More than 500 line-length poems by Jidi Majia won the “October Literary Award” and “The Splitting Planet” was praised as “Poem of Sad and Angry Thought”

Cover news reporter Zhang Jie reports from Lizhuang, Yibin, Sichuan

“When the sky becomes low, the eagle’s flight does not have enough height…” In 2020, the new crown epidemic has brought shocks and changes that everyone can feel to the world. Facing the tremendous changes in the real world, the poet Ji Di Majia concentrated on completing a long poem of more than 500 lines, “The Splitting Planet”. In this poem, Ji Di Majia once again exerted his ability to control long poems, using his keen observation and profound thinking of the world reality.

Because of his outstanding performance in thought and art, on the morning of April 16th, at the “China Lizhuang·October Literary Award” award ceremony, “Split Planet” was awarded the 17th (2020) October Literary Award Special award. The award ceremony read: “The Split Planet” is about human beings, the planet we live on, and the unknown destiny of Huang Zhong Dalu. It uses the global virus epidemic as the basis, visions the past and the present, and deeply tortures mankind. The many crises of its own destiny, its existence and development, and a thought-provoking question and answer. “Splitting Planet” is a poem of sad thoughts, a poem of self-soul, and a poem of warning from oracles. It brings ancient peoples The fusion of epics and myths with magma-like passion has brought a brand new scene to Chinese poetry in the new century.”

Standing on the podium, Ji Di Majia briefly reviewed the time background and original intention of his writing and reading this poem, “Although mankind will encounter various disasters, I believe that through love and confidence, the destiny of mankind will definitely change. It’s better.”

In “Cracked Planet”, we can see that the poet’s sight scanning is so vast: from the Euphrates and Ganges, to the Mississippi and the Yellow River, from the Arabian desert to the blue Mediterranean. We can see that the poet’s spiritual world is so broad: war and peace, politics and philosophy, religion and civilization, rights and freedom. We can see that the poet’s deep affection for the natural world, the image of leopards, tigers, migratory birds, orangutans, etc., flashes more and more. Words such as sky, fire and ocean appear frequently. Benjamin, Zweig, Adorno, the faces of wise cultural philosophers in history, emerge one by one in the entire poem. More importantly, this poem allows us to see a mature and outstanding poet who has made his own positive response to his own time through artistic methods and works. The cover news reporter interviewed Ji Di Majia. Around this long poem, the poet talked about his own creative mind, the formation of the poetry style, the relationship between art and the times, etc., and talked freely about his own views and opinions.

It is difficult to write such a long poem and keep it in a good state throughout. Speaking of the experience and experience of writing long poems, Ji Di Majia mentioned in an interview with a cover news reporter, “The difficulty in writing long poems with modern meaning is not how to write long poems. It is how to maintain the inner aura of poems. Luck is not interrupted. Of course, the structure of a long poem is important at all times. But despite this, the core of its structure is what I call “Qi Luck”, which will run through and cannot be interrupted at will, otherwise the long poem It will become a composite of countless short poems. I think the biggest challenge in writing any long poem is not how to write it, but how to keep this kind of “qi luck” always in a strong state. Of course, this state and Rhythm does not always stay on one frequency, it fluctuates up and down, sometimes even peaceful and quiet.”

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