Professor Peng Yuping, Dean of the Chinese Department of Sun Yat-sen University, who has popularized classical poetry on CCTV’s “Hundred Schools Forum”, will start lectures in another way at Xueeryou Bookstore in Guangzhou on the evening of April 17. The title of the lecture is “From Wang Guowei to Kuang Zhouyi “How We Intervene in Academic History”, he will combine his own research and start with two masters of modern ci studies to reveal the context of ci studies and get a glimpse of the academy.
This event is the fourth issue of the series “Everyone’s Lecture Hall·University and Contemporary Academics” co-sponsored by Nandu Book Club, Xueeryou Bookstore and Guangzhou Literature and Art Critics Association. Professor Peng Yuping will give a lecture and will be held by Professor Huang Shizhong from the Chinese Department of Sun Yat-sen University. Host and guest of dialogue. In addition to on-site listening and asking questions, you can also participate through the “Nandu Live”.
Professor Peng Yuping will start with the study of Wang Guowei and Kuang Zhouyi’s Ci studies, telling how he pays attention to, expands, and advances the academic history, how to deal with different academic opinions from his predecessors, etc.; at the same time, he will also have a dialogue with the Chinese opera scholar Professor Huang Shizhong and discuss together Wang Guowei’s pioneering efforts in the field of opera history are related to the international academic community; and Peng Yuping also has the latest research and views on the cause of Wang Guowei’s sinking to share with the public. The dialogue between the two Yangtze River scholars will surely bring out many sparks of thought.
Peng Yuping, Dean, Professor and Ph.D Supervisor of the Chinese Department of Sun Yat-Sen University, Editor-in-Chief of Journal of Sun Yat-Sen University (Social Science Edition), concurrently serving as Vice President of the Chinese Ci Society
Huang Shizhong, Professor of the Chinese Department of Sun Yat-sen University, Director of the Institute of Chinese Ancient Documents
In the study of modern Chinese academic history, Wang Guowei and Kuang Zhouyi are both popular figures. Wang and Kuang met in Shanghai at the end of the Qing Dynasty and the beginning of the Republic of China. They had a lot of communication in the study of Ci. For a long time, the academic circles believed that Wang Guowei and Kuang Zhouyi’s theory and aesthetics of Ci were roughly opposite.
Wang Guowei, a well-known scholar in modern times, is most famous in his literary creation and literary theory for his “Human Ci” and “Human Ci Hua”. The achievements of his Ci writing are in the development of realm; it is generally believed that Wang Guowei used philosophical principles in his Ci , Endowed “realm” with philosophical connotation, which is the difference between him and his predecessors, and also the difference from his contemporaries including Kuang Zhouyi. From the analysis of specific works, Wang Guowei’s poetry has mostly got rid of the clichés of expressing parting feelings and humiliation. What he wants to explore is the relationship between the essence of life and the tragic nature, and how to transcend or get rid of the tragic nature of life. . Wang Guowei’s academic influence is growing day by day. However, before the 1930s, Wang Guowei’s Ci theory was not to be seen, and the mainstream of the Ci circle was Kuang Zhouyi.
“Scattering on the Words in the World”, by Peng Yuping / Zhonghua Book Company / 2020
In 1904, Kuang Zhouyi formally published the first Cihua “Xianghaitangguan Cihua”, which was the first to put forward the theory of “heavy and clumsy”. In “Hui Feng Cihua”, which is the masterpiece of the genre-style Ci theory, there is also an explanation of “the inner meaning is the first, the illocutionary is the latter, especially the small flaws are too big”, which reflects its emphasis on ideological content and exquisiteness. Suspended ci propositions. Wang Guowei’s “Renjian Cihua” praised the poetry of the Five Dynasties and the Northern Song Dynasty, opposed the poetry of the Southern Song Dynasty, and rejected the poetry of the late Qing Dynasty. In related articles, Zhu Zumou and Kuang Zhouyi, who were the “four major poets of the late Qing Dynasty”, occasionally misrepresented. However, Peng Yuping put forward a new theory, thinking that Wang Kuang and Wang Kuang had similarities in the aesthetic orientation of poetry. Kuang Zhouyi revealed his “return to the Northern Song Dynasty” in the note to “A Study of Poets of Past Dynasties” instead of “returning to the Northern Song Dynasty”. “Persistence.
Are the Ci studies of Wang’s and Kuang’s antagonistic? Or, to put it another way, what exactly did Wang Guowei object to, and what did Kuang Zhou Yi “return”? At 7:30 pm on April 17, stay tuned for Professor Peng Yuping’s lecture “From Wang Guowei to Kuang Zhouyi: How We Intervene in Academic History” and his academic dialogue with Professor Huang Shizhong. “Southern Capital Live” will be broadcast live.
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