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Zhao Liying is gentle and firm

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At one time, Zhao Liying was like a female warrior, going forward bravely, trying to overcome all the difficulties with her own strength, but now she tried to slow down some steps, look at the surrounding scenery, and no longer walk alone like penance. She has a deeper understanding of the meaning of independence, and she is happy to accept every moment, not forgetting her original intention, and also accepting flaws. “Gentle but firm, I think I can do it.”

There are a few branches of begonia and cherry blossoms in the yard, and clusters of pink are blooming on the branches far and near. As the twilight approaches, the cold and cold spring of Jiangnan spring is densely entangled. We rubbed our hands and walked into the house. The room warmly breathed a sigh of relief.

Zhao Liying moved her chair forward and moved closer to the heater. As an actor, the winter and summer are always upside-down. Of course, she has to carry everything at work, but she doesn’t want to ignore any signal from the body on weekdays-chilling and avoiding heat are human nature, and there is no need to get used to it. “Everyone should cherish the body a lot. Especially female friends, should respect the laws of the body and learn to do what you can.” Speaking of these, her familiar and caring tone is like a close friend around her.

Between filming, she and the girls on the team exchanged a few thoughts on travel from time to time, and their voices were as brisk as a bird among the clouds. She intends to take the whole team out for a trip at the right time. “Before everyone just talked about work, now they think a little bit more, have a sense of responsibility, and hope to take care of everyone.”

She is gentler than before, and her mind is more open. “Before, I just liked work, I just wanted to play a role I liked, and I didn’t seem to be interested in other things. When I also had a little need for life, I realized that this kind of thing is very important and for the future life. It’s also important.”

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At one time she was like a female warrior, going forward bravely, trying to overcome all difficulties with her own strength, but now she tried to slow down some steps, look at the surrounding scenery, and no longer walk alone like penance. “In fact, everyone can be happy and have a clear goal. I have gone through the unhappy and very hard phases of work. I thought that if you want to do something, you have to come by yourself… In fact, everyone can work together. Face the problem and solve it together.”

So she asked her if she wanted to become softer? She thought for a while and shook her head: “It’s not soft, but gentle.” In her definition, “soft” lacks a bit of independent thinking and independent thinking. “Of course this is my own point of view. Gentle but firm, I think I can do it.”

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“Independence” does not mean confrontation

Not long ago, Zhao Liying tried dubbing a cartoon for the first time, matching the Chinese version of the lines for the “Princess Raya” in “The Legend of the Dragon”. Zhao Liying appreciates Raya’s sassy and neatness, and has been reborn in a passionate adventure. This is similar to many of the roles she has played before: tenacious and persevering in herself, fearless, and always keeping love and love in her heart. The yearning of hope.

The “independent women” in her definition are those who are confident, courageous, and can freely pursue the love and ideals in their hearts. She has read a story about a woman who is 50 years old and older after raising a child. She prepares to go on a self-driving trip with her own gear to go where she has always wanted to go. She thinks this is cool. “‘Independence’ doesn’t mean you have to do extreme things. You don’t necessarily need to give up what you already have. It’s never too late to realize it, just like this woman.”

She retrieved a paragraph from her phone that had been stored for a long time, and read to me one sentence: “He has the ability to live in this world alone, and he can establish a relationship with the world alone. Through his own labor, through his own Professional, such life itself is full of vitality, only such people have the ability to radiate warmth, and have the ability to give others a kind of confidence and happiness. It is not that I am a person in need, I am an anxious person, and then The other party becomes a resource and a tool.”

“Love also has this kind of misunderstanding. Many people feel that they are very lonely and anxious, and there are many difficulties in life. If they can find someone to make up for and help me, it seems that they can get a sense of relief together. But from this perspective It is particularly one-sided, because love is originally the emotion of two people. Therefore, in love, we need to adjust our mentality and then go to live, not to be overly attached to the emotions of either party, but to be able to do our own things and be ourselves We must be able to think about our lives independently.”

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She thinks one thing is very important: “Independence” does not mean confrontation, and it is not necessary to highlight one’s differences through differences. Every girl has to face various evaluations and be judged by some secular standards. “I think when you hear these words, if you still have your own independent thinking and judgment, you are the strong. Many people will be PUA when they hear what others say, and they will doubt their own decisions, but if these do not hurt you at all , You have succeeded. Of course, it is easy and difficult to do this.”

She traveled through different times and spaces indiscriminately through the characters, so she is more convinced that women should not be stuck in “little love and little love”. “They can do more than imagined. They can be guardians and shoulder heavier expectations; they can also face life bravely without being bound by rules and regulations.” She feels that women’s self-confidence also includes With “willing to”, “don’t worry about losing anything, it will leave psychological trauma.”

The roles played will leave deep and shallow traces in Zhao Liying’s life. They will stand in front and become lighthouses, guiding her and accompany her to move forward. “Sometimes after being separated for a long time, I have a better understanding of the way they behave in the world.” Zhao Liying feels that this is an unforgettable opportunity to put in a period of time to experience the life of a character. “They will continue to teach me new things in the dark, allowing me to learn more of the true meaning of life.”

Her love for each role has a different emphasis: she regards Sheng Minglan as “wisdom responsibility” and Chu Qiao as “force responsibility”, and she sees the “initial heart” in Zhou Fei that has always been cherished. “I like this character. Firstly, this’xia’ is not that traditional. Secondly, I see that kind of energy in this character. She is obsessed with what she likes, so she can have no distractions.”

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After being in the society for a long time, the ideals of the year will often turn into ordinary daily life. The goal that once desperately wanted to fight for has become a dispensable thing. She is left and confused. She is always alert to the emergence of this situation. “When I have time, I will think and reflect. When I encounter unhappy things or encounter difficulties at work, I will ask myself, what did I want to do before? The effect is because of what I have done, or what state have I had?”

She will clear up the situation one by one. “If I am experiencing physical exhaustion, how can I allocate time more reasonably? If I really want to achieve a result, can I return to the most idealized state? People have to move forward. We must keep thinking about the current situation and adjust the direction.”

For each role, Zhao Liying has done her best. She believes that they all have their own missions and come to this world through their own interpretation. The play was over, and she had to accept their departure again. The feeling that the bones and blood were once fused together and then peeled off has never been uncomfortable. “Why do many actors have to take a holiday after finishing a role? It is to cushion this separation. If the good quality of the character can stay with me, that would be the best, but maybe they will also have some negative things. I need to wash it away slowly.” At this time, she had no other choice but to wait.

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“I have always accepted the moment”

Recently, Zhao Liying’s work arrangement is not as intensive as before, and she is more concerned about the “combination of work and rest”. “Relaxation doesn’t mean that I don’t do anything, but to give myself a room for digestion. If I keep pushing myself too tight, the effect will be counterproductive.”

Since joining the industry, she has been spinning around, but last year’s epidemic gave her an unexpected holiday. When she accidentally clicked on the Internet, she found some online novels. After opening it, she just wanted to see the bottom of it all at once. She couldn’t help showing an angry and funny expression, with a bit of helplessness: “Watching all night, not only watching, I also spent a lot of money on reading coins…”

Several voices suddenly appeared around, and the staff who had been sitting quietly also joined the discussion. Everyone exchanged their thoughts on popular novels for a while. When Zhao Liying mentioned the name of a novel, she expressed her grief for the collapse of the second half of it: “The heroine’s character collapsed, and all kinds of collaterals are pouring water. I chased it more than 400 chapters, and didn’t chase it anymore. ”

She immediately reflected on this: “Really, you have to consider the audience’s feelings. As a reader, I can’t stand this situation. The story is so fragmented, it seems to be joking with the reader. Substitute the audience’s perspective, if you see a beloved I will feel disappointed and distressed when the characters appear in this kind of situation in the film and television works. Therefore, I will have a particularly repulsive mentality and feel that I should work harder to protect my characters.”

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She likes watching anime, likes the two-dimensional space with a big brain, and likes acting, also because she can use all kinds of imagination in her characters. “This is our nature. When we were children, we didn’t always have all kinds of imagination? The actor carried on that ability to work.” She felt that this was a great fortune, “And this kind of imagination is not It needs to be restricted, it can be expanded indefinitely, and there is no need to compromise for reality.”

Compared to stories about overhead history, the characters in realistic themes are actually more difficult for her. Recently, she played He Xingfu in “Happiness to Ten Thousand Homes”, a resilient and “down-to-earth” girl. “You have to believe and accept her worldview from your heart, and sincerely appreciate her way of expression. You cannot rely on’acting’. Realistic themes test our experience and experience. See how much life themes we can mobilize. The expressed values ​​are communicated.”

“From the very beginning, I acted like’Listen, Really, Really Feel’, and I have never given up on this requirement of myself.” He Xingfu’s sense of simplicity also made her feel happy in the process of acting. “This character is very simple and sincere. After watching many plays, we may not accept the simplicity and sincerity of this character for a while, because we have been polished by reality, edified by humanity and sophistication, and some of the edges and corners have been affected by it. It’s worn out. When I was acting, I also recalled some of the previous state and found myself back.”

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She feels that He Xingfu is similar to her before: “She is very direct, and sometimes she has to say everything regardless of other people’s feelings.” Of course, she has undergone many changes. “I’m not as sharp as before, but I still hope to have a sense of her edges and corners.” He Xingfu’s character has “burrs”, and these flaws constitute her vividness. “Everyone likes that kind of perfect character. When I was a kid, I also thought, why does the character have this kind of problem? But now I understand that this is a real person, without flaws and boring.”

Even if she had doubts about the character’s words, deeds and thoughts before, Zhao Liying would not jump out and “confront” with them. “When performing, I have to be mindless. I have to believe in everything about the character and use her eyes to make judgments.” But from another perspective, the previously thought of “character perspective” is actually limited by age and experience. “If you can only see the simple things, the role is also simple. Now the understanding of people is more complicated, and the handling of the role will be deeper or the pursuit of more novel ways.”

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But each stage has its irreplaceable meaning. Sometimes when she saw the previous works, she would think that she would definitely not be able to perform the purity and agility of the time. “People always get tired of seeing themselves. I also hope to create a new self and interpret different roles in new ways. This is also a process that I need to slowly accept, and it is my new direction for the next ten years. ”

Even if she encounters some unsatisfactory things, she will find reasons to convince herself that this is the best at the moment. “If you have an unchangeable mentality every day, it’s actually a bit uneconomical. If you keep telling yourself that this is what I want and what I can accept, it will be easier to solve the problem.” She also allows herself occasionally late at night Twist it alone. “I forget it when I get up, and I can’t live it up.”

She didn’t want to be immersed in the past, nor did she want to focus on the future. “I have always accepted my present state. Even if I miss my 20s, I won’t be that age. I just need to cherish the present and believe in myself.” A lot of progress is unconsciously When it happened, she moved forward gently and firmly.

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Photography/Mei Yuangui

Producer/Wang Xiaobai

Edit/Neo

Interview, writing/Li Bingqing

Makeup/Mu Jianming

Coordinator/Xuedan

Producer/Zhang Jiahui

Styling execution/Qin Lei

Video production/MonsterStudio

Propaganda/Xiaoyu

Fashion Assistant/Ginger, Wang Xinyue

Assistant/Li Zhixuan

Floral/Tangchuan

Venue Acknowledgement/YONGFOOELITE

Yongfoo Elite, which used to serve as a number of consulates in the old days, has now become a rare retreat. In this shooting, we and Zhao Liying experienced its exquisite beauty in the spring scenery-the Spanish western-style building meets the Chinese courtyard, the collections are all over the collection, and the centuries-old style and humanistic care can be seen everywhere in the details. Classical music, electronic music, modern dance, and installation performances were continuously staged on the “Six Arts Hall” old stage with a carved ceiling in the middle of the Qing Dynasty, representing the pioneering spirit of enlivening the old house. The restaurant with old terroir and memories now presents a new look. Whether indoors or outdoors, people can enjoy the harmony in harmony. It is indeed a good place to enjoy Shanghai cuisine and afternoon tea. In this season of blooming spring flowers, you might as well come to this quiet little courtyard to sit and watch the sky and clouds, and enjoy the pavilion and the green hills together.