wrote – Spress

Zui Weng Pavilion in Ouyang Xiu’s works, Su Dongpo wrote “The Story of Zui Weng Pavilion”, only 40 kilometers away from Nanjing

editor — Tue, 22 Jun 2021 21:15:46 +0000

This is the Travel and History Institute of Zhang Xing Zhe. Zui Weng Pavilion, another scenic spot that has been popular for nearly a thousand years because of poetry, the Northern Song Dynasty writer, leader of the poetry innovation movement, and Su Dongpo teacher Ouyang Xiu’s “The Story of Zui Weng Pavilion” became famous throughout the world and became an eternal wonder. Since the publication of the article, Zui Weng Pavilion has become a tourist attraction visited by literati and scholars in the past, and it has continued to the present. Although this Zui Weng Pavilion is no longer the one written by Ouyang Xiu, people still come to worship from all over the country. . So, where is Zuiweng Pavilion? At the foot of Langya Mountain in Chuzhou, Anhui, although Chuzhou belongs to Anhui Province, the city is closer to the capital of Jiangsu Province and the ancient capital of the Six Dynasties. It is only 40 kilometers away from Nanjing Pukou District and is almost included in the Nanjing City Circle. Langya Mountain is in the Chuzhou city area, the mountain is flat, and the elevation is not high. Zuiweng Pavilion is at the foot of Langya Mountain. Since the Northern Song Dynasty, many pavilions and pavilions have been built next to Zuiweng Pavilion, leaving countless ancient people’s calligraphy and footprints. And story. Ouyang Xiu was demoted to Chuzhou in the fifth year of Qingli in the Northern Song Dynasty (1045 AD). He met the monk Zhixian, the abbot of Langya Temple when he visited Langya Mountain.In order for Ouyang Xiu to visit Langya Mountain often, two years later, in 1047, Monk Zhixian built a pavilion at the foot of Langya Mountain. After it was built, Ouyang Xiu and his friends drank and wrote poems in the pavilion. After being drunk, they wrote a handed down name. “The Story of Zui Weng Pavilion”, the pavilion is named Zui Weng Pavilion After Ouyang Xiu’s article became famous, it was carved into a stone tablet and stood next to the Zuiweng Pavilion in 1048. In 1091, in the sixth year of the Northern Song and Yuan Dynasty, a student of Ouyang Xiu, Su Dongpo, an eternal wizard who was more powerful than Ouyang Xiu, came to Chuzhou and rewritten it. The “Large-character version” of “Drunk Weng Pavilion” was created, and a stone stele was carved. The first time the stele was carved in small characters, it was not atmospheric. Su Shi’s ink and gemstone carvings have been preserved for more than 900 years, but unfortunately they were destroyed in the 1960s. The Zui Weng Pavilion is the same. After thousands of years, it has been destroyed and built repeatedly. Basically, it has been rebuilt in all dynasties. In the seventh year of Guangxu in the Qing Dynasty (1881), the then Quanjiao Observatory asked Xue Shiyu to support the reconstruction of Zui Weng Pavilion, which was later destroyed. The Zuiweng Pavilion we saw today is a modern reconstruction. More precious than Zuiweng Pavilion are the surviving poems and inscriptions in the surrounding dynasties. Most of them were made by famous artists and all of them are precious cultural relics. From the Southern Song Dynasty to the Ming and Qing Dynasties, nine pavilions such as Erxiantang, Baosongzhai, Yizai Pavilion, Gumei Pavilion, Yiting and Lanyutai were built around Zuiweng Pavilion, forming a group of buildings, each with its own characteristics. , Collectively known as the “Nine Scenes of Drunk Weng”. However, these ancient buildings were all destroyed during the Taiping Heavenly Kingdom period. The place is too close to Nanjing, and what we see today are all rebuilt. It is intended for the pavilion, to the west of Baosongzhai. The name of the pavilion is taken from the famous sentence in “The Story of Zui Weng Pavilion”: “The meaning of the drunk man is not about wine, but between mountains and rivers.” Drink; the mountains and the water come into the bottle. Shadow Fragrance Pavilion is located on the stone ridge in the upper pool that is intended to rise to the west from the pavilion. The content of the couplet: sparse shadows horizontally and the water is clear and shallow, and the dark fragrance floats at dusk. This is a couplet with excerpts from two lines in the Song Dynasty Lin Pu (967-1028 AD) “Plum Blossom”. The first sentence is the posture of the plum, and the next sentence is the fragrance of the plum. The artistic conception is distant. Xixin Pavilion is built beside the Langya Ancient Road, on the side of the road up the mountain. On the south side of Xixin Pavilion, there is a couplet embedded on the wall of the pavilion. Washing the heart means repenting and renewing, and people need to wake up from time to time. Zuiweng Pavilion and related pavilions are in a small courtyard. There is a small river outside the courtyard. There are spring water flowing out of the river. The stone wall is engraved with two large characters “泉”, “” is the traditional Chinese character for “Rang”, which is In the 40th year of Emperor Kangxi of the Qing Dynasty (1701), Chuzhou Zhizhou Wang Cikui inscribed, more than 300 years ago. An ancient plum and its flowerbed are both cultural relics, with the words “Nest in the Flower” engraved on it. It was the stone stele inscribed on the Meitai wall by Li Songyang in the 9th year of Shunzhi in the Qing Dynasty (1652), which was earlier than the “quan” stele. Fifty years. Zuiweng Pavilion and Changsha Yuelu Mountain Aiwan Pavilion, Taoran Pavilion in Beijing, and Huxin Pavilion in Hangzhou West Lake are also called my country’s “Four Famous Pavilions”. Their historical and cultural value is far greater than the pavilion itself, just like the Yellow Crane Tower and Tengwang Pavilion. Like several famous buildings, although they are modern antique buildings, they are still cultural symbols worth looking up to. For more exciting content, please pay attention to me: Xing Zhe Lao Zhang [Author’s profile]: Traveler Lao Zhang, a motorcycle travel enthusiast, contemporary Xu Xiake, measures the earth with his footsteps, and shares his travel experience at any time. Welcome to follow, like, and comment, and feel free to let us know!

The guy who went to Hoang Su Phi 10 times wrote ‘The love story of the mountain’

Nho Quan — Thu, 27 May 2021 18:58:20 +0000

In two years, Hoai Sa made 10 trips to Hoang Su Phi. He wrapped his experiences about the landscape, people, and culture of the land in the book ‘The Love Story of the Mountain’.

Hoai Sa (Hanoi) is an English travel blogger. He has 7 years working at Vietnam News Agency, currently working in the diplomatic service. With an interest in experiential travel, especially to places few people go to, especially mountainous areas, and cultural tourism. As a former British student, he wrote the book Four seasons, a thousand miles of England (2018) was well received by the study abroad community. Although she has been to many regions in Vietnam, she was impressed with Hoang Su Phi so Hoai Sa stopped here and delved deeper to write the book. Love story of the mountain – Horizontal and vertical Hoang Su Phi Ph . The author shares more about the journey and the process of writing the book. Written from admiration to Hoang Su Phi – Since when did Hoai Sa come to Hoang Su Phi? What brought you to that land? – Originally a travel blogger in English (address captainessy ), writing for foreigners who come to Vietnam for the first time in the style of experiential tourism, nature, I often go to mountainous areas in all three regions of the country. For a long time, I have known the beautiful Hoang Su Phi terraced fields and is a heritage recognized by the Ministry of Culture, Sports and Tourism. The terraced fields in Sa Pa, Lao Cai, and Mu Cang Chai, Yen Bai, I have all gone through, but the most beautiful terraced fields in Vietnam, as many photographers call it, I have not been. It was not until 2018, when I visited two terraced fields in Ban Phung and Ban Luoc in Hoang Su Phi, that I decided to write about this place out of admiration for their beauty. Book Love Story of the Mountain – Horizontal and Vertical Hoang Su Phi. Photo: HS – What things about Hoang Su Phi left a special impression on you? – Like most people from afar, my first impression must be the majestic beauty of Hoang Su Phi terraced fields. Tourism potential in Hoang Su Phi is huge. But the longer I stay, the more I realize this is a land rich in cultural identities of ethnic minorities. More than 10 ethnic groups here, most are Nung, Dao, Tay, H’Mong, then less are Kinh, La Chi, Cao Lan, Hoa… all retain their identity. One of the reasons for that is that the roads are difficult, making the storm of urbanization and the storm of development slow to pass. Taking advantage of this, some localities here have done community-based tourism, in a sustainable direction, and resonated in Ha Giang. The commercialization, the erosion of national cultural traditions is not as great as in Sa Pa or Dong Van. – In your opinion, what is the difference that makes this land special? – Ha Giang is best known for two things: It is the headland of the country and has the Dong Van rock plateau (a part of which is still remembered as Ha Giang as a major battlefield during the Border War). The strangeness of a name like Hoang Su Phi itself makes people feel different. In Ha Giang, only Hoang Su Phi is a district with a 3-letter name, originally in Chinese, Hoang Thu Bi, meaning “golden bark”. This place belongs to the Bac Ha Plateau, separate from the rocky plateau to the east of Ha Giang. When talking about the road in Ha Giang, in the past, people have a saying: “Nhat Su Phi, second Bac Me”, to talk about the difficult road to Hoang Su Phi, contributing to the “little-known” character of the district. As mentioned, terraced fields are what outsiders hear about Hoang Su Phi. But it is also a product of labor, agricultural culture here, besides a lot of labor and other cultural beauty associated with forests and mountains. Rice, for example, plays an important role for the people of Hoang Su Phi, participating in all kinds of festivals, because it is “spiritual” in the spiritual life of the people. This is reflected in the article about the New Rice festival of the Nung people and the story of making banh day on Tet of the Dao people. Author Hoai Sa in Thong Nguyen terraced fields. Photo: NVCC. The poetic stories of the mountains – The title of the book “Love Story of the Mountain” evokes beauty and poetry. Is that land just a dream? That land has many poetic stories. The love of the couple built on the fields, in the hills of Shan Tuyet tea… are well known in Hoang Su Phi. Although it is not a rich district, it is in that “not rich” that many interesting cultural and labor rays are reflected. For example, there is a story about a mountain artist who can play 5 musical instruments in the poor commune of Tan Tien, often representing the commune to take exams in the district. Or like the Ceremony of Gratitude for the youth of the Dao Ao Dai is a joyful occasion for the whole village. But of course not only that. In Hoang Su Phi, I realized many concerns about my hometown and development. This is recorded in the writing about Nom script of the Dao people, when the younger generation is no longer interested in learning this script, and it is increasingly disappearing. Or it is also a story about thinking between developing hot tourism and preserving traditional values. Saying that is not to disparage or “show the way for deer to run”, but to emphasize that this beautiful land always has many ways to build and develop life, based on its advantages. . Dao women in Ao Dai in Ban Luoc festival. Photo: HS – Through the book, what did the author do to help readers understand more about this land? Why did you choose the form of expression as “the fairy tale” and not the travel diary? – The book consists of 17 separate but not discrete articles because it is always throughout the beauty and wonder of Hoang Su Phi’s people, culture, profession, customs, festivals, and experiences in the visits. destroy the two peaks of the northeast at Hoang Su Phi. They are arranged alternately so that the reader experiences one sensation after another continuously. Moreover, the book is written from the point of view of people from far away coming to Hoang Su Phi, so it is aimed at people from far away who have little understanding of this western Ha Giang. – To have the material to write this book, how many trips did the author have to visit and explore the land and people? – The author encapsulates the content of the book in 10 trips to Hoang Su Phi over 2 years. Most of that time, the author stayed at homestays of indigenous people scattered in the communes. These homestays have a family atmosphere, close friends with strangers. Thanks to that, the stories about Hoang Su Phi seemed to flow naturally. The character who teaches Nom Dao in the book is also such a landlord. Almost everywhere I went to learn about topics, I was also enthusiastically welcomed and instructed by the natives, especially the Red Dao brothers and sisters. In Ban Luoc commune of the Dao Ao Dai, I stayed with the leader of the commune, so that I could immerse myself more deeply in the commune tourism festival during the golden season. The times to go to the terrace to collect rice, go up to the tea hill with the gardener to pick shan Tuyet leaves, give a true sense of the typical local profession.

Phung Quan wrote how fierce childhood … lasted for 20 years?

Sơn Hà — Fri, 23 Apr 2021 11:08:07 +0000

The work of Intense Childhood was drafted by Phung Quan in the West Lake in 1968 and completed in a grass tent in the middle of Tinh Tam lake in 1986. Immediately after the publication of the work, it resonated and was filmed.

Phung Quan is a famous Vietnamese writer / poet. In 1945, he joined the National Guard, under the role of a reconnaissance soldier of the 101st Regiment (formerly Regiment Tran Cao Van). It was his early years of joining the resistance war that helped Phung Quan with valuable documents to help him write a work of a fierce childhood that was both corrupt and real. The fierce childhood consists of eight parts recording the hard fighting years of the children named Mung, Quynh Poem, Gathering, Scarred, Draped, Snake-skinned, Bay of Rattles, Veil … in the Youth Team. reconnaissance of the Tran Cao Van regiment in Hue in the early years of the war against the French. In the work Intense Childhood, each character is a story, a meaning that the author wants to convey. That is Cong congratulate the desire “to follow the brothers to fight the West for their country to be independent, so that after the nuns, if I have a disease that is worse than asthma, I will also be healed by the government”; As the brave Gathering, no one has the same intellect … According to literary critics, the years of fire and bombs lost, traumatic but heroic, are familiar topics in Vietnamese literature. Phung Quan also chose the arduous resistance war days as the main background. However, he chose a different path, not depicting seasoned soldiers, his main characters as young warriors. Childhood is not the days of innocent play, the childhood of Mung, Lom, and Quynh … are days of hard fighting and willingness to sacrifice for the Fatherland. This is the point of success and the thrill of a fierce Childhood. Commenting on the work, critic Nguyen Khac Vien commented: “The book is nearly 800 pages thick that readers never want to stop, attracted because of the innocent, cunning, heroic characters, because things are sometimes thrilling, sometimes funny, sometimes they cause tears … “. Thanks to the work’s unimaginable success, as soon as it was completed, Phung Quan’s Intense Childhood was published and received the Children’s Literature Award from the Vietnam Writers Association. Two years later, the work was made into a movie. Intense Childhood is director Nguyen Vinh Son’s debut film, produced in 1989. The film is called childhood but it is for both adults and children. The film won many major film awards such as the 1990 Silver Lotus Award, Best Director Award and Best Actor Award at the 1990 Film Festival. Invite readers to watch the video: Missing a teacher. Source: VTV TSTC.

Secretary Hau Giang wrote a letter requesting cadres and civil servants to make the constitution

Cảnh Kỳ — Fri, 23 Apr 2021 09:18:07 +0000

According to the Secretary of the Hau Giang Provincial Party Committee, the goal set in the new phase is to turn Hau Giang into a well-developed province in the region. This is not an available gift, but a goal that requires cadres, party members, civil servants and public employees to make great efforts and strive …

Mr. Le Tien Chau – Secretary of the Hau Giang Provincial Party Committee. Photo: CK On April 23, in the letter to the cadres, party members, civil servants, officials and workers in Hau Giang province on the 46th anniversary of the Liberation of the South (April 30, 1975 – April 30). / 2021) and celebrating the 135th anniversary of the International Labor Day May 1, Mr. Le Tien Chau – Secretary of the Hau Giang Provincial Party Committee said: In the context of the province still faces many difficulties and challenges: the situation climate change, landslides, droughts, saltwater intrusion, diseases have many complicated developments; socio-economic infrastructure, limited investment resources; Human resources are still weak, lack of high-quality labor. A not small part of Party members are showing signs of reliance on, thinking and acting in a way, afraid of innovation, lack of confidence and aspirations to build their homeland. According to Mr. Chau, in fact, difficulty is not something to stop our steps, it is a test of the patience and will to rise of brave and intellectual people, make the results better and the more meaningful it is. “For the common goal of building Hau Giang rich, beautiful, civilized, the people have a prosperous and happy life, I recommend the cadres, party members, civil servants, public employees, each leader of the department. Departments, branches and localities research, donate ideas, new breakthrough solutions, local stature, areas that the province needs to implement in the period 2021-2025 in the fields you are in charge of… ”- Mr. Chau called. Thinking that this is a very important job of the province, the Secretary of the Provincial Party Committee of Hau Giang proposed to send the constitution and proposals to the Office of the Provincial Party Committee before May 31 to synthesize and report to the Provincial Standing Party Committee. The Secretary of the Provincial Party Committee believes that each officer, party member, civil servant, public servant and employee of Hau Giang province will nurture for themselves the will and aspirations to rise, be dedicated, enthusiastic to work, dare to think, dare to say, dare to do, dare to take responsibility, dare to innovate, dare to face difficulties, challenges and drastically in action for the common good … Sponsorship news

Mr. Bush revealed who he wrote his name on in the 2020 vote

Cường Lê — Fri, 23 Apr 2021 08:45:15 +0000

Former President Bush revealed that he wrote the name of former Secretary of State Condoleezza Rice in the 2020 presidential election, instead of Donald Trump or Joe Biden.
“Mrs. Rice knew that, but she said she would refuse the position”, The Hill quoted Mr. Bush as saying People . Condoleezza Rice served as Secretary of State during the second term of President Bush.

On NBC on April 21, Bush described the current Republican as “separatists, defenders in the country and to a certain extent, xenophobic”. . Former President George W. Bush. Photo: Reuters. Mr. Bush and some key Republicans have publicly disapproved of Donald Trump’s re-election. Former President Donald Trump is said to have a deep hatred of the Bush family. Mr Trump frequently stabbed Jeb Bush – George W. Bush’s younger brother and former Florida Governor – during Trump’s run for the White House in 2016. Mr. Bush was also a candidate in the preliminary race. Republican party to find a representative to run for the party. Former President Bush is making headlines in the media to promote his new book, titled Out of Many, One: Portraits of American Immigrants (Interpretation: Portraits of American Immigrants), including his oil paintings of famous immigrant figures.