image “Ken Em” has problems before the show time. According to Khanh Van, her outfit has a large frame and weighs about 30 kg, so it is difficult to transport from Vietnam to the US. When they arrived, the frame supporting the cocoon of the costume was broken in many places and lost a wheel. The white frame is also peeling paint in many places. Khanh Van had to repair the costume frame by herself and repaint the cocoon. Khanh Van’s national costume “Ken Em” was broken and damaged before the show. Photo: Khanh Van. Sharing about the last contest, Miss Universe Vietnam 2019 said that she faced a lot of pressure when stepping on stage. The 26-year-old beauty said she had problems opening the cocoon. She said: “When I unpacked the outer cocoon, I pulled it out by mistake. Then I had to push the cocoon out quickly to unfasten the hem of the ao dai kept inside, because I was afraid that if the hem of the shirt didn’t come off at the right time, then I wouldn’t have time. The dress is not good.” However, the Vietnamese representative regained his composure after the above moment and completed the performance smoothly. “I am proud and grateful to wear ao dai on the stage of Miss Universe 2020”, Miss Khanh Van shared. Talking more about the night of the national costume contest, Khanh Van said that the schedule of activities before the night was so dense that the beauties were tired. Khanh Van received loud cheers when appearing on stage with the costume “Ken Em”. On the morning of May 14 (Vietnam time), Khanh Van and Miss Universe contestants performed in the traditional costume contest. The Vietnamese representative brought to this year’s contest named “Ken Em”, a design by Khoa Lo. The outfit is meant to honor Vietnam’s silk weaving. Creative designer on the background of traditional ao dai. Khoa Ho uses white tones, light materials, and marcame stringing techniques.

Khanh Van is ready to perform the national costume ‘Ken Em.’ (Photo: CTV/Vietnam+) This morning, May 14, Miss Khanh Van will enter the National Costume performance competition – the national costume “Ken Em” by designer Khoa Lo. She is extremely excited and ready for this part of the competition. National Costume is the contest that many viewers are looking forward to, besides the semi-final and final night of the 69th Miss Universe contest. Because this is an opportunity for beauties from all over the world to promote national culture through across sets national costume meaningful and colorful. Representative of Vietnam – Miss Khanh Van will perform a national costume named “Ken Em” by designer Khoa Lo. With the meaning of honoring Vietnam’s silk weaving, “Ken Em” is researched by the author using light, flying materials, combined with foreign marcame tying techniques. The dominant white tone on the Ao Dai shape helps Khanh Van not only have flexible steps but also skillfully show the grace and elegance of the traditional Vietnamese woman. The outfit weighs almost 30 kg. (Photo: CTV/Vietnam+) After discussing, discussing and agreeing, designer Khoa Lu, Miss Khanh Van and the crew decided to change a bit in the cocoon frame, making it easier for Khanh Van to move and less weight on his shoulders. Previously, in the National Costume competition, the Vietnamese beauty representative repeatedly impressed international friends with unique and creative national costumes such as: Nang May (Le Hang – Miss Universe 2016). , Soul Viet (Nguyen Thi Loan – Miss Universe 2017), Banh Mi (H’Hen Niê – Miss Universe 2018), Iced milk filter coffee (Hoang Thuy – Miss Universe 2017) Miss Universe 2019). Therefore, the audience is very much looking forward to the performance of Miss Khanh Van with the outfit “Ken Em.” In particular, after many years of bringing innovative designs, Vietnam returned to the shape of ao dai with variations associated with the meaning of honoring traditional craft villages. Panoramic clip of ‘Ken Em’ costume accompanying Khanh Van: The audience can show their affection for Miss Khanh Van by voting for the national costume to win the Best National Costume award. The voting portal is open until the end of May 15 (US time). The semi-final of the contest will take place at 6 am, on May 15, the audience can watch it on the Youtube channel Miss Universe; final taking place at 7 am, May 17, the audience can watch on Foxlife channel./.

Khanh Van’s traditional costume contest at Miss Universe Khanh Van brought to the Miss Universe pageant an Ao Dai inspired by silk weaving. On the morning of May 14 (Vietnam time), Khanh Van and the Miss Universe contestants entered the traditional costume contest. This is an indispensable part of the beauty contest. As usual, the Vietnamese representative was in the last performance group, right after the Venezuelan contestant. Khanh Van completed the exam smoothly, without making mistakes. Khanh Van performs national costume at Miss Universe. The costume Khanh Van brought to this year’s contest was named “Ken Em”, a design by the author Khoa Lo. The outfit is meant to honor Vietnam’s silk weaving. Creative designer on the background of traditional ao dai. Khoa Ho uses white tones, light materials, and marcame stringing techniques. The Cocoon Em costume has a unique opening and closing frame, so the weight is quite heavy, about 30 kg. Because of the cumbersome design, the correct assembly and confident performance is also a challenge for Khanh Van. According to the behind-the-scenes photos shared by the crew, before the contest, the beauty assembled the outfit herself. Khanh Van’s costume is made entirely of white, so under the spotlight, the design is a bit “submerged” in terms of visual effects. Meanwhile, most of the contestants’ designs used striking and eye-catching colors. Asian countries such as Thailand, Laos, Malaysia, Myanmar… still invest heavily in traditional costumes. Miss Thailand, Amanda Obdam, brought on the stage of Miss Universe a costume inspired by fighting fish – the fish chosen as the national aquatic species. Miss Universe contestants compete in national costume. The performance of the Malaysian representative took up the most time. The Malaysian beauty brought a model house on stage and needed 3 people to support. Not only that, she also changed her outfit, making the contestants performing behind them have to wait. Some other contestants like Singapore or Ukraine convey meaningful messages through traditional costumes such as stop violence, stop discriminating against Asians… After this round, 74 beauties will prepare for the semi-final night, which will take place on the morning of May 15 (Vietnam time).

Khanh Van’s traditional costume contest at Miss Universe Khanh Van brought to the Miss Universe pageant an Ao Dai inspired by silk weaving. After the national costume contest at Miss Universe 2020 (the contest held late due to the Covid-19 epidemic), Miss Universe 2018 Catriona Gray selected her 6 favorite and most impressive designs. It is the national costume of Indonesia, Ukraine, Nepal, Peru, Thailand and Vietnam. Khanh Van performed a costume called “Ken Em”, consisting of an outer cocoon and an ao dai combined with a scarf closed inside. The outfit is meant to honor Vietnam’s silk weaving. Creative designer on the background of traditional ao dai. Khoa Ho uses white tones, light materials, and marcame stringing techniques. Sharing with Zing, Khanh Van said that before going on stage, “Ken Em” had problems, broke many places and lost wheels. She had to re-glue the damaged parts herself and fix the parts that were peeling paint due to shipping. Indonesian representative Ayu Maulida Putri wears a Komodo dragon costume. According to many scientific studies, the Komodo dragon (scientific name: Varanus komodoensis) is the largest reptile in the world, inbreeding with many dinosaurs that became extinct millions of years ago. Komodo dragons live only on the island of Komodo (Indonesia) and are in danger of extinction. Nepalese beauty Anshika Sharma appeared on the Miss Universe 2020 catwalk with a climbing outfit. She carried a model of Mount Everest – the highest mountain in the world and located on the border of Nepal with China. Catriona Gray’s next choice is the national costume of Peru performed by the beautiful Janick Maceta Del Castillo. The costume of the Peruvian representative is made based on the shape and color of the James flamingo – a small flamingo, living in the Andes plateau of Peru. The traditional costume of the representative of Thailand has the shape of a particular fish, mainly living in the rivers of the land of the golden pagoda. The body of the fish is decorated with sophisticated gems. The entire tail and fins of the fish model are sewn with silk and have the colors of the Thai national flag. The national costume of Ukraine is designed based on the most famous and familiar decorative motifs in the country. The above motif often appears on the doors, tables, chairs, and domes of Ukrainians. According to information from the organizers of Miss Universe 2020, the white color of the above outfit means happiness and longevity.

During the performance, Khanh Van had trouble opening the model because she was too nervous. Khanh Van shared that: “My two hands had to hold the cocoon because it was too heavy. When I opened it, I pulled in the wrong place, so it was a bit awkward and took a bit of time.” The beauty tries to handle quickly to continue the performance. Khanh Van performed a national costume named “Ken em” by designer Khoa Lo. Beautiful Khanh Van won the title of Miss Ao Dai Vietnamese Schoolgirl 2013, the sub award “Beautiful Ao Dai” at Miss Universe Vietnam 2015 and 2019. She hopes the new outfit will continue to bring good luck. on the international arena. With the meaning of honoring Vietnam’s silk weaving, “Ken em” is researched by the author using light, flying materials, combined with foreign marcame tying techniques. The dominant white tone on the form of ao dai helps Khanh Van not only have flexible steps, but also skillfully show the grace and elegance of the traditional Vietnamese woman. In the previous contest seasons, the beauties of Vietnam made many impressions at the national costume contest with many highly creative costumes such as: Nang May (Le Hang – Miss Universe 2016), Soul Viet (Nguyen Thi Loan – Miss Universe 2017), Banh Mi (H’Hen Niê – Miss Universe 2018), Iced Milk Coffee (Hoang Thuy – Miss Universe 2019) Miss Universe Vietnam surprised the audience when she stepped out of the white cocoon on the stage. Khanh Van performed a Ken Em costume inspired by Vietnamese traditional silk weaving and ao dai. Contest of beauty from Albania Representative from Aruba Beauty from Australia The costume of the representative from the Bahamas gives a unique impression Beauty from Barbados Representative from Belgium Bolivia Brazil Cambodia’s beauty Cameroon Canada Cayman Islands Chile China Colombia Costa Rica Venezuela The beauty of the host country America transformed into an eagle. Denmark Dominican Republic Ecuador El Salvador France Ghana Haitian Honduras India Miss Indonesia wears an earth dragon symbol. Ireland Italy Thailand Spain Jamaica Laos Malaysia Mauritius Mexico Mexico Mexico Nepal Nicaragua Panama Paraguay Peru Philippines Poland Puerto Rico Russia Singapore

Beautiful national costume of Khanh Van Right after the contest ended, Khanh Van and the traditional costume received a rain of compliments from the audience both domestically and internationally. More specifically, the queen was also chosen by former Miss Universe 2018 – Catriona Gray as one of her six favorite outfits in the contest that took place. Catriona Gray chose “Ken Em” as the top 6 best national costumes Netizens are extremely proud of what Khanh Van brought to Miss Universe 2020: – That’s why Catriona Gray is Miss Universe 2018. – 10 points for frankness for the gray cat. – After all, she’s a former Miss Universe, so it’s only natural that she’s fair. – I hope Khanh Van will come in later, the top 3 for example. – Too fair, sister, forever love Catriona Gray The domestic audience is really looking forward to Khanh Van showing his best form and bravery in the upcoming semi-final night, as well as shining brightly in the final night. The Vietnamese representative promises to bring many surprises to the audience at the Miss Universe 2020 arena.

Strangely, the ancient emperor’s robes were forbidden to be washed with water. Usually, clothes worn for a long time without washing will have a bad smell and give a feeling of not being clean. Moreover, the long robe is the emperor’s daily wear, why is it forbidden to wash it? In the king’s palace, most of the costumes from kings to concubines use embroidery and weaving methods. The emperor’s robes are always made of the finest silk, woven into the finest fabrics. Legend has it that the clothes of the emperor and queen were also embroidered with real gold, dyed with a certain amount of gold to shine. The dragon robe is embroidered from the highest quality silk, embroidered with real gold thread, very elaborately. Photo: Sohu The minus point in this embroidery method lies in the fact that the type of silk as well as the type of embroidery thread with gold thread makes the dragon robe very special. Once touched with water, the silk thread and gold thread will be washed away and completely lose its luster, no longer as bright and brilliant as before. Therefore, long robes will never be allowed to be washed with water. Instead, they will use aromatherapy. This is the simplest way to deodorize dragon cells. However, the emperor did not always like to wear perfumed clothes. So, when they see a “slightly old” dragon robe, they will… directly leave. Normally, it takes about a year to complete a dragon robe. In the palace, there were usually more than 2,000 slaves who did nothing but weave dragon robes for the emperor all year round. Therefore, the number of emperor’s dragon robes was so large that they were thrown away after wearing, but not reused. Although it sounds quite wasteful, in fact, wearing a dragon robe is also a kind of ritual. When welcoming kings or emissaries of other countries, a king’s long robe also contributes to showing the cultural – economic – educational level of the whole country. Therefore, the investment in dragon robes is extremely worthwhile even though it is a huge amount of money.

The craftsman’s technique of brooding silk in the village of Co Chat is rare in any region. Silkworm cocoons must be carefully selected and classified before being put into the silk tractor. Cocoons have two types: the white cocoon and the golden cocoon, depending on the breed of silkworm. Any color cocoon will produce that color silk. The most common is the white cocoon because it produces a high quality, high value silk. (Photo: Bich Ha / Vietnam +) In the pot of boiling water evaporating, silkworm cocoons dance, the silk thread slowly crept into the small hole and rolled into the reel. The women and sisters quickly rinsed the water, adding cocoons to the pot so that the silk would not be interrupted. (Photo: Bich Ha / Vietnam +) This stage is usually performed by women. (Photo: Bich Ha / Vietnam +) Most of the village elders who are still attached to the profession still follow the craft method as a habit, love the profession or for a living. Whatever the reason, they are still passing on their passions and cultural identities to the next generation every day. (Photo: Bich Ha / Vietnam +) Mrs. Nguyen Thi Yen pondered: ‘In the past, there were 9 out of 10 families who worked as silk broiler. Now, the whole village has only 5-6 houses remaining. But probably no one is working at the end of the age class like her. Young people all go to other jobs. ‘ (Photo: Bich Ha / Vietnam +) Silk after drying will be bought by the weaving factories, spun and woven into fabric. Most of Co Chat village silk is exported to Thailand, India, Laos and in the country, there is Van Phuc silk village (Ha Dong). (Photo: Bich Ha / Vietnam +) The silk puller must stir the cocoon evenly, otherwise the thread will be too thick or too thin. If working at full capacity, a worker can pull 20 rolls of silk a day. (Photo: Bich Ha / Vietnam +) After pulling the silk, the worker must pick up all the impurities and wrap the silk mold smoothly and evenly. Silk rolls must be white and clean before they can be dried. (Photo: Bich Ha / Vietnam +) According to Mr. Pham Van Dong, who has 30 years of his or her attachment to the silk reeling profession in Co Chat village: ‘The difficulty of this profession is finding the output. Silk is predominantly preferred overseas than domestically. Meanwhile, people face many difficulties when borrowing capital, maintaining production, so they quit many jobs. ‘ During the 2-year outbreak of COVID-19, the silk weavers in Co Chat also struggled because the silk produced could not be exported abroad. (Photo: Bich Ha / Vietnam +) In the sun, the silk rolls glisten with gold, silvery, shiny, and soft. According to the experience of longtime workers, the silk must be dried in the big sun to be bright and beautiful. If it is cloudy, the silk will be gray and not of quality. Silkworming in Co Chat village is completely done by hand, does not use bleach like industrial silk, so it is durable and naturally bright. (Photo: Bich Ha / Vietnam +) The shiny nymphs, after pulling out the silk, are sold to cordyceps processing facilities or sold to the market as a dish. (Photo: Bich Ha / Vietnam +)

If we clearly divide the Coc Em pattern layout, this is a design that includes 2 separate main parts, that is the slender Ao Dai body and the cocoon nest. With the meticulous and fussy engagement in knitting, this is also the first time Vietnam has brought a national costume with the meaning of honoring Vietnam’s long-standing silk weaving profession to Miss Universe. Coc Em was researched by the author using lightweight, flying materials, combined with foreign marcame-tying techniques. Also at the launch ceremony Coc Em was the National Cosutme of Khanh Van at Miss Universe 2020 The beauty born in 1995 had an interesting “demo” performance in front of the cheers of the fans. However, there are two points of note that Khanh Van must extremely consider and study a plan to handle Coc Em fluently, quickly and quickly on stage. Initially, the entire cocoon nest will be attached directly to the body of the ao dai with the purpose of helping Khanh Van show the curves and elongated legs right from the beginning of the runway. However, to minimize it as much as possible, the fact that Khanh Van must bear the burden of the cocoon’s ancestors more or less affects his charisma … just because the accessories are too heavy, during the implementation process, “the father of Coc Em “decided to use the alternative of separating the cocoon nest into a separate part and using the form of a pull wheel. Obviously, if on stage Miss Universe with majestic light effects and Coc Em is “moved” with the wheels that promise to create many interesting and unexpected things. This inadvertently makes Coc Em also has the reverse side of it in the wheel details. Khánh Vân must consider carefully the slippery, slopes and even beware of the terraced stage. Remember, Hoang Thuy used to have a hard time handling a cup of coffee just because the stage was too small and narrow at the Miss Universe 2019 competition. Behind the scenes images showed that the queen of Thanh had to constantly bow her head, tiptoe to “Milk ice coffe” not be hit by any obstacles. In addition, Miss Khanh Van must also be careful with possible problems related to mobility techniques. Because, right from packaging to assembly and “gliding” on stage, the wheel can malfunction. This shows that, in order to have shining moments in the National Costume competition, the Vietnamese warriors had to make great efforts. Coc Em is divided into small packages for easy transport to the US. Due to the fussy nature of the national costume competition, contestants will gather at the same location and always be ready to compete. It is the cumbersome of the cocoon’s nest that makes the whole outfit disassemble and split into different packages. Khánh Vân will be the one to manually assemble and chain the accessories together and not be allowed to deviate any part. Designer Khoa Lo shared that only cocoon nests have been separated into many parts with many different weights and sizes. Miss Khanh Van On the one hand, having to convey enough messages that the little people make extraordinary things when wearing the Ken Em ethnic costume, Khanh Van must also carefully consider the feasibility and take the time to Manually disassemble this amazing design.

Coolmax Eco fabric is made from recycled plastic bottles. As a brand that cares about the environment, Santino focuses on developing Coolmax Eco – a technical fabric with the composition of 95% recycled plastic from bottles after use. Thanks to its antibacterial properties, creating a cool and comfortable feeling for the wearer, this material has been applied to the Spring-Summer Collection 2021 “The Flat World”. The key to Coolmax Eco fabrics lies in fabric weaving technology. Thanks to improvements in surface structure, Coolmax Eco fabric allows for faster cooling and drying of the body. Fabric fiber has a flat cross-section with notches running along the yarn body, hexagonal. This is a smart “sweat drainage”, helping the wearer feel soft, non-sticky, safe and benign with sensitive skin types. According to the announcement from Santino, Coolmax Eco has a very fast hygroscopic and dry speed, no wrinkles, easy to fold and has a good reflective ability. This feature will continue after each wash. Pictures from the 2021 Spring-Summer Collection “The Flat World” by Santino. Not only focusing on ideal materials to protect the environment, the Spring / Summer 2021 collection – “The Flat World” of Santino also brings the message of a new journey. It is a place where each person has the opportunity to feel the beauty of the world in their own way, to discover the cultural beauties of many regions with just a miniature “Flat World”. Santino’s inherent fashion direction is reflected through the product line with environmental protection materials. Wearing the products of the collection “The Flat World”, you will touch the cold paradise of Moscow in the middle of the summer, experience the strong space of the Roman arena, ecstatic with the scent of cherry blossoms at Tokyo, or feel life full of joy like spring in Hanoi. Coolmax Eco products in ‘The Flat World’ collection are available at Santino stores nationwide. Putting customer satisfaction first, Santino constantly researches to come up with new trends and products with materials and improve usability. Whether it is daily activities or outdoor exercise, convenient yet eco-friendly designs are the key to Santino’s becoming the favorite brand of men.

In courts and palaces, elaborate and splendid woven rugs play an important role in the interior decoration of large and small rooms. There was a time when wool carpets were sold very expensive, becoming a valuable product in the treasure of kings and used as tribute between nations. Until now, the hand-woven and elaborate traditionally woven rugs are still expensive decorations for luxury villas. The art of weaving wool carpets imported to Vietnam has no long history, only about a hundred years. In 1926, in the village of Hang Kenh, Hai Phong, a 13-year-old boy named Dang Huu Binh broke up with his family to make a trip. Binh traveled all the way to Tianjin province in China, where he practiced carpet weaving centuries ago, which has produced the most beautiful and famous carpets in Asia, to learn the craft of carpet weaving. After 6 years studying, he returned home and worked at the Hang Kenh carpet weaving factory – Hai Phong, one of the largest carpet weaving factories in Southeast Asia at that time. The document does not indicate that this weaving workshop belongs to Mr. Binh, his family or that of another person. The Saigon Book looks back one hundred years. Photo: Phanbook. An article (without author’s name) on the page vinacarpet.vn said “wool carpet making appeared in Hang Kenh, Hai Phong around 1930 (?) and stopped around 1944. At that time, every year Hai Phong exported to France and Hong Kong about 1,000 m2 wool carpet. The color, pattern, layout, decorative concept of Hang Kenh wool carpet was almost like Chinese wool carpet at that time. Although there was a painter (graduated from Indochina Fine Arts College) at that time gave some new wool carpet samples to the Hang Kenh wool carpet weaving establishment, in order to lessen the Chinese carpet look of Hang Kenh products, but he did not. accepted by customers because they used to use Chinese-style carpets ”. Mr. Binh is not really the first person to learn the profession of carpet weaving, but perhaps a rare Vietnamese artisan learns the craft of weaving traditional high-class wool rugs from a country with more sophisticated carpet making. After working for a while at the Hang Kenh textile company, Dang Huu Binh moved to the South to set up a career in Saigon. From 1955, Mr. Dang Huu Binh officially established Dong Hung carpet weaving company, also known as Vietnam Industry of Weaving Carpet, concurrently held the position of technical director. His workshop was set on 2,300 square feet of land, consisting of a painting office for design and a weaving workshop of thirteen hand-woven wooden frames, of which a giant 13-meter-wide frame, 8 meters tall is the largest. Products of Dong Hung carpet weaving company. The picture in the Saigon book looks back a hundred years. The drawings are all sketched by Mr. Binh, two sons and a grandson. Weavers are completely women, there are up to fifty permanent workers, including people in the family of Dang Huu Binh. The process of weaving carpets in Dong Hung carpet company was reported Free World Volume IX, number 9 describes in the article: “To weave a rug, first of all, sketch a small model with all colors and images. Then, depending on the size and proportion, magnify on a glossy paper. The weavers base on the pattern and the scale of the carpet will weave, base the frame with cotton thread “. “This cotton thread is called the vertical thread. Then the wool color is chosen to weave the weft. The tools of the carpet-weaving industry are a sharp, sharp knife, a pair of scissors and a beating table with teeth like a comb. Every time a knot of wool is tied, between two standing cotton threads, the worker uses a knife to cut off the wool and knots the next second like that for the rest of his work, for there are at least four on the loom. five workers work together. After tying all the wool knots in a turn, push down one of the cotton threads and press down hard with the table to tighten the knots. At the same time, a second cotton thread is also pushed down diagonally so that the wool knots cannot move. For every cross-street to make another road ”. The average weaver completes a square meter in 5 days. The best or medium rugs differ in the thickness of the knots. For example, the premium type has a square meter of wool with four kilograms of wool with 100,000 knots, the second three and a half kilograms with 67,000 knots, the third 3 kilograms of wool with 45,000 knots. The hand-woven textile industry in the South at that time was considered to be very sophisticated and was on the rise. In Saigon before 1975 there was an exhibition of tapestries and wall rugs for decoration, held at Thanh Le’s shop, Tu Do Street (Dong Khoi), to introduce to the public. the prosperity of the wool carpets industry and the latest art products of this small technology industry. The rugs displayed here are all produced by Dong Hung firm of Dang Huu Binh at 270 Le Van Duyet Street, and by the Thanh Le house as an agent.

This was a challenge because the requirement was to produce an unconnected whole rug, up to 27 meters long, 11 meters across, a total of about 300 square meters, which is very large. The weavers are trimming the watermarks and trimming the flowers on the giant rug located in the Independence Palace ceremony room at the Dong Hung carpet weaving factory. The picture in the Saigon book looks back a hundred years. Realizing this sheet, Mr. Binh considered the continuation of the tradition of his hometown’s Hang Kenh weaving profession, making the carpet for the most important mansion in the South. To make a large carpet, there must be a large loom, Mr. Binh himself had to design a giant loom made entirely of wood, with a trunk of a wood with a diameter of 50 centimeters. A document showing his own drawing and the Gia Dinh Fine Arts School made. To weave the carpet, Mr. Binh built his own workshop, with up to 60 artisans and craftsmen directly sitting and weaving. The carpet is located in the Independence Palace Palace room built in 1966. Photo: The TGTD newspaper episode XVI number 1. The mat is exactly the same size as above, 1.8 inch thick. The main tone of the carpet is red, the white daisies are scattered prominently on the red background and the border has blue patterns. The design is generally luxurious and modern, elegant and no frills. This giant carpet is heavy and very bulky. When bringing the carpet into the room to use a crane and many helpers. The carpet was used regularly for nine years in the Khanh Tiet room, the largest room of the palace with an area of ​​448 square meters, where it was used to hold large meetings, entertain guests with solemn ceremonies from 1966 until 1975. Fix the carpet in the Unification hall. Photo: Hans Peter Grumpe. It was not until 1991 that this large rug was repaired and thankfully, German photographer Hans Peter Grumpe came to capture this rug repair scene. Dong Hung carpet weaving company probably ended in 1975. The pictures here are published from The Gioi Tu Do, volume IX, number 9 and volume X number 5 (no publication date, about the second half. 1960s) are the remnants of a time when Saigon has developed a proud high-class wool carpet weaving industry.

According to Ho Chi Minh City Women’s Newspaper, in the hope of increasing the value of pineapple trees, reducing the environmental pollution load after each harvest, Mr. Nguyen Van Hanh (31 years old, in Tan Thang commune, Quynh Luu district, Nghe province An) decided to quit his job as a ship captain with a salary of 30 million VND / month to go back to his hometown to grow pineapple (pineapple, pineapple). Anh Hanh and pineapple fibers are separated from pandan leaves (Photo: Women in HCMC) “The machine includes a system of knives inside, which helps to break the meat, keeping the leaf silk. This machine can squeeze 2-3 tons of pineapple leaves / day. After that, silk is soaked in pineapple vinegar, dried, spliced, spun … Many manufacturers of bags and fashion products have ordered this yarn, “said Hanh. Unique painting costing silver million from utopian material Dan Viet newspaper said, who is an art enthusiast, but living with painting teacher Nguyen Hoang Nam (Chau Phu district, An Giang province) is “non-believer”. But with his natural ability, Mr. Nam has turned the rugged granite slabs into unique and vivid stone paintings. Currently, Mr. Nam has over 150 stone paintings of all types: portraits, landscapes, word paintings … These stone paintings bear bold beauty of the Southern countryside. Each stone painting costs from several million to several tens of million dong. The Hanoi farmer raises a tiny fish in a scrap bottle Mr. Tran Ngoc Thang, (55 years old, residing in Ngoc Ha ward, Ba Dinh district, Hanoi), has more than 20 years working with fighting fish farming. In particular, Mr. Thang took advantage of thousands of discarded bottles and jars to raise fish. Fighting fish in a bottle (Photo: Dan Viet) “When starting to raise this fish, many people think that I am crazy because more than 100m2 of land in the middle of Ba Dinh district, just renting can make enough money to feed the whole family, I need to work hard.” Mr. Thang confided in Dan Viet Mr. Thang has a passion for aquarium fish since he was a child. Growing up, he bought a variety of fish to raise. Seeing that the breeder fish were mainly imported from the South or Thailand at an expensive price, he discussed with his wife to build an aquarium farm. A series of guppies and fighters were propagated by Mr. Thang and supplied to the market. Mr. Thang has an income of hundreds of millions VND per year from raising ornamental fish. The largest collection of money in Vietnam by a giant Saigon From a young age, seeing his father every day preserving ancient coins such as Thai Binh Hung Bao, Dai Dinh, Hong Duc, … Mr. Huynh Minh Hiep (Ho Chi Minh City) has a special passion for collecting antiquity range. After nearly 30 years of collection, Mr. Hiep owns nearly 20 types of monolithic coins dating from the 1st to the 19th century. This is a coin collection with many historical values ​​and cultural imprints of Vietnam. through the period. Anh Hiep also has more than 10,000 ancient coins. According to Mr. Hiep, the ancient money is often buried in jars and jars for a long time, so they often stick together to form large, hard rock and often have strange shapes. In addition to coins and coins, Hiep also collects paper coins. Up to now, Mr. Hiep has a collection of coins from 218 countries and a collection of banknotes from 222 countries around the world. In 2005, Mr. Hiep set a record as having the most money collection from countries in the world in Vietnam. According to Dan Viet newspaper, Hiep also owns many valuable items on display in a coffee shop of more than 1,000 square meters. This is also the place to receive the record “The place where exhibits recreated old Saigon (period before 1975) with the most number of exhibits are displayed”. Collection of rare and precious coins of 9X Ha Thanh Phung Van Hung (Hung Ba, SN 1990, living in Hanoi) is a quite famous name on Tiktok because of the work of valuing ancient coins. The clips of these 9X’s unique notes attracted millions of views. Hung’s collection of ancient coins “King of money” shared on Enterprise and Marketing, he started collecting coins while sitting on the university lecture hall. After 11 years, he has a collection of up to about 1 million sheets, prints the picture of King Bao Dai, the mascot of the year or a unique set of feng shui coins. Currently, he is also changing business, valuing beautiful currencies, with a beautiful serial number that attracts attention. According to Hung, the valuation of ancient coins does not have any specific regulations, but can be based on their preciousness, rarity, origin or status. Many people want to buy back some of the rare money he owns, but he refuses. The coin with the “huge” serial number and the most expensive price I ever sold was the $ 100 note, the eighth quarter series. He exchanged this note for a Honda SH car. The smart home from the garbage can be removed and assembled like a lego game Dan Viet newspaper said, after 22 years of research, Mr. Phan Trong Hoan (Ben Luc district, Long An) has successfully designed a house made entirely from rice husks and plastic waste, 64m2 wide. After more than 7 years of going into use this house is still intact paint color, not waterproof, degraded. Currently, Mr. Hoan has 10 houses made of plastic waste, present in many provinces and cities across the country. In particular, there is a house located right in the earthquake but still standing, not affected. Notably, houses made from rice husks and plastic waste can be removed, moved to a different location for assembly, or recyclable. “No need for reinforcement, no mortar, no foundation, the house is assembled according to pre-designed edges and can be removed to go anywhere,” said Mr. Hoan. After the first house made of rice husks and plastic waste was completed in 2013, the NOIP granted a utility solution patent for this unique process by Mr. Hoan. Strange lotus species can “piggyback” adults in Dong Thap Possessing a simple architecture, not superficial, but Phuoc Kien Pagoda still attracts a large number of visitors to visit thanks to a strange lotus garden with “huge” foliage, “carrying” the whole person weighing 100kg. Giant lotus leaves are “carried” by adults (Photo: Nguyen Tung Viet / Dan Tri). This giant lotus species is a rare plant native to the Amazon region, South America. They appear in the pond at Phuoc Kien pagoda since 1992. Due to the soil here, this lotus variety is growing very well. Large, thick lotus leaves. In particular, this lotus variety can change its leaf size astonishingly depending on the water season. In the dry season, the lotus leaves are only about 1-1.5m. In the flooding season, the leaves are flooded, so they grow more, reaching 2.5m in diameter. There are individual trees, leaves up to 3m wide. The edge of the lotus leaf is 3-5cm higher than the water surface, and its shape resembles a sports hat. Thanks to its large size, this lotus species can “carry” an adult weighing about 70-80kg but only lightly scratch the water surface. Hanh Nguyen (Synthetic)